It's natural with the hot weather to shed inhibitions and clothing. Singer Alex To (杜德偉) and his fans are no
exception.
For his latest album Take Off (脫掉), To not only makes a nude appearance in his music video, but he also invited his fans to do the same. On Sunday in a promotion for his new musical offering. To stripped to his shorts in Ximending. His record company advertised "half naked for half price, all naked for free" CDs, to encourage people to go on stage and strip with To. A few women took off their tops and presumably got half price CDs.
PHOTO: TAIPEI TIMES
"I look at myself in the mirror every night, naked, and make believe I'm 25. I can dance, sing, act, write songs and I'm good-looking!" said To (actual age, 42), adding he's proud of his iron-hard hard butt. According to The Great Daily News (大成報), however, To didn't just lose his clothes last week, he also lost his wallet and work permit in a taxi, causing a headache for his manager.
Thai action star Tony Jaa was another hot male body in action last weekend. In a promotion for his movie Ong Bak, Jaa gave Taiwanese reporters a first glimpse of his awesome Thai martial art powers. He somersaulted into the press conference and then practiced "kicks" at a 2m-tall colleague. It was all done so quickly the photographers present had to ask him to do it again, and again.
"I don't smoke, drink or have sex. I don't touch anything that's bad for the body. The most important thing for me is Thai boxing," the 28 year-old actor said. "The sacrifice is worth it." Whatever, Jaa is now back in Thailand to shoot the mega-budgetedTom Yum Goong, a story about saving an elephant from being abducted.
PHOTO: TAIPEI TIMES
Jackie Chan's (成龍) 22 year-old son Jaycee Chan (房祖明) is receiving recognition for his singing skills and dad will doubtless be chuffed. At the 6th CCTV-MTV Music Award Ceremony held last Saturday in Beijing, Chan Jr. took the award for Best Hong Kong New Performer. Never mind the fact that his record has not been released yet, and few people in China (let alone Taiwan)) have ever heard of his singing. Dad has clout, obviously. Jaycee Chan is also starring in the NT$320 million action thriller, Twins Effect II (千機變II花都大戰), in which his father is an investor.
"I don't want to rely on my father's connections in the entertainment field. In fact, I don't want people to mention his name in front of me," Chan was quoted as saying by Chinese media. Yeah, right.
In its second week of release, the negative reception to House of Flying Daggers (十面埋伏) is becoming a chorus of disapproval in the media and in Internet chatrooms in China, Hong Kong and Taiwan. In Beijing, film professor Su Mu (蘇牧) wrote an article slamming the film as "childish and ridiculous."
"Most of the audience was laughing in the theater and this expressed the contempt of the audience toward Chinese filmmakers," Su wrote. In Hong Kong well-known actor and director Michael Hui (許冠文) told Apple Daily (蘋果日報) that only one word could describe the movie ? "crap." In Taiwan, a movie Web site concluded, "Basically you can treat this movie as a comedy and laugh about it. But then again, NT$250 is better spent on more meaningful things."
When Taiwan was battered by storms this summer, the only crumb of comfort I could take was knowing that some advice I’d drafted several weeks earlier had been correct. Regarding the Southern Cross-Island Highway (南橫公路), a spectacular high-elevation route connecting Taiwan’s southwest with the country’s southeast, I’d written: “The precarious existence of this road cannot be overstated; those hoping to drive or ride all the way across should have a backup plan.” As this article was going to press, the middle section of the highway, between Meishankou (梅山口) in Kaohsiung and Siangyang (向陽) in Taitung County, was still closed to outsiders
President William Lai (賴清德) has championed Taiwan as an “AI Island” — an artificial intelligence (AI) hub powering the global tech economy. But without major shifts in talent, funding and strategic direction, this vision risks becoming a static fortress: indispensable, yet immobile and vulnerable. It’s time to reframe Taiwan’s ambition. Time to move from a resource-rich AI island to an AI Armada. Why change metaphors? Because choosing the right metaphor shapes both understanding and strategy. The “AI Island” frames our national ambition as a static fortress that, while valuable, is still vulnerable and reactive. Shifting our metaphor to an “AI Armada”
US President Donald Trump may have hoped for an impromptu talk with his old friend Kim Jong-un during a recent trip to Asia, but analysts say the increasingly emboldened North Korean despot had few good reasons to join the photo-op. Trump sent repeated overtures to Kim during his barnstorming tour of Asia, saying he was “100 percent” open to a meeting and even bucking decades of US policy by conceding that North Korea was “sort of a nuclear power.” But Pyongyang kept mum on the invitation, instead firing off missiles and sending its foreign minister to Russia and Belarus, with whom it
The Chinese Communist Party (CCP) has a dystopian, radical and dangerous conception of itself. Few are aware of this very fundamental difference between how they view power and how the rest of the world does. Even those of us who have lived in China sometimes fall back into the trap of viewing it through the lens of the power relationships common throughout the rest of the world, instead of understanding the CCP as it conceives of itself. Broadly speaking, the concepts of the people, race, culture, civilization, nation, government and religion are separate, though often overlapping and intertwined. A government
RSS