Dai Dong-ni (
Over 100 originals by some 60 Chinese master painters have been gathered under one roof for viewers to appreciate up close. These include: Wu Chang-shuo's (
Dai Mei-ling (
PHOTO COURTESY OF NCA
The Changan school of paintings is one of the main categories of Dai Family's collection. Shi Lu (
Gao Chian-fu (
Fu Bao-shi (傅抱石), a well-known figure of the Chingling school, was the first painter to disregard the painting tradition of leaving blank space on the panel. His Landscape series, in which minimalist human figures appear against rugged, overwhelming cliffs, powerfully evokes the magnificence of central Chinese mountains.
Horses are Hsu Bei-hong's most celebrated subject. Hsu applied his knowledge of anatomy to painting the joints and calves of the horses and insisted on reserving one particular brush for painting the tail. These characteristics are evident in Hsu's Horse, on show at the exhibition.
Among other rare finds are Empress Dowager Zi Hsi's (
Collection of 19th to 20th Century Genuine Traditional Chinese Painting and Calligraphy will run through March 21 at National Cultural Association, 15 Chongqing S Rd., Sec 2, Taipei (
In the next few months tough decisions will need to be made by the Taiwan People’s Party (TPP) and their pan-blue allies in the Chinese Nationalist Party (KMT). It will reveal just how real their alliance is with actual power at stake. Party founder Ko Wen-je (柯文哲) faced these tough questions, which we explored in part one of this series, “Ko Wen-je, the KMT’s prickly ally,” (Aug. 16, page 12). Ko was open to cooperation, but on his terms. He openly fretted about being “swallowed up” by the KMT, and was keenly aware of the experience of the People’s First Party
Aug. 25 to Aug. 31 Although Mr. Lin (林) had been married to his Japanese wife for a decade, their union was never legally recognized — and even their daughter was officially deemed illegitimate. During the first half of Japanese rule in Taiwan, only marriages between Japanese men and Taiwanese women were valid, unless the Taiwanese husband formally joined a Japanese household. In 1920, Lin took his frustrations directly to the Ministry of Home Affairs: “Since Japan took possession of Taiwan, we have obeyed the government’s directives and committed ourselves to breaking old Qing-era customs. Yet ... our marriages remain unrecognized,
Not long into Mistress Dispeller, a quietly jaw-dropping new documentary from director Elizabeth Lo, the film’s eponymous character lays out her thesis for ridding marriages of troublesome extra lovers. “When someone becomes a mistress,” she says, “it’s because they feel they don’t deserve complete love. She’s the one who needs our help the most.” Wang Zhenxi, a mistress dispeller based in north-central China’s Henan province, is one of a growing number of self-styled professionals who earn a living by intervening in people’s marriages — to “dispel” them of intruders. “I was looking for a love story set in China,” says Lo,
It was on his honeymoon in Kuala Lumpur, looking out of his hotel window at the silvery points of the world’s tallest twin skyscrapers, that Frank decided it was time to become taller. He had recently confessed to his new wife how much his height had bothered him since he was a teenager. As a man dedicated to self-improvement, Frank wanted to take action. He picked up the phone, called a clinic in Turkey that specializes in leg lengthening surgery — and made a booking. “I had a lot of second thoughts — at the end of the day, someone’s going