Singer/songwriter Ricky Hsiao (蕭煌奇) is a multiple Golden Melody winner, crafting songs that have been a staple in the soundtrack of many people’s lives for more than two decades.
His songs can also serve as the score of his own life, which has seen the kind of ups and downs that a Hollywood scriptwriter can only dream about.
Hsiao, who turns 43 next month, was born with congenital cataracts that left him blind. Surgery when he was four gave him partial sight, but his vision gradually deteriorated until he was left totally blind again at the age of 15.
Photo: CNA
However, by then he was already a skilled athlete, playing basketball in school and training in judo, a sport where he eventually earned the rank of judoka, or second-level black belt. He was part of Taiwan’s judo team to the Far East and South Pacific Games for the Disabled in Beijing in 1994, where he won a bronze medal, and the 1996 Paralympics in Atlanta, Georgia, before turning his attention to music.
Like many visually-impaired students in Taiwan, he was trained as a masseuse in high school, but Hsiao wanted more.
He released his first album in 2002, and has gone from strength to strength.
While he has released albums in both Mandarin and Hoko (also known as Taiwanese), his Golden Melody wins have all come with his Hoklo recordings: Best Taiwanese Album and Best Taiwanese Male Singer in 2008 for Love Songs (真情歌), the same again in 2010 for The Dreamer (愛作夢的人) and in 2015 for The Most Beautiful Flower (上水的花).
He also served as a judge on the TV talent show One Million Star (超級星光大道).
Although Hsiao released an autobiography several years ago, I See the Colors of Musical Notes (我看見音符的顏色), there is no film in the works — yet — but actress-turned-director Ismene Ting (丁乃箏) has worked with Hsiao to turn his life story into a musical theater production for Performance Workshop (表演工作坊), A Date With Me (遇見自己), which opens at the National Theater in Taipei tonight.
Ting, who has proven to have a deft hand with creating and directing comedies, has collaborated with musicians before.
In 2009, she worked with blind Taiwanese pianist Hsu Che-cheng (許哲誠) and US pianist John Vaughan to create Just Play It! (彈琴說愛), a fusion of Chinese stand-up with classical, blues and pop music. The show premiered in April 2010 and proved a popular hit in Taiwan and China, touring in both nations for several years.
Ting, Hsiao and the company are clearly hoping that A Date With Me proves equally successful.
■ Tonight and tomorrow at 7:30pm, Sunday at 2:30pm at National Theater (國家戲劇院), 21-1 Zhongshan S Rd, Taipei City (台北市中山南路21-1號)
■ Remaining tickets are NT$900 to NT$3,000, available at the NTCH box offices, Eslite ticket booths, online at www.artsticket.com and convenience store ticket kiosks
The canonical shot of an East Asian city is a night skyline studded with towering apartment and office buildings, bright with neon and plastic signage, a landscape of energy and modernity. Another classic image is the same city seen from above, in which identical apartment towers march across the city, spilling out over nearby geography, like stylized soldiers colonizing new territory in a board game. Densely populated dynamic conurbations of money, technological innovation and convenience, it is hard to see the cities of East Asia as what they truly are: necropolises. Why is this? The East Asian development model, with
June 16 to June 22 The following flyer appeared on the streets of Hsinchu on June 12, 1895: “Taipei has already fallen to the Japanese barbarians, who have brought great misery to our land and people. We heard that the Japanese occupiers will tax our gardens, our houses, our bodies, and even our chickens, dogs, cows and pigs. They wear their hair wild, carve their teeth, tattoo their foreheads, wear strange clothes and speak a strange language. How can we be ruled by such people?” Posted by civilian militia leader Wu Tang-hsing (吳湯興), it was a call to arms to retake
Desperate dads meet in car parks to exchange packets; exhausted parents slip it into their kids’ drinks; families wait months for prescriptions buy it “off label.” But is it worth the risk? “The first time I gave him a gummy, I thought, ‘Oh my God, have I killed him?’ He just passed out in front of the TV. That never happens.” Jen remembers giving her son, David, six, melatonin to help him sleep. She got them from a friend, a pediatrician who gave them to her own child. “It was sort of hilarious. She had half a tub of gummies,
The wide-screen spectacle of Formula One gets a gleaming, rip-roaring workout in Joseph Kosinski’s F1, a fine-tuned machine of a movie that, in its most riveting racing scenes, approaches a kind of high-speed splendor. Kosinski, who last endeavored to put moviegoers in the seat of a fighter jet in Top Gun: Maverick, has moved to the open cockpits of Formula One with much the same affection, if not outright need, for speed. A lot of the same team is back. Jerry Bruckheimer produces. Ehren Kruger, a co-writer on Maverick, takes sole credit here. Hans Zimmer, a co-composer previously, supplies the thumping
RSS