On Oct. 31, the National Concert Hall and the National Theater will turn 15. At a press conference last Tuesday, Chiang Kai-shek Cultural Foundation director Ju Jung-ching
Ju, the director of Taiwan's most highly regarded percussion ensemble who took over management of the National Theater and Concert Hall last year, said that an important aim of the nation's premier performance venues was to bring down the entry barrier for the appreciation of the arts. "It is for this reason that we have brought in corporate sponsorship for some events," he said, pointing primarily to the Jose Cura and Kathleen Battle recitals in November, where premium seats will be available for only NT$2,500 and prices going as low as NT$400. The event is being sponsored by the Delta Foundation (
Saying that he did not want to upset proceedings, he gained vocal support from an audience that included many of Taiwan's top performers when he pointed out that the corporate support that the CKS Cultural Foundation was so loudly promoting was only going to high-profile classical music concerts, with absolutely nothing for drama. Although ticket sales for The Aurora Borealis (
PHOTO: IAN BARTHOLOMEW, TAIPEI TIMES
In line with lowering the entry barrier for people who might not generally be regular theater-goers, a number of big shows have been scheduled for outdoor spaces around the theater and concert hall. This will include a massive outdoor performance of ketsai opera by the Ming Hwa Yuan Taiwanese Opera Company (明華園). Chen Sheng-fu (陳勝福), the president of Ming Hwa Yuan, promised to draw 200,000 for a free outdoor concert scheduled for Oct. 31, in a display of bravado that is well backed up by the company's strong commercial record. Overall, for indoor performances, CKS public relations chief Liu Jia-yu (劉家渝) said that there were at total of 120,000 tickets to be sold for the three month season of 107 performances.
In addition to Jose Cura and Kathleen Battle, the other major imported acts include a visit by cello virtuoso Misoslav Rostropovich (Sept. 7), the first and third groups of the Nederlands Dans Theater (Oct. 11-13 and Oct. 25-27) and the Choir of Westminster Abbey (Oct. 27). High-profile local premiers include Smoke by the Cloud Gate Theater and in the minor league, the launch of the Zhu Lu-hao Traditional Chinese Theater Company (朱陸豪京劇團), in which famed comedian Sung Shao-ching (宋少卿) in what is being billed as "new Chinese comic opera" (Oct. 17-20) and She is Walking, She is Smiling, by Performance Workshop directed by Chin Shih-jie (金士傑). On the music front, the National Symphony Orchestra, under Chien Wen-bin, will perform the complete Beethoven symphonies and piano concerti in five concerts in September.
Tickets are already on sale, and for the major events are selling well. More information about events can be found on the Web at http://www.ntch.edu.tw.
Last week the story of the giant illegal crater dug in Kaohsiung’s Meinong District (美濃) emerged into the public consciousness. The site was used for sand and gravel extraction, and then filled with construction waste. Locals referred to it sardonically as the “Meinong Grand Canyon,” according to media reports, because it was 2 hectares in length and 10 meters deep. The land involved included both state-owned and local farm land. Local media said that the site had generated NT$300 million in profits, against fines of a few million and the loss of some excavators. OFFICIAL CORRUPTION? The site had been seized
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Enter the Dragon 13 will bring Taiwan’s first taste of Dirty Boxing Sunday at Taipei Gymnasium, one highlight of a mixed-rules card blending new formats with traditional MMA. The undercard starts at 10:30am, with the main card beginning at 4pm. Tickets are NT$1,200. Dirty Boxing is a US-born ruleset popularized by fighters Mike Perry and Jon Jones as an alternative to boxing. The format has gained traction overseas, with its inaugural championship streamed free to millions on YouTube, Facebook and Instagram. Taiwan’s version allows punches and elbows with clinch striking, but bans kicks, knees and takedowns. The rules are stricter than the