In the 823 Artillery Bombardment (
What this has given Kinmen, in addition to many semi-collapsed buildings, is a huge cache of high-quality steel. In the hands of knife-maker Wu Tseng-dong (
PHOTOS: IAN BARTHOLOMEW, TAIPEI TIMES
The Chin Ho Li Steel Knife Factory (
Wu Tsong-shan, a quietly spoken bespectacled man, has spent over 30 years making knives and is the third generation of his family in the business. Wu recalled a childhood in which he would work the bellows of the forge when he got back from school, and serve as an assistant to his father and brothers around the smithy.
"In those days, production was very limited," he said. "But the knives we made were highly regarded, and would often be bought by soldiers stationed on the island and taken back to Taiwan. That's how our reputation grew."
In the early days, Wu's family made agricultural implements. Bombing of the island provided quality steel that literally dropped from the sky, and the Wu family shifted to making knives.
"Mostly we made butcher's knives. In the beginning, we would only take money after a person had used the knife and found it satisfactory. If it was unsatisfactory, we would replace it with another."
This input by Kinmen's butchers has been put to good use and now Wu's knives are definitely at the top end of the market. Sadly, perhaps, they are no longer used by local butchers, but have instead found their way into the kitchens of chefs working for major hotels in Taiwan and overseas. "Some have even provided specific designs for us," Wu said, "and we are gaining experience of their habits and needs."
While Wu does not claim any analytical knowledge of the materials he uses, his long familiarity with his materials has made him an expert in the subtle art of forging steel. "We must judge the heat of the steel very accurately. The color [of the red hot] steel tells us what we need to know ... this is part of the secret knowledge of our business," he said, with a mixture of pride and self-deprecation. "It all has to be judged very accurately."
Certainly, part of the appeal of Kinmen knives is in their association with history, but they would certainly not be so popular if they were not also of outstanding quality. The secret is in the fact that these knives are still forged and shaped by hand. "There is no comparison with mass-produced knives that are simply cut and ground from a metal board," he said. "It is the forging process that gives these knives their hardness and their ability to hold an edge."
The government has played a part in raising the profile of Kinmen knives. Since 1998 it has provided guidance about designing Western style knives and in 2000 assisted with a total revamp of labeling and packaging.
These days, "Maestro Wu" knives come in elegant display boxes and Wu says that they are increasingly developing extra-high-end knives for collectors.
"After all, one kitchen only needs a few knives, and our knives last a long time, so we have to expand the market in new directions."
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby