Yo-yo Ma at Tanglewood
Yo-yo Ma (Cello) and Various Artists
SOny DVD SVD 46392
The cello makes a strong showing this month, with celebrities Yo-Yo Ma and Rostropovich starring on DVD, and the instrument also featuring prominently on the Master and Commander sound track with, as it happens, Yo-Yo Ma providing the solo cello for the same number that opens Rostropovich's pair of DVDs.
This is a magnificent DVD of youthful Yo-Yo Ma at the music summer school of Tanglewood in Massachusetts 15 years ago. You watch him playing in small groups, rehearsing, coaching students, and then performing complete Beethoven's Sonata for Cello and Piano in G Minor Op.5, No:2 with Emanuel Ax. The DVD ends with part of the premiere of the 1989 Cello Concerto by H.K.Gruber, with the composer in attendance.
Ma points out at one stage that psychologists have argued that people are happiest when they feel special but are also part of a group, and says these conditions are satisfied when playing chamber music. And indeed his own happiness and enthusiasm are truly infectious. There's also an extraordinary scene where Bobby McFerrin suddenly appears and prepares to conduct Beethoven's Seventh Symphony, explaining that his background was in the classics and his father a classical musician. This long DVD (99 minutes) is of outstanding quality, most enjoyable, and in addition excellent value for money. Yo Yo Ma's personality is so sunny that it can equally well be watched for personal pleasure and considered for use in musical education. Classical music has few more persuasive ambassadors than Ma, and this DVD shows him to particular advantage.
Bach Cello Suites
Mstislav Rostropovich (Cello), 2 DVDS
EMI 5 99156 9
These DVDs show Rostropovich playing all six Bach suites for solo cello in a church in France. This is valuable enough in itself, but what is most memorable are the passages, often quite long, where Rostropovich introduces the music in fireside chats, with illustrations on the piano. There's a general introduction, and then sections where he talks about each suite in turn, each introductory explanation inserted immediately before the performance. The general introduction and the first few sets of specific comment take place in what is clearly one of his homes, but later on you see him at the organ of the church itself. His last introduction, recorded on a cold winter night in the church, is most moving. Here he discusses the Allemande of the last suite, and the time Bach allows before each harmonic change, timing them with a stop-watch. This, says Rostropovich, is like our allotted time between birth and death, and then he goes on to, as it were, thank the great Creator in whom both he and Bach clearly so fervently believe for this benign arrangement. The church setting, needless to say, could hardly be more appropriate.
Argento / Rochberg
Two World Premiere Recordings Taipei Symphony Orchestra, Conductor Felix Chiu-sen Chen
BRAVO 20125
How nice it is to find our own Taipei Symphony Orchestra making the first ever recordings of two modern works! Both are clarinet pieces and feature clarinetist Anthony Gigliotti, with Felix Chiu-sen Chen, sadly no longer in charge of the TSO, conducting. They are attractive works, though neither necessarily reveal their charm on first hearing. The most important of the pieces is US composer George Rochberg's Clarinet Concerto, first performed with this same soloist by the Philadelphia Orchestra in 1996 under Wolfgang Sawallisch, though they didn't record it. Capriccio for Clarinet and Orchestra by another American, Dominick Argento, completes the CD. This 24 BIT digital recording was made by multiple Grammy Award-winner Da-Hong Seetoo, who not long ago won the coveted Best Classical Album of the Year award.
Beau Soir
Emmanuel Pahud (Flute), Mariko Anraku (Harp)
EMI Classics 5 57739 2 0
Listening to this CD, you feel it's no coincidence that Mozart wrote his Concerto for Flute and Harp in Paris. The particular combination of instruments feels distinctly French, a sense certainly derived from the music of Debussy, but perhaps going back much further. Be that as it may, this attractive CD is devoted to French and Japanese music for the two instruments. It's beautifully recorded, and if you listen to it while eating dinner you may well enjoy the illusion that you are some minor Central Asian potentate of yore being entertained in his carpeted tent by a private duo, ready to bow out at the wave of a princely hand. Many of the items inevitably have been adapted from pieces written for different instruments.
Master and Commander
Original Sound Track
Decca 475 398-2
There's quite a lot of classical and traditional Irish music on this evocative Original Sound Track, as those who remember Russel Crowe and Paul Bettany miming playing duets in the captain's cabin in the film will expect. Irish fiddle, pipe and drum numbers also feature prominently, with Richard Tognetti, one of the score's composers, himself on violin on these occasions. The film was strong on using music that was current in the Napoleonic Wars era, together with specially composed atmospheric material. Consequently you have short extracts from Bach, Corelli and Mozart. The extraordinary thing, though, is that the most catchy tune of all, and the one that in the event was used to end the movie, was not a specially composed item but an arrangement of a Spanish-style piece by the 18th century composer Luigi Boccherini (track 14).
This is, all in all, a very attractive product.
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Peter Brighton was amazed when he found the giant jackfruit. He had been watching it grow on his farm in far north Queensland, and when it came time to pick it from the tree, it was so heavy it needed two people to do the job. “I was surprised when we cut it off and felt how heavy it was,” he says. “I grabbed it and my wife cut it — couldn’t do it by myself, it took two of us.” Weighing in at 45 kilograms, it is the heaviest jackfruit that Brighton has ever grown on his tropical fruit farm, located