A selection from the TFAM's permanent collection offers a look at Taiwan's art over the last centuryTwo terrific shows currently running in Taipei sum up the 20th century in very different fashions. The first at Taipei Fine Arts Museum (TFAM) is an attempt to write Taiwan's art history, not in print, but in 117 master paintings from the institute's permanent collection. The second show is at Dimensions Art Center, where an assortment of 25 works showcase the diverse culture of Taiwan's contemporary art scene at the end of the last century.
TFAM's retrospective show, called "Highlights from the Permanent Collection," looks back at 100 years of art in Taiwan, covering ground-breaking material such as Huang Tu-shui's (
PHOTO: CHEN CHENG-CHANG, TAIPEI TIMES
The exhibition is spread out over two floors of the museum, with eight halls on the second floor separated according to decade. Highlights of the show include masterpieces such as Liao Chi-chun's (
PHOTO: CHEN CHENG-CHANG, TAIPEI TIMES
Most of the first floor artwork takes an angst-ridden look at society, challenging social norms and values through mixed media presentations that range from video installations to computer-aided print outs. Yao, for example, humorously touches upon the issue of the tense relationship across the Taiwan Strait, while Hung, centers his themes around Japanese comic characters that are the only company of many children of working parents. Provocative woodcuts by Hou Chun-ming's (侯俊明) and Huang Chih-yang's (黃志陽) Space Series (1992), which feature scrolls with images of beast-like humans, touch on taboos such as sex and morality. Touching on the issue of the media and society, Wang Jun-jien's (王俊傑) multimedia installation uses repeated images to issue a scathing critique of crass contemporary commercialism.
For your information
PHOTO: CHEN CHENG-CHANG, TAIPEI TIMES
What: Highlights from the Permanent Collection
PHOTO: CHEN CHENG-CHANG, TIAIPEI TIMES
Where: Taipei fine arts museum, 181 Chung-shan N. Rd., Sec. 3, Taipei (台北美術館,台北市181中山北路3段)
PHOTO: CHEN CHENG-CHANG, TAIPEI TIMES
When: First floor until March 25, second floor until July 8
PHOTO: CHEN CHENG-CHANG, TAIPEI TIMES
At Dimensions Art Center, modern artists take a jaded look at the 20th century
"Passion for the Good Old Days" at Dimensions Art Center, with its 25 pieces, offers a sort of off-Broadway contrast to TFAM's retrospective exhibition.
This irreverent contemporary art show says goodbye to the 20th century by being fun and dynamic, and reminds one of the recently-closed Taipei Biennial at TFAM. Drawing from a variety of sources, this lively show displays the cultural mix evident in Taiwan's contemporary art. The only overlap with TFAM's Highlight show is a mixed-media installation depicting Japanese comic book characters by Hung Dung-lu (洪東祿).
The eight featured artists, each with their unique and idiosyncratic style, are placed under two categories: passion for childhood and passion of self. Some of the self-portraits are highly personal, sometimes verging on narcissistic, while others make sarcastic critiques of society and people.
Installation artist Hung Yi's (洪易) has created four-layered acrylic boxes, one of which is a model of a teahouse with the facade of a police station, suggesting that policemen prefer to sip tea, rather than patrol the streets.
Peng Hung-chih (彭弘智), another installation artist, made a dog sculpture which requires the viewer to kneel and look into its eyes. Inside the dog one sees a video of oneself as a dog eating dog food. At this point, the viewer recognizes the significance of the sound of a dog eating which is piped incessantly through the gallery's sound system.
Lee Yi-chuan (李宜全), a contemporary artist who recently returned from a two-month stay at the OMI art village in New York, made an enlarged board game which portrays commercialism and gambling as pervasive elements of our lives.
For your information
What: Passion For The Good Old Days
Where: Dimensions Art Center (帝門藝術中心), 2F, 341, Sec. 4, Jen Ai Rd., Taipei (臺北市仁愛路四段341號2樓)
When: Until Feb. 28
Following the shock complete failure of all the recall votes against Chinese Nationalist Party (KMT) lawmakers on July 26, pan-blue supporters and the Chinese Communist Party (CCP) were giddy with victory. A notable exception was KMT Chairman Eric Chu (朱立倫), who knew better. At a press conference on July 29, he bowed deeply in gratitude to the voters and said the recalls were “not about which party won or lost, but were a great victory for the Taiwanese voters.” The entire recall process was a disaster for both the KMT and the Democratic Progressive Party (DPP). The only bright spot for
As last month dawned, the Democratic Progressive Party (DPP) was in a good position. The recall campaigns had strong momentum, polling showed many Chinese Nationalist Party (KMT) lawmakers at risk of recall and even the KMT was bracing for losing seats while facing a tsunami of voter fraud investigations. Polling pointed to some of the recalls being a lock for victory. Though in most districts the majority was against recalling their lawmaker, among voters “definitely” planning to vote, there were double-digit margins in favor of recall in at least five districts, with three districts near or above 20 percent in
From Godzilla’s fiery atomic breath to post-apocalyptic anime and harrowing depictions of radiation sickness, the influence of the nuclear bombings of Hiroshima and Nagasaki runs deep in Japanese popular culture. In the 80 years since the World War II attacks, stories of destruction and mutation have been fused with fears around natural disasters and, more recently, the Fukushima crisis. Classic manga and anime series Astro Boy is called “Mighty Atom” in Japanese, while city-leveling explosions loom large in other titles such as Akira, Neon Genesis Evangelion and Attack on Titan. “Living through tremendous pain” and overcoming trauma is a recurrent theme in Japan’s
The great number of islands that make up the Penghu archipelago make it a fascinating place to come back and explore again and again. On your next trip to Penghu, why not get off the beaten path and explore a lesser-traveled outlying island? Jibei Island (吉貝嶼) in Baisha Township (白沙鄉) is a popular destination for its long white sand beach and water activities. However, three other permanently inhabited islands in the township put a unique spin on the traditional Penghu charm, making them great destinations for the curious tourist: Yuanbeiyu (員貝嶼), Niaoyu (鳥嶼) and Dacangyu (大倉嶼). YUANBEIYU Citou Wharf (岐頭碼頭) connects the mainland