The New York-based Cat Power (a.k.a. Chan Marshall) has won critical acclaim since 1994's Dear Sir EP. The 1996, the Myra Lee EP received rave reviews for its raw energy and mature lyricism. Moon Pix, a collection of poignant songs released two years later, is widely considered the band's masterpiece. It's also the album that established Marshall's fan base in Taiwan.
The hauntingly gloomy atmosphere throughout the album both in music and lyrics is powerful enough to push potential suicides over the edge. Marshall sings her characteristically arcane lyrics as a lament. The vocals, with their evocative imagery and intense emotions, may be Cat Power's greatest appeal.
In 2000's The Covers Record, consisting of 12 remakes of songs in variety of genres -- songs like the Rolling Stone's Satisfaction and Velve Underground's I Found a Reason -- are thoroughly reconstructed and at the same time rendered eerily beautiful.
PHOTO COURTESY OF MAGNUM MUSIC ENTERTAINMENT
Cat Power is going to release the long-awaited You Are Free, her first album of original material in four years. Eddie Vedder, the Pearl Jam singer, is a guest singer on the album while Foo Fighters's frontman Dave Grohl plays drums on one track.
Although the album will be hitting store shelves worldwide on Feb 19, audiences in Taiwan will be able to purchase the new album starting today, as it is released here to coincide with tonight's concert. Cat Power's next stops are Japan and then Paris, where Marshall is most celebrated and often compared with 1970s art-pop diva Brigitte Fontaine.
Three days before the concert, Marshall talked with Taipei Times about her music in a free-association manner, much like the way she writes her lyrics. "I'm not famous at all. I can sit in a coffee place and think. That's a good thing, Marshall," said.
As for her new album You Are Free. It may not be easy-listening but a more go-getting positivism and confidence can be detected in the songs.
"As a woman, as an person, I'm much more confident than when the band started," she said, referring to her reluctance to name the band -- which is basically a one woman outfit with backing changing from album to album -- after herself.
"Music is not my entire life. Music is just something I do. I don't sing first thing in the morning. Also, I wasn't that confident at the time, Marshall said.
"When I set up the group, I didn't really have any self esteem. I felt really like a loser. My friends have passed away from drugs, suicide, Aids and stuff. I've seen that other side of life. I know that life can be really hard and ugly. Then I realized it doesn't have to be like that. If it already is, then try to enjoy your life, make you own life and make your own decisions."
On the new album the group made a Michael Hurley cover, The Werewolf Song. "Maybe I nurture [the cover songs] more. I look up to the songs I'm covering. These are the songs that sometime in my life have helped me. Doing covers is honoring the songs. I don't like my own songs as much. They remind me of where they come from. Sometimes they are not good things to remember. A friend. A situation. I wrote the songs to get out of them. I'd rather not look back at them again."
While providing a quintessentially female point of view in her own songs, Marshall's covers are mostly of male rockers' works. "Ninety-nine percent of the people in rock bands are guys. They dominate," Marshall said. "However, there are indeed some great female rockers, Kim Gordon, Patti Smith, Debbie Harry, there aren't many ... Courtney Love was pretty -- damn rock n' roll, there aren't many," she shakes her head. "It'll probably take 20 years or 50 years to change that."
Tonight Cat Power will be performing at Zeitgeist at 8pm with special guest Chen Shan-ni (陳姍妮). Tomorrow and Sunday, Chan Marshall will be performing as part of the Leaf Mini Music Festival with 12 Taiwanese bands. Tomorrow's show runs from 4pm-10pm at Zeitgeist. Sunday's performance is at the same time at Nuno's Live House (老諾音樂世界) in Taichung.
All tickets are NT$550 and are available at Tower Records, Eslite Music and the venues.
Taiwan has next to no political engagement in Myanmar, either with the ruling military junta nor the dozens of armed groups who’ve in the last five years taken over around two-thirds of the nation’s territory in a sprawling, patchwork civil war. But early last month, the leader of one relatively minor Burmese revolutionary faction, General Nerdah Bomya, who is also an alleged war criminal, made a low key visit to Taipei, where he met with a member of President William Lai’s (賴清德) staff, a retired Taiwanese military official and several academics. “I feel like Taiwan is a good example of
March 2 to March 8 Gunfire rang out along the shore of the frontline island of Lieyu (烈嶼) on a foggy afternoon on March 7, 1987. By the time it was over, about 20 unarmed Vietnamese refugees — men, women, elderly and children — were dead. They were hastily buried, followed by decades of silence. Months later, opposition politicians and journalists tried to uncover what had happened, but conflicting accounts only deepened the confusion. One version suggested that government troops had mistakenly killed their own operatives attempting to return home from Vietnam. The military maintained that the
“M yeolgong jajangmyeon (anti-communism zhajiangmian, 滅共炸醬麵), let’s all shout together — myeolgong!” a chef at a Chinese restaurant in Dongtan, located about 35km south of Seoul, South Korea, calls out before serving a bowl of Korean-style zhajiangmian —black bean noodles. Diners repeat the phrase before tucking in. This political-themed restaurant, named Myeolgong Banjeom (滅共飯館, “anti-communism restaurant”), is operated by a single person and does not take reservations; therefore long queues form regularly outside, and most customers appear sympathetic to its political theme. Photos of conservative public figures hang on the walls, alongside political slogans and poems written in Chinese characters; South
Taipei Mayor Chiang Wan-an (蔣萬安) announced last week a city policy to get businesses to reduce working hours to seven hours per day for employees with children 12 and under at home. The city promised to subsidize 80 percent of the employees’ wage loss. Taipei can do this, since the Celestial Dragon Kingdom (天龍國), as it is sardonically known to the denizens of Taiwan’s less fortunate regions, has an outsize grip on the government budget. Like most subsidies, this will likely have little effect on Taiwan’s catastrophic birth rates, though it may be a relief to the shrinking number of