For the Paris Olympics, it could almost be a new sport: Score points by hunting down mosaics that a mystery artist who calls himself “Invader” has cemented to walls across France’s capital, the world and even had carried aloft to the International Space Station.
Vincent Giraud, one of the artist’s Parisian fans, is already an avid player. He downloaded Invader’s addictive Flash Invaders mobile-phone game that awards points to users who find and photograph the colorful and quirky pieces of pixelated art.
Quickly hooked, Giraud has in just a year already tracked down 1,565 of them, accumulating so many points that he has rocketed into the leaderboard’s top 1,000, out of more than 360,000 players.
Photo: AP
“In a few months I found and flashed all those in Paris,” says Giraud, game-name Vince-Vader. Hunting for Invader mosaics, looking up and around for them on walls, pavements, bridges and even atop the Eiffel Tower, is “another way of discovering the city.”
Put simply: When Olympic visitors flock in their millions to Paris for the July 26 to Aug. 11 Games, they’ll be crowding onto the turf of France’s most international, invasive and intriguing contemporary street artist. It will be one invasion coming face-to-face with another.
Like Banksy, the British street artist he is sometimes likened to, Invader is elusive, fiercely protective of his anonymity and operating on the margins of illegality. He comes, glues and disappears into the night, leaving behind his signature pixelated mosaics made mostly with small ceramic and glass tiles.
Most resemble the aliens from the Space Invaders arcade game. Others are wonderfully elaborate, such as still lives of fruit or, in New York, portraits of Lou Reed and Andy Warhol. Some reference pop culture — Spiderman, Star Wars, Bugs Bunny, Ninja Turtles, pizza and the like. Some hint at deep research, including a portrait of guitarist Django Reinhardt facing the house where he lived, south of Paris in Samois-sur-Seine.
Since the first cataloged mosaic of a blue Space Invader went up on a Paris street in 1998, numbered PA_01, Invader has colonized the world. There are now more than 4,000 of his mosaics in cities and towns on all continents except Antartica.
London, Tokyo, Los Angeles and other cities were invaded in 1999; New York, Geneva and more in 2000; Hong Kong in 2001; Berlin, Bangkok, Melbourne. On and on.
The 4,000th mosaic was glued to a brick wall in Potosi, 4,000 meters up in the Bolivian Andes, in 2021. The European Space Agency installed Invader’s Space2 mosaic aboard the International Space Station in 2015.
“‘Anytime, Anywhere’ is the philosophy,” he says on his website.
In Paris — by far his most invaded location — the artist’s footprint is larger than ever as the Olympics loom.
A new exhibition in a disused multi-story building has one of his pixelations painted on its roof, visible via satellite on Google Maps. With a telescope, the show’s visitors can also peer across the grey roofs of Paris to Invader’s latest milestone: his 1,500th mosaic in the Olympic host city and its suburbs.
PA_1500 was unveiled last month on an exterior chimney of the Pompidou Center, Paris’ foremost contemporary art museum. Unlike for the bulk of his works which he installs guerrilla-style without asking, Invader sought and got the museum’s permission to cement the red-and-white Space Invader -type alien into place overlooking the city.
“It’s a symbol. It’s number 1,500. It’s Paris,” said Alexandre Aumis, the iconic building’s security director. “It’s got to be here.”
Aumis is a new convert to “Flash Invaders.”
“I run a lot in Paris, so I see them everywhere,” he said.
Some of those who know Invader say they’re expecting him to spring more surprises for the Olympics, perhaps installing new Games-themed mosaics.
“The invasion is the 15 million people who are going to arrive in Paris for the Olympic Games. It’s a lot. Obviously, there will be Invader fans among them,” said Fabrice Bousteau, the editor of Beaux Arts Magazine who curated Invader’s latest exhibition. “So there will be this meeting between two cultures.”
“He will doubtless invade the Games in a different way. I am almost certain.”
That’s thrilling for “Flash Invaders” players.
Niasha Chassain has tracked down just over 50 of the mosaics in Paris and says her children love the hunt.
“It’s a big celebration when we find one,” she said. “It forces you to look up in the street, to look around a bit, to think about turning around, to look in places that are perhaps not so attractive and discover that there are still things to see.”
Last week the story of the giant illegal crater dug in Kaohsiung’s Meinong District (美濃) emerged into the public consciousness. The site was used for sand and gravel extraction, and then filled with construction waste. Locals referred to it sardonically as the “Meinong Grand Canyon,” according to media reports, because it was 2 hectares in length and 10 meters deep. The land involved included both state-owned and local farm land. Local media said that the site had generated NT$300 million in profits, against fines of a few million and the loss of some excavators. OFFICIAL CORRUPTION? The site had been seized
Next week, candidates will officially register to run for chair of the Chinese Nationalist Party (KMT). By the end of Friday, we will know who has registered for the Oct. 18 election. The number of declared candidates has been fluctuating daily. Some candidates registering may be disqualified, so the final list may be in flux for weeks. The list of likely candidates ranges from deep blue to deeper blue to deepest blue, bordering on red (pro-Chinese Communist Party, CCP). Unless current Chairman Eric Chu (朱立倫) can be convinced to run for re-election, the party looks likely to shift towards more hardline
Sept. 15 to Sept. 21 A Bhutanese princess caught at Taoyuan Airport with 22 rhino horns — worth about NT$31 million today — might have been just another curious front-page story. But the Sept. 17, 1993 incident came at a sensitive moment. Taiwan, dubbed “Die-wan” by the British conservationist group Environmental Investigation Agency (EIA), was under international fire for being a major hub for rhino horn. Just 10 days earlier, US secretary of the interior Bruce Babbitt had recommended sanctions against Taiwan for its “failure to end its participation in rhinoceros horn trade.” Even though Taiwan had restricted imports since 1985 and enacted
Enter the Dragon 13 will bring Taiwan’s first taste of Dirty Boxing Sunday at Taipei Gymnasium, one highlight of a mixed-rules card blending new formats with traditional MMA. The undercard starts at 10:30am, with the main card beginning at 4pm. Tickets are NT$1,200. Dirty Boxing is a US-born ruleset popularized by fighters Mike Perry and Jon Jones as an alternative to boxing. The format has gained traction overseas, with its inaugural championship streamed free to millions on YouTube, Facebook and Instagram. Taiwan’s version allows punches and elbows with clinch striking, but bans kicks, knees and takedowns. The rules are stricter than the