A selection from the TFAM's permanent collection offers a look at Taiwan's art over the last centuryTwo terrific shows currently running in Taipei sum up the 20th century in very different fashions. The first at Taipei Fine Arts Museum (TFAM) is an attempt to write Taiwan's art history, not in print, but in 117 master paintings from the institute's permanent collection. The second show is at Dimensions Art Center, where an assortment of 25 works showcase the diverse culture of Taiwan's contemporary art scene at the end of the last century.
TFAM's retrospective show, called "Highlights from the Permanent Collection," looks back at 100 years of art in Taiwan, covering ground-breaking material such as Huang Tu-shui's (
PHOTO: CHEN CHENG-CHANG, TAIPEI TIMES
The exhibition is spread out over two floors of the museum, with eight halls on the second floor separated according to decade. Highlights of the show include masterpieces such as Liao Chi-chun's (
PHOTO: CHEN CHENG-CHANG, TAIPEI TIMES
Most of the first floor artwork takes an angst-ridden look at society, challenging social norms and values through mixed media presentations that range from video installations to computer-aided print outs. Yao, for example, humorously touches upon the issue of the tense relationship across the Taiwan Strait, while Hung, centers his themes around Japanese comic characters that are the only company of many children of working parents. Provocative woodcuts by Hou Chun-ming's (侯俊明) and Huang Chih-yang's (黃志陽) Space Series (1992), which feature scrolls with images of beast-like humans, touch on taboos such as sex and morality. Touching on the issue of the media and society, Wang Jun-jien's (王俊傑) multimedia installation uses repeated images to issue a scathing critique of crass contemporary commercialism.
For your information
PHOTO: CHEN CHENG-CHANG, TAIPEI TIMES
What: Highlights from the Permanent Collection
PHOTO: CHEN CHENG-CHANG, TIAIPEI TIMES
Where: Taipei fine arts museum, 181 Chung-shan N. Rd., Sec. 3, Taipei (台北美術館,台北市181中山北路3段)
PHOTO: CHEN CHENG-CHANG, TAIPEI TIMES
When: First floor until March 25, second floor until July 8
PHOTO: CHEN CHENG-CHANG, TAIPEI TIMES
At Dimensions Art Center, modern artists take a jaded look at the 20th century
"Passion for the Good Old Days" at Dimensions Art Center, with its 25 pieces, offers a sort of off-Broadway contrast to TFAM's retrospective exhibition.
This irreverent contemporary art show says goodbye to the 20th century by being fun and dynamic, and reminds one of the recently-closed Taipei Biennial at TFAM. Drawing from a variety of sources, this lively show displays the cultural mix evident in Taiwan's contemporary art. The only overlap with TFAM's Highlight show is a mixed-media installation depicting Japanese comic book characters by Hung Dung-lu (洪東祿).
The eight featured artists, each with their unique and idiosyncratic style, are placed under two categories: passion for childhood and passion of self. Some of the self-portraits are highly personal, sometimes verging on narcissistic, while others make sarcastic critiques of society and people.
Installation artist Hung Yi's (洪易) has created four-layered acrylic boxes, one of which is a model of a teahouse with the facade of a police station, suggesting that policemen prefer to sip tea, rather than patrol the streets.
Peng Hung-chih (彭弘智), another installation artist, made a dog sculpture which requires the viewer to kneel and look into its eyes. Inside the dog one sees a video of oneself as a dog eating dog food. At this point, the viewer recognizes the significance of the sound of a dog eating which is piped incessantly through the gallery's sound system.
Lee Yi-chuan (李宜全), a contemporary artist who recently returned from a two-month stay at the OMI art village in New York, made an enlarged board game which portrays commercialism and gambling as pervasive elements of our lives.
For your information
What: Passion For The Good Old Days
Where: Dimensions Art Center (帝門藝術中心), 2F, 341, Sec. 4, Jen Ai Rd., Taipei (臺北市仁愛路四段341號2樓)
When: Until Feb. 28
One of the biggest sore spots in Taiwan’s historical friendship with the US came in 1979 when US president Jimmy Carter broke off formal diplomatic relations with Taiwan’s Republic of China (ROC) government so that the US could establish relations with the People’s Republic of China (PRC). Taiwan’s derecognition came purely at China’s insistence, and the US took the deal. Retired American diplomat John Tkacik, who for almost decade surrounding that schism, from 1974 to 1982, worked in embassies in Taipei and Beijing and at the Taiwan Desk in Washington DC, recently argued in the Taipei Times that “President Carter’s derecognition
This year will go down in the history books. Taiwan faces enormous turmoil and uncertainty in the coming months. Which political parties are in a good position to handle big changes? All of the main parties are beset with challenges. Taking stock, this column examined the Taiwan People’s Party (TPP) (“Huang Kuo-chang’s choking the life out of the TPP,” May 28, page 12), the Democratic Progressive Party (DPP) (“Challenges amid choppy waters for the DPP,” June 14, page 12) and the Chinese Nationalist Party (KMT) (“KMT struggles to seize opportunities as ‘interesting times’ loom,” June 20, page 11). Times like these can
Dr. Y. Tony Yang, Associate Dean of Health Policy and Population Science at George Washington University, argued last week in a piece for the Taipei Times about former president Ma Ying-jeou (馬英九) leading a student delegation to the People’s Republic of China (PRC) that, “The real question is not whether Ma’s visit helps or hurts Taiwan — it is why Taiwan lacks a sophisticated, multi-track approach to one of the most complex geopolitical relationships in the world” (“Ma’s Visit, DPP’s Blind Spot,” June 18, page 8). Yang contends that the Democratic Progressive Party (DPP) has a blind spot: “By treating any
You can tell a lot about a generation from the contents of their cool box: nowadays the barbecue ice bucket is likely to be filled with hard seltzers, non-alcoholic beers and fluorescent BuzzBallz — a particular favorite among Gen Z. Two decades ago, it was WKD, Bacardi Breezers and the odd Smirnoff Ice bobbing in a puddle of melted ice. And while nostalgia may have brought back some alcopops, the new wave of ready-to-drink (RTD) options look and taste noticeably different. It is not just the drinks that have changed, but drinking habits too, driven in part by more health-conscious consumers and
RSS