Tue, Sep 29, 2020 page3

• Publishers celebrate Eileen Chang with special editions

  INSIGHT: Included in the books being published to commemorate Chang’s 100th birthday tomorrow is a collection of her private correspondence with friends

  • By Kayleigh Madjar / Staff writer, with CNA
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  To mark Eileen Chang’s (張愛玲) 100th birthday tomorrow, Crown Publishing and other publishing houses are offering special editions of Chang’s collected works, and other writings celebrating the life and legacy of the acclaimed author.

  Crown, which has published all of Chang’s works, is printing a limited-edition commemorative anthology, while Linking Publishing, Unitas Publishing, China Times Publishing and others are also producing special editions to celebrate the milestone.

  Crown in January started planning the anthology series, which is to run until October next year, featuring redesigned covers with Chang’s own illustrations and handwriting.

  

  Dance Forum Taipei members promote the company’s revival of Cheng Yi-wen and Liu Shou-yao’s 2014 work Red and White at a news conference at the Crown Art Center in Taipei on June 30. The piece was inspired by Chinese-American writer Eileen Chang’s 1944 novella The Red Rose and the White Rose, and was performed earlier this month to mark the 100th anniversary of Chang’s birth.

  Photo courtesy of Dance Forum Taipei

  The company this month is also for the first time printing a collection of Chang’s private correspondence with friends from 1955 to 1995.

  The letters pull back the curtain on Chang’s creative process behind Lust, Caution (色，戒) and Little Reunions (小團圓), offering researchers a valuable first-hand resource, the firm said.

  Unitas is publishing another collection of letters with its centenary edition of literary critic Hsia Chih-tsing’s (夏志清) Eileen Chang’s Letters to Me (張愛玲給我的信件), a collection of more than 30 years of correspondence between the two.

  In the volume, Hsia has organized the letters by date and location, and added notes to explain the circumstances behind each entry, providing an invaluable record for understanding the author, Unitas said.

  Meanwhile, China Times Publishing is providing two offerings in the field of “Chang studies” with academic Chang Hsiao-hung’s (張小虹) books Textualizing Eileen Chang (文本張愛玲) and The Wigs of Eileen Chang (張愛玲的假髮).

  The former deconstructs Eileen Chang’s original name and life story, and in this light offers close readings of her works, while the latter opens up a new direction in the field by using “addendum” literary theory to discuss the author’s will, legacy and items she left behind.

  Comprised of a collection of essays by contemporary academics, Linking Publishing’s Lust, Caution: From Eileen Chang to Ang Lee (色，戒：從張愛玲到李安) explores filmmaker Ang Lee’s (李安) fondness for Eileen Chang’s 30-page short story and his process of adapting it for the screen.

  Eileen Chang was born in Shanghai on Sept. 30, 1920, to a prominent family with ties to the highest echelons of the Qing government.

  Originally named Chang Ying (張煐), her mother changed her given name to better match her English name before entering her into the prestigious bilingual Saint Mary’s Hall in Shanghai.

  Her cross-cultural education continued with a stint at the University of Hong Kong studying English literature, although she was forced to leave one semester early after Japan took control of the territory.

  It was during the Japanese occupation of Shanghai in 1943 and 1944 that she produced some of her best-known works, including Love in a Fallen City (傾城之戀) and The Golden Cangue (金鎖記).

  Her life reads like a history of modern China itself, with circumstances bouncing her between Tianjin, Shanghai, Hong Kong and the US, before finally settling in Los Angeles, where she died in 1995.

  Eileen Chang did not limit herself to any literary format, writing novels, prose, screenplays and even translations across her illustrious career that still maintains an outsized influence on today’s Chinese-language literary circles.
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