Hugely popular martial arts opera star Li Bao-chun (李寶春) makes a welcome return to the stage this weekend for a series of performances at Taipei's Novel Hall. Entitled Choice Peking Opera with Li Bao-chun (新老戲之四齣好老戲), the series of shows, which begins tomorrow evening, will see Li teaming up with some of the biggest names in Beijing opera to perform reworkings of four classic operas.
Born in Hebei Province in 1950 to a celebrated theatrical family, Li was the first son of the legendary Beijing opera star, Li Shao-chun (李少春). At 10 he was admitted to the Beijing opera school where he studied for eight years. On graduation he was assigned to the Chinese National Opera Troupe.
Li relocated to the US in the mid-1980s, where he was awarded the outstanding Asian artist award by the Chinese American Arts Council in 1987. In 1989 Li moved to Taiwan and helped establish the Taipei Nova Chinese Opera Troupe, which he now heads.
PHOTO COURTESY OF KOO FOUNDATION
He specialized in the role of the bearded old man (Laosheng, 老生) in his formative years in China, but Li's name has since become synonymous in Taiwan with the high-flying martial arts combat hero, (Wusheng, 武生). While it is his high-flying portrayals of Wusheng and the Monkey King that have made such an indelible mark on Taiwan's opera scene, Li remains proficient in all operatic roles.
Organized by the Koo Foundation (辜公亮文教基金會), this weekend's performances feature four very different styles of opera that showcase not only Li's more acrobatic opera side, but also his down-to-earth and more vocal operatic skills as well. All the shows have been extensively reworked by Li in order to reduce their length and enable him to highlight the best parts.
The series includes a special adaptation of the Kun opera (崑曲) Fifteen Strings of Copper (十五貫), scenes from the classic Qing Dynasty opera The Jade Cup Named Snow White (一捧雪), the fast paced and high-flying martial arts opera Wu Zi-xu, the Innocent Fugitive (
PHOTO COURTESY OF KOO FOUNDATION
Performance notes:
What: Choice Peking Opera with Li Bao-chun (
Where: Taipei's Novel Hall (
PHOTO COURTESY OF KOO FOUNDATION
What: Saturday through Wednesday, June 9.
Tickets: Tickets cost from NT$500 to NT$1,500 and are available from ERA Ticketing Outlets nationwide, or direct from the Novel Hall.
The US war on Iran has illuminated the deep interdependence of Asia on flows of oil and related items as raw materials that become the basis of modern human civilization. Australians and New Zealanders had a wake up call. The crisis also emphasizes how the Philippines is a swatch of islands linked by jet fuel. These revelations have deep implications for an invasion of Taiwan. Much of the commentary on the Taiwan scenario has looked at the disruptions to world trade, which will be in the trillions. However, the Iran war offers additional specific lessons for a Taiwan scenario. An insightful
The problem with Marx’s famous remark that history repeats itself, first as tragedy, the second time as farce, is that the first time is usually farce as well. This week Chinese Nationalist Party (KMT) Chair Cheng Li-wun (鄭麗文) made a pilgrimage to the People’s Republic of China (PRC) “to confer, converse and otherwise hob-nob” with Chinese Communist Party (CCP) officials. The visit was an instant international media hit, with major media reporting almost entirely shorn of context. “Taiwan’s main opposition leader landed in China Tuesday for a rare visit aimed at cross-strait ‘peace’”, crowed Agence-France Presse (AFP) from Shanghai. Rare!
Polling data often confirms what we expect, but sometimes it throws up surprises. When examined over time, some patterns appear that speak to something bigger going on. In this column, whenever possible, Formosa’s polls are used. Despite the sometimes cringeworthy antics of Formosa’s Chairman, Wu Tzu-Chia (吳子嘉), the data produced includes detailed breakdowns crucial for analysis. It has also been conducted monthly 11-12 times a year for many years with many of the same questions, allowing for analysis over time. When big shifts do occur between one month and the next it is usually in response to some event in
April 6 to April 13 Few expected a Japanese manga adaptation featuring four tall, long-haired heartthrobs and a plucky heroine to transform Taiwan’s television industry. But Meteor Garden (流星花園) took the nation by storm after premiering on April 12, 2001, single-handedly creating the “idol drama” (偶像劇) craze that captivated young viewers across Asia. The show was so successful that Japan produced its own remake in 2005, followed by South Korea, China and Thailand. Other channels quickly followed suit, with more than 50 such shows appearing over the following two years. Departing from the melodramatic