Wed, Nov 24, 2021 page3

• Taipei exhibit shows art by White Terror-era survivor

  • By Chen Yu-fu and William Hetherington / Staff reporter, with staff writer
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  An exhibit at Taipei’s Chiang Kai-shek Memorial Hall showcases work by artist Chen Wu-jen (陳武鎮), a survivor of the White Terror era.

  At the age of 20, Chen was charged with sedition and jailed after scribbling anti-government phrases on the back of an aptitude test for new military conscripts as he was about to start his compulsory service.

  Released two years later, Chen spent the next 20 years under government surveillance. During this time, he became an art teacher, but only painted portraits and landscapes out of fear of being imprisoned again.

  

  Artist and former political prisoner Chen Wu-jen at the Chiang Kai-shek Memorial Hall in Taipei on Sunday points to his oil painting of the former authoritarian regime’s distorted idea of a “social criminal.”

  Photo: Chen Yu-fu, Taipei Times

  Recalling his prison experience, Chen said that one evening, he heard banging sounds from outside his room.

  Later, he learned that a naval officer charged with sedition had died after being on a hunger strike, Chen said, adding that the banging sounds had been the man’s coffin being nailed shut.

  In an interview with the Liberty Times (sister paper of the Taipei Times), Chen told about a teaching job he had at a remote elementary school.

  

  Painter and sculptor Chen Wu-jen at the Chiang Kai-shek Memorial Hall in Taipei on Sunday explains his oil painting depicting a naval officer who died on hunger strike during the White Terror era after being convicted of sedition.

  Photo: Chen Yu-fu, Taipei Times

  “Public transportation back then was not very good, and we had to walk about 40 minutes to get to the school. It was uncommon for teachers to bring family members back to the dormitory,” he said. “However, one female teacher brought her aunt to stay with her.”

  It was only years later that he learned the government had told the female teacher to watch him, Chen said.

  “About a week before I left that school to take a new teaching job in Tainan, she came to me and said: ‘My life was made miserable by you. I had to watch you, and the principal forced me to sleep with him.’”

  The teacher told him that she had her aunt stay with her as a way to keep from being raped again.

  Chen said that one teacher he met was imprisoned for eight years and, after his release, was forced to quit a job paving roads after only three days.

  “The police had visited the boss and asked questions about the man, so the boss told him not to return to work,” Chen said.

  After the lifting of martial law, Chen began painting works inspired by his experiences during the White Terror era.

  Chen said that these stories and experiences inform the art he creates today, whether oil paintings, wood carvings or installations.

  In some paintings, the force and direction taken by the scraper expresses emotion, while in others, the use of low-chroma grayscale tones conveys the haze of the victims, he said.

  “In one piece I used a large, distorted blue-and-green face to represent those considered ‘social criminals’ in the eyes of the authoritarian regime,” he said. “Their criminal charges were unwarranted and fictitious.”

  Another painting depicts the before and after of an execution conducted by a firing squad. The painting was inspired by the before-and-after photographs that prison authorities would take to show Chiang Kai-shek (蔣介石), to prove that they had carried out his orders.

  “I have always felt that this shows that dictators themselves also live in fear. They are always worried about betrayal,” he said.

  Chen said he hopes that the government would one day covert Chiang Kai-shek Memorial Hall into a national human-rights art museum, flanked on both sides by cultural parks.

  “If such a museum is established, I will donate my works to its permanent collection,” Chen added.

  The exhibit, which opened on Oct. 29, runs until Dec. 19.
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