Patricio Gasia, 20, flaunts his own brand of street cred, one part hip hop two parts cholo, which is slang for the Mexican-American gangster style that originated in East Los Angeles. His street-tough look, a composite of oversize T-shirt, visored cap and pastel-tinted rosary, was enhanced by his bicycle, a low and streamlined trick bike, customized with baroque metallic flourishes.
Gasia, a busboy who works in Spanish Harlem, spoke last week through a friend and interpreter. His style "comes from people of color but with a Latino twist," he said. The idea is to look, he said, "chingaso -- ready to fight, like a gangster."
Gasia is among a wave of young Mexican-Americans in New York who have imported the east Los Angeles outlaw look, though not necessarily the lifestyle, from California.
In cities across the US, young Latino men and some women are picking up on the same trend, incorporating elements of cholo into their street garb, conferring on the style an authenticity that commends it to the would-be hip.
"Cholo is definitely bubbling under in a big way," said Rodrigo Salazar, the editor in chief of Urban Latino, a magazine for young Hispanics. Adopting its provocative insignia -- low-slung chinos, bandannas folded low on the head and florid religious tattoos -- is a way for some young Latinos to register pride and to stake a claim on their own culture, Salazar said. And lately some of those gritty elements have seeped into the fashion vernacular of non-Latinos as well.
New York University undergraduates swagger down lower Broadway affecting diluted variations: neatly folded bandannas, T-shirts emblazoned with the Virgin of Guadalupe and "Mi Vida Loca" slogans printed in ornate gothic letters, pants cropped at calf length or shorts worn with white socks pulled up to the knees.
On Christopher Street, weekend revelers club-hop with their trousers festooned in chains, their buzz cuts all but obscured by cholo-style hats or "brims," characteristically creased once at the center and turned down at the rim.
And now the street-based style is percolating up to highly visible pop stars and to mainstream retailers like the Gap and Henri Bendel. Missy Elliott and Christina Aguilera have adopted bandannas and cholo hats in their stage outfits. Cher appeared on the celebrity TV news program Access Hollywood last week in a salon-slick variation of chola braids. The Gap's nod to cholo is a popular line of monogrammed jeans and corduroy pants embroidered Latino style in gothic letters, as modeled by Madonna.
"This trend feels exactly like rap and hip hop culture did in the early 1980s, and it's likely to follow the same trajectory," predicted Irma Zandl, a partner in the Zandl Group, a trend consulting company in New York.
Fueling it is a shift in demographics. Hispanics are now the largest minority group in the US, the last census data show. And Hispanic Americans 18 to 24 years old are the fastest-growing segment of the US population, more than 60 percent of them of Mexican descent. Given the expanding cultural clout of Latinos, it is not surprising that east Los Angeles street style is crossing over.
Music is the main avenue for its spread, both to Hispanics and non-Hispanics. Stations that broadcast Latino rock, like Power 106 in Los Angeles, feature Latin hip hop or rap groups like Spanish Fly, Psycho Realm and Delinquent Habits. The newest video by the heavy-metal band Metallica, St. Anger, is set in a Los Angeles jail, the camera zooming in on inmates who display chinos and assorted tattoos.
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