It's natural with the hot weather to shed inhibitions and clothing. Singer Alex To (杜德偉) and his fans are no
exception.
For his latest album Take Off (脫掉), To not only makes a nude appearance in his music video, but he also invited his fans to do the same. On Sunday in a promotion for his new musical offering. To stripped to his shorts in Ximending. His record company advertised "half naked for half price, all naked for free" CDs, to encourage people to go on stage and strip with To. A few women took off their tops and presumably got half price CDs.
PHOTO: TAIPEI TIMES
"I look at myself in the mirror every night, naked, and make believe I'm 25. I can dance, sing, act, write songs and I'm good-looking!" said To (actual age, 42), adding he's proud of his iron-hard hard butt. According to The Great Daily News (大成報), however, To didn't just lose his clothes last week, he also lost his wallet and work permit in a taxi, causing a headache for his manager.
Thai action star Tony Jaa was another hot male body in action last weekend. In a promotion for his movie Ong Bak, Jaa gave Taiwanese reporters a first glimpse of his awesome Thai martial art powers. He somersaulted into the press conference and then practiced "kicks" at a 2m-tall colleague. It was all done so quickly the photographers present had to ask him to do it again, and again.
"I don't smoke, drink or have sex. I don't touch anything that's bad for the body. The most important thing for me is Thai boxing," the 28 year-old actor said. "The sacrifice is worth it." Whatever, Jaa is now back in Thailand to shoot the mega-budgetedTom Yum Goong, a story about saving an elephant from being abducted.
PHOTO: TAIPEI TIMES
Jackie Chan's (成龍) 22 year-old son Jaycee Chan (房祖明) is receiving recognition for his singing skills and dad will doubtless be chuffed. At the 6th CCTV-MTV Music Award Ceremony held last Saturday in Beijing, Chan Jr. took the award for Best Hong Kong New Performer. Never mind the fact that his record has not been released yet, and few people in China (let alone Taiwan)) have ever heard of his singing. Dad has clout, obviously. Jaycee Chan is also starring in the NT$320 million action thriller, Twins Effect II (千機變II花都大戰), in which his father is an investor.
"I don't want to rely on my father's connections in the entertainment field. In fact, I don't want people to mention his name in front of me," Chan was quoted as saying by Chinese media. Yeah, right.
In its second week of release, the negative reception to House of Flying Daggers (十面埋伏) is becoming a chorus of disapproval in the media and in Internet chatrooms in China, Hong Kong and Taiwan. In Beijing, film professor Su Mu (蘇牧) wrote an article slamming the film as "childish and ridiculous."
"Most of the audience was laughing in the theater and this expressed the contempt of the audience toward Chinese filmmakers," Su wrote. In Hong Kong well-known actor and director Michael Hui (許冠文) told Apple Daily (蘋果日報) that only one word could describe the movie ? "crap." In Taiwan, a movie Web site concluded, "Basically you can treat this movie as a comedy and laugh about it. But then again, NT$250 is better spent on more meaningful things."
The canonical shot of an East Asian city is a night skyline studded with towering apartment and office buildings, bright with neon and plastic signage, a landscape of energy and modernity. Another classic image is the same city seen from above, in which identical apartment towers march across the city, spilling out over nearby geography, like stylized soldiers colonizing new territory in a board game. Densely populated dynamic conurbations of money, technological innovation and convenience, it is hard to see the cities of East Asia as what they truly are: necropolises. Why is this? The East Asian development model, with
June 16 to June 22 The following flyer appeared on the streets of Hsinchu on June 12, 1895: “Taipei has already fallen to the Japanese barbarians, who have brought great misery to our land and people. We heard that the Japanese occupiers will tax our gardens, our houses, our bodies, and even our chickens, dogs, cows and pigs. They wear their hair wild, carve their teeth, tattoo their foreheads, wear strange clothes and speak a strange language. How can we be ruled by such people?” Posted by civilian militia leader Wu Tang-hsing (吳湯興), it was a call to arms to retake
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The wide-screen spectacle of Formula One gets a gleaming, rip-roaring workout in Joseph Kosinski’s F1, a fine-tuned machine of a movie that, in its most riveting racing scenes, approaches a kind of high-speed splendor. Kosinski, who last endeavored to put moviegoers in the seat of a fighter jet in Top Gun: Maverick, has moved to the open cockpits of Formula One with much the same affection, if not outright need, for speed. A lot of the same team is back. Jerry Bruckheimer produces. Ehren Kruger, a co-writer on Maverick, takes sole credit here. Hans Zimmer, a co-composer previously, supplies the thumping
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