Dai Dong-ni (
Over 100 originals by some 60 Chinese master painters have been gathered under one roof for viewers to appreciate up close. These include: Wu Chang-shuo's (
Dai Mei-ling (
PHOTO COURTESY OF NCA
The Changan school of paintings is one of the main categories of Dai Family's collection. Shi Lu (
Gao Chian-fu (
Fu Bao-shi (傅抱石), a well-known figure of the Chingling school, was the first painter to disregard the painting tradition of leaving blank space on the panel. His Landscape series, in which minimalist human figures appear against rugged, overwhelming cliffs, powerfully evokes the magnificence of central Chinese mountains.
Horses are Hsu Bei-hong's most celebrated subject. Hsu applied his knowledge of anatomy to painting the joints and calves of the horses and insisted on reserving one particular brush for painting the tail. These characteristics are evident in Hsu's Horse, on show at the exhibition.
Among other rare finds are Empress Dowager Zi Hsi's (
Collection of 19th to 20th Century Genuine Traditional Chinese Painting and Calligraphy will run through March 21 at National Cultural Association, 15 Chongqing S Rd., Sec 2, Taipei (
When Taiwan was battered by storms this summer, the only crumb of comfort I could take was knowing that some advice I’d drafted several weeks earlier had been correct. Regarding the Southern Cross-Island Highway (南橫公路), a spectacular high-elevation route connecting Taiwan’s southwest with the country’s southeast, I’d written: “The precarious existence of this road cannot be overstated; those hoping to drive or ride all the way across should have a backup plan.” As this article was going to press, the middle section of the highway, between Meishankou (梅山口) in Kaohsiung and Siangyang (向陽) in Taitung County, was still closed to outsiders
President William Lai (賴清德) has championed Taiwan as an “AI Island” — an artificial intelligence (AI) hub powering the global tech economy. But without major shifts in talent, funding and strategic direction, this vision risks becoming a static fortress: indispensable, yet immobile and vulnerable. It’s time to reframe Taiwan’s ambition. Time to move from a resource-rich AI island to an AI Armada. Why change metaphors? Because choosing the right metaphor shapes both understanding and strategy. The “AI Island” frames our national ambition as a static fortress that, while valuable, is still vulnerable and reactive. Shifting our metaphor to an “AI Armada”
US President Donald Trump may have hoped for an impromptu talk with his old friend Kim Jong-un during a recent trip to Asia, but analysts say the increasingly emboldened North Korean despot had few good reasons to join the photo-op. Trump sent repeated overtures to Kim during his barnstorming tour of Asia, saying he was “100 percent” open to a meeting and even bucking decades of US policy by conceding that North Korea was “sort of a nuclear power.” But Pyongyang kept mum on the invitation, instead firing off missiles and sending its foreign minister to Russia and Belarus, with whom it
The Chinese Communist Party (CCP) has a dystopian, radical and dangerous conception of itself. Few are aware of this very fundamental difference between how they view power and how the rest of the world does. Even those of us who have lived in China sometimes fall back into the trap of viewing it through the lens of the power relationships common throughout the rest of the world, instead of understanding the CCP as it conceives of itself. Broadly speaking, the concepts of the people, race, culture, civilization, nation, government and religion are separate, though often overlapping and intertwined. A government
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