What Mao Zedong (
The temporary conversion of the communist nation's nominal legislature marks the biggest international production to hit China, where the world's largest population and fastest growing economy are attracting a growing number of overseas performers.
The vast stage, which is better known as the platform for speeches by Communist party leaders, has been filled with about 100 dancers, musicians and production staff tapping, drumming and fiddling out jigs and ballads from the other side of the planet.
In the audience, a full house of almost 7,000 people sit at the desks usually reserved for legislators. Though few could have been there to connect with their Irish roots, they gave the show a thunderous standing ovation.
This remarkable coming-together of spectators and performers from such diverse backgrounds reflects the growing cultural curiosity and economic affluence of China's rising middle-class, as well as the changing strategies of foreign governments and businesses who want to cash in on the Asian nation's success.
For most of the past few decades politicians and artists visiting Beijing would have been expected to put human rights and political reform at the top of their agendas. But now they spend more time pushing cultural exchange and trade as the way to win wallets as well as hearts and minds.
Riverdance is spearheading the biggest Irish trade mission ever sent to China. Among the audience were Irish President Mary McAleese, Chinese President Hu Jintao (
In July at the same venue, British Prime Minister Tony Blair lobbied for P&O, Lloyds of London and numerous other British firms. There was no singing or dancing at those closed-door talks with the Chinese leadership, but cultural exchange was a central theme of his visit, which was timed to promote a major art, technology and education campaign run by the embassy and British Council. During one of these "Think UK" events, Cherie Blair regaled Chinese students with a version of the Beatles song, When I'm 64.
More foreigners are likely to be singing for their Chinese supper in the future. With manufacturers moving east in huge numbers, Britain, Ireland and other nations will need to sell culture and services to avoid a huge balance of payments deficit.
China's urban middle class -- the 100 million people with an average annual income of 60,000 yuan (US$7,250) -- appear increasingly keen on Western art, films, sport and music, most of which were banned during the Cultural Revolution. With their numbers expected to quadruple by 2010, this rising class are attracting a growing number of big international names.
In July David Beckham and Real Madrid toured here for the first time, playing friendly matches to huge crowds. Beijing TV carries bullfights from Spain, as well as international tennis and golf. Even in the countryside, buses show dubbed videos of Jerry Bruckheimer blockbusters.
Whether foreign artists make money in China, however, is another matter altogether. With little knowledge about the market, it is hard for promoters to know who or what will be a hit.
Although they are popular around the world, the opera of the Three Tenors and the Icelandic pop of Bjork failed to draw crowds at earlier groundbreaking concerts in China.
Plans for a first tour by the Rolling Stones this year appear to have fallen through, firstly because of the SARS outbreak and more recently because of red tape.
There is also little promotional benefit because everything from Hollywood films to Harry Potter books is pirated on a huge scale.
Industry analysts estimate that 95 percent of all audio CDs and 90 percent of all film DVDs sold in China are fakes.
But people are willing to pay relatively huge sums to see concerts. For many of the newly affluent, seeing a foreign show is as much a status symbol as owning a new car -- both of which were undreamable 10 years ago.
"I'd pay up to 500 yuan (US$60) for a Rolling Stones ticket," said Wang Wei, a 27-year-old engineer, who says his salary has tripled in the past four years.
"I love Queen and Metallica and I prefer Hollywood movies to Chinese ones. Western musicians and filmmakers are more creative," he said. "Chinese rock stars are just imitators."
Although hundreds of thousands of people among the 1.3 billion population live on less than US$1 a day, 50,000 Riverdance tickets sold out despite prices ranging from 3 yuan to nearly 1,280 yuan. The organizers claim they had to put on two extra shows to meet the demand.
But Riverdance managers estimate that they will lose ?500,000 (US$837,000) in China this year because they have not been given a share of receipts.
However, executive producer Julian Erskine says the tour is an investment in the future.
"It is the last major untapped market for us. We are going to Beijing and Shanghai as a way of testing the waters," he told Variety magazine.
"If it works, we will plan a 12-city tour for about 15 weeks next year," he said.
"We ultimately hope to open up a circuit in the Far East, of which China would be the hub," he said.
But language, distance and heavy censorship look set to slow the advance of global culture. Even Riverdance, which was enthusiastically promoted by the state-controlled media, appears not to have got its message across completely.
"Although I am not a Christian, I found it incredibly moving," said one delighted spectator during the interval of last Friday's show.
"I didn't realize Scottish culture was so fantastic," he said.
He was not the only one to make the same mistake.
Minister of Labor Hung Sun-han (洪申翰) on April 9 said that the first group of Indian workers could arrive as early as this year as part of a memorandum of understanding (MOU) between the Taipei Economic and Cultural Center in India and the India Taipei Association. Signed in February 2024, the MOU stipulates that Taipei would decide the number of migrant workers and which industries would employ them, while New Delhi would manage recruitment and training. Employment would be governed by the laws of both countries. Months after its signing, the two sides agreed that 1,000 migrant workers from India would
In recent weeks, Taiwan has witnessed a surge of public anxiety over the possible introduction of Indian migrant workers. What began as a policy signal from the Ministry of Labor quickly escalated into a broader controversy. Petitions gathered thousands of signatures within days, political figures issued strong warnings, and social media became saturated with concerns about public safety and social stability. At first glance, this appears to be a straightforward policy question: Should Taiwan introduce Indian migrant workers or not? However, this framing is misleading. The current debate is not fundamentally about India. It is about Taiwan’s labor system, its
On March 31, the South Korean Ministry of Foreign Affairs released declassified diplomatic records from 1995 that drew wide domestic media attention. One revelation stood out: North Korea had once raised the possibility of diplomatic relations with Taiwan. In a meeting with visiting Chinese officials in May 1995, as then-Chinese president Jiang Zemin (江澤民) prepared for a visit to South Korea, North Korean officials objected to Beijing’s growing ties with Seoul and raised Taiwan directly. According to the newly released records, North Korean officials asked why Pyongyang should refrain from developing relations with Taiwan while China and South Korea were expanding high-level
Japan’s imminent easing of arms export rules has sparked strong interest from Warsaw to Manila, Reuters reporting found, as US President Donald Trump wavers on security commitments to allies, and the wars in Iran and Ukraine strain US weapons supplies. Japanese Prime Minister Sanae Takaichi’s ruling party approved the changes this week as she tries to invigorate the pacifist country’s military industrial base. Her government would formally adopt the new rules as soon as this month, three Japanese government officials told Reuters. Despite largely isolating itself from global arms markets since World War II, Japan spends enough on its own
RSS