Sometimes, Sainkho Namtchylak sounds like an opera tenor, with a clear and bright voice. At other times, her voice is like the singing of birds, or the prattle of a baby. Then she can chat like the crying of a crow, letting out exotic and intense feelings. That kind of variety in her vocals has earned her comparisons to artists such as Bjork, Zap Mama, Patti Smith, Nina Hagen or Maja Ratkje.
Yet her unique throat-singing technique and her experimental spirit, combining various music genres, has made her stand out as one of the few artists influential in both world music and electronic music.
Namtchylak hails from Tuva and comes this week to Taipei for two concerts -- one at the Zhongshan Hall and another at Corridor Cafe in the NTU Gymnasium -- and one music workshop, starting tomorrow.
PHOTO COURTESY OF THE ARTIST
For Taipei audiences, her show will be a rare chance to enjoy music while imagining the broad coniferous woods, the grasslands and the deserts of Tuva without flying all the way to the remote country located at the border of Siberia and Mongolia.
"For me, music has no boundaries. Especially for a time like now, it becomes more possible for us to let music dialogue with each other, crossing the realm of time, space and cultures," Namtchylak said in an interview from China.
Born in the Republic of Tuva in a family of nomadic ancestry, Namtchylak grew up singing and later studied vocals in Moscow. Apart from classical training, she also learned traditional Tuvan throat-singing (khoomei) and Tibetan Buddhist singing. In 1989, she first crossed into the European avant-garde improvisatory music scene, dedicating herself to expanding the potential of throat-singing in combination with various musical styles. The same year she worked and toured with former Soviet Union avant-garde jazz band Tri-O.
Since then, she's spent the past 15 years traveling around the globe spreading her unique sound that combines Tuvan throat-singing with various vocal techniques under the broad framework of jazz, improvisation, experimental and electronic music.
Namtchylak, who has 30 albums to her name, has worked with many outstanding musicians such as Peter Kowald, Ned Rothernberg, Evan Parker, William Parker, Hamid Drake, Djivan Gasparian, Otomo Yoshihide and Hakutobo.
Being one of the pioneers bringing Tuvan music to the Western world, Namtchylak is ironically not embraced by all her Tuvan countrymen.
Throat-singing is a special technique in which two notes are sung at the same time. There is a very strict gender taboo on throat singing in Tuva, restricting it traditionally to men only. In Tuva, Mongolia and Central Asian countries, it is believed that throat-singing leads to sterility in women.
Namchylak not only broke the tradition of "no throat-singing for women," but also having spent two decades living in the West, she is viewed at home as somewhat of a traitor of her country's traditional values.
In 1997, a few days before her 40th birthday, Namtchylak was physically assaulted and hospitalized in Moscow by a group of people claiming to be Tuvans.
The 2001 album Time Out was released after her rehabilitation from the assault. She wrote in the CD that the album is dedicated to Tuva and its people.
"I hope one day my fellow countrymen can understand, that I am an artist belonging to the whole world. The music I create has no boundaries," she said.
In a way, the allure of Namtchylak's music does not lie in her vocal virtuosity but her remaining true to the spirit of experimentation and breaking boundaries. For her two Taipei concerts, audiences will be able to appreciate just such a spirit. She is expected to perform tunes from her two well-received albums, Stepmother City (2000) and Who Stole the Sky (2003).
Performance Notes:
What: Sainkho Namtchylak
When: Tomorrow 7:30pm
Where: Zhongshan Hall, Taipei, 98, Yanping S Rd (
Tickets: NT$800 (available at Arts Ticketing outlets)
When: Sunday, 8:30pm
Where: Corridor Cafe of NTU Sports Center
Tickets: NT$500 (at the door from 8:00pm includes one drink)
Sainkho Namtchylak Masterclass:
When: Sunday, 2pm to 4pm at T305 Experimental Theater, Department of Theater, Taipei National Arts University, 1, Xueyuan Rd, Beitou, Taipei (
Late last month Philippines Foreign Affairs Secretary Theresa Lazaro told the Philippine Senate that the nation has sufficient funds to evacuate the nearly 170,000 Filipino residents in Taiwan, 84 percent of whom are migrant workers, in the event of war. Agencies have been exploring evacuation scenarios since early this year, she said. She also observed that since the Philippines has only limited ships, the government is consulting security agencies for alternatives. Filipinos are a distant third in overall migrant worker population. Indonesia has over 248,000 workers, followed by roughly 240,000 Vietnamese. It should be noted that there are another 170,000
Hannah Liao (廖宸萱) recalls the harassment she experienced on dating apps, an experience that left her frightened and disgusted. “I’ve tried some voice-based dating apps,” the 30-year-old says. “Right away, some guys would say things like, ‘Wanna talk dirty?’ or ‘Wanna suck my d**k?’” she says. Liao’s story is not unique. Ministry of Health and Welfare statistics show a more than 50 percent rise in sexual assault cases related to online encounters over the past five years. In 2023 alone, women comprised 7,698 of the 9,413 reported victims. Faced with a dating landscape that can feel more predatory than promising, many in
“This is one of those rare bits of TikTok fitness advice with a lot of truth behind it,” says Bethan Crouse, performance nutritionist at Loughborough University. “Sometimes it’s taken a bit too literally, though! You see people chugging protein drinks as they’re scanning out of their gym.” Crouse recommends the athletes she works with consume 20-30g of protein within 30-60 minutes of finishing a resistance training session. “The act of exercising our muscles increases the breakdown of muscle proteins,” she says. “In order to restore, or hopefully improve them — and get gains such as increased muscle mass or strength —
“Far from being a rock or island … it turns out that the best metaphor to describe the human body is ‘sponge.’ We’re permeable,” write Rick Smith and Bruce Lourie in their book Slow Death By Rubber Duck: The Secret Danger of Everyday Things. While the permeability of our cells is key to being alive, it also means we absorb more potentially harmful substances than we realize. Studies have found a number of chemical residues in human breast milk, urine and water systems. Many of them are endocrine disruptors, which can interfere with the body’s natural hormones. “They can mimic, block
RSS