It has been dismissed as immoral, outdated and reality TV kitsch. It has also been hailed as Italy’s national treasure, a song festival that captures the soul of the country each year.
Whether for the soaring melodies or the feuds, botched ballads and bad outfits, Italians delight in the annual five-day Sanremo Music Festival that began yesterday, a national pastime inspiring both nostalgia and derision.
The COVID-19 pandemic this year has made its mark — the orchestra, performers and presenters play without a live audience, while supermodel Naomi Campbell was forced to pull out due to travel complications.
Photo: EPA-EFE
However, AC Milan striker Zlatan Ibrahimovic has stepped in to provide some star power as a presenter on opening night, and the event — known to devotees and detractors alike as just “The Festival” — is again expected to draw in the viewers.
About 10 million Italians tune in each year to ogle the stars and delight in the inevitable controversies, whether accusations of lip-synching, plagiarism, celebrity feuds or wardrobe malfunctions.
Paolo Soddu, who coauthored a 2001 book on the festival, calls Sanremo a “national ritual,” a shared experience that reveals “the collective dream” of Italy.
“Whether you like it or not, it’s talked about,” he said. “Even if you hate it, you watch.”
The festival began in 1951 as a way to boost tourism in the northwestern seaside town of Sanremo, with state broadcaster RAI subsequently using the new medium of television to present fresh-faced singers crooning to a bourgeois audience in their evening best.
Today, it is more about offering up deliciously cringe-worthy moments — over-the-hill stars in black leather screeching pop melodies, singers unveiling new tattoos and jokes that fall flat.
Sanremo has hosted the Who’s Who of the country’s popular music over the decades, from Gino Paoli, Lucio Dalla and Mina to Lucio Battisti, Ornella Vanoni and Bobby Solo — even Andrea Bocelli.
One of the first to be catapulted to fame by the festival was Domenico Modugno in 1958, whose refrain Volare captured the zeitgeist of a jubilant Italy reveling in its post-war economic boom.
Although most of its singers are unknown to international audiences, Sanremo has welcomed over the years a smattering of foreign stars, from Shirley Bassey to Dusty Springfield and Sonny and Cher. Even Louis Armstrong was a contestant.
Uproar is habitual. Singers have broken social mores — Adriano Celentano showed his back to the audience in 1961 before launching into Elvis-like hip thrusts — and viewers have deemed many songs in bad taste, like one about euthanasia in 2010.
However, there have also been genuinely dark moments, notably in 1967 when singer Luigi Tenco shot himself in the head hours after his song Goodbye, Love, Goodbye — sung with then-girlfriend Dalida — was voted out.
In more recent decades, the festival’s kitsch quotient has skyrocketed, as befits the festival that inspired the Eurovision Song Contest, considered the pinnacle of camp.
Roberto Benigni, the Oscar-winning star of Life is Beautiful, made his onstage entrance as host one year atop a white horse; Dita von Teese performed a striptease inside an oversized martini glass, and an anti-fur pornstar, nude except for tiger body paint, stunned invited guest Playboy founder Hugh Hefner by jumping onstage.
Last year, rapper Achille Lauro unbuttoned a richly embroidered black velvet cloak to reveal a skintight, glittery and semi-transparent bodysuit — all intended, according to the platinum-blond, heavily tattooed performer, to mimic Saint Francis having stripped naked to renounce material wealth.
Established musical stars called the “Big” dominate performances, singing songs by Italian authors never before heard in public, but there are also spots for lesser known.
Winners are voted by juries of the public and journalists, as well as viewers at home.
This year’s festival weathered an early scandal, in which host Amadeus insisted the show would go on in front of an audience, unleashing a torrent of criticism, given that COVID-19 restrictions have canceled concerts, shows and festivals throughout Italy, putting scores of musicians, actors and others out of work.
Even the general manager of La Scala opera and the bishop of Sanremo weighed in before Italy’s minister of culture put his foot down, saying no public would be allowed.
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