The French Michelin Guide yesterday awarded stars to 24 establishments in its second restaurant guide to Taipei.
“Our inspectors were not only impressed by the standard of local Taiwanese cuisine, but also by the global influences being imported by the very talented and innovative local chefs, which together will no doubt entice food lovers from around the world,” said Gwendal Poullennec, International Director of the Michelin Guides.
Establishments like Tairroir (態芮) and Raw, prominent names that each received a star last year for thoughtful modern treatments of Taiwanese ingredients, embody that attitude. Both restaurants rose to earn two stars in this year’s guide.
Photo: Ling Mei-hsueh, Taipei Times
The name Tairroir — a portmanteau of “Taiwan” and “terroir” — is an artist’s statement by chef Kai Ho (何順凱). Speaking after the ceremony yesterday morning, Ho said that his intention went beyond using indigenous ingredients, to give diners an immersive experience in Taiwanese culture and history.
Raw, opened by renowned chef Andre Chiang (江振誠) in 2014, is already one of the city’s most in-demand reservations. Chiang’s decision to shutter his eponymous two-star restaurant in Singapore last year and return to train a new generation of Taiwanese chefs was regarded as a boon for the country’s culinary scene.
Chef Alain Huang (黃以倫) said that Raw, which treats local ingredients with French techniques, had taken the last year to embark on “deeper research” into Taiwanese produce and culture. But the win still came as a surprise.
Photo courtesy of Taiwan Michelin
Also among the new one-star recipients is Mountain and Sea House (山海樓), which serves meticulously-researched banquet-style dishes honoring Taiwan’s culinary heritage. Chef Tsai Jui-lang (蔡瑞郎) acknowledged the hard work of colleagues who scour the island in search of native species of ingredients, allowing his kitchen to revive authentic versions of Taiwanese dishes from early 20th-century recipe archives.
Two young restaurants that opened just last year also received one star each at yesterday’s ceremony — Logy, which Hokkaido-born chef Ryogo Tahara said aspires to bring French and Italian inflections to Asian cuisine; and Impromptu by Paul Lee, which offers casual fine-dining for an international palate.
One new entrant immediately received two stars on its first outing with the Michelin Guide. Sushi Amamoto is a 12-seat sushi bar offering a 20-course chef’s choice menu, with seasonal fish flown in from Kyushu and Tokyo.
Photo: Chou Tsai-wei, Taipei Times
Cantonese restaurant Le Palais (頤宮) at the Palais de Chine Hotel remains Taipei’s only three-star Michelin establishment.
Reactions by recipients ranged from delight to near nonchalance, with many admitting that they could not take the day off to celebrate as they had full houses of reservations to honor.
“The pressure starts tomorrow,” Ho said, acknowleding the high scrutiny and expectations that Michelin honorees receive.
STREET FOOD CAPITAL
Earlier, Michelin also named 58 eateries, including 25 new entrants, in its more affordable Bib Gourmand selection. To qualify for the Bib Gourmand, an eatery must offer a three-course meal not exceeding NT$1,000 (roughly US$32).
Gongguan (公館), Yansan (延三) and Huaxi Street (華西街) night markets made their debut on the list, which already recognizes Shilin (士林), Ningxia (寧夏), Raohe (饒河), Nanjichang (南機場) and Linjiang (臨江) night markets.
Yansan landed a whopping three recommendations on its first appearance, owing to the market’s delectable cabbage rice and pork rib soup, savory tube rice cakes and glutinous rice meat dumplings.
Like other Asian capitals with rich street food cultures, the Bib Gourmand selection lends a sheen of glamor to Taipei natives’ humble favorites like scallion pancake, stinky tofu and guabao (割包) — flat steamed buns stuffed with braised pork — and will be an indispensable guide for globe-trotting foodies.
Last week the government announced that by year’s end Taiwan will have the highest density of anti-ship missiles in the world. Its inventory could exceed 1,400, or enough for the opening two hours of an invasion from the People’s Republic of China (PRC). Snark aside, it sounds impressive. But an important piece is missing. Lost in all the “dialogues” and “debates” and “discussions” whose sole purpose is simply to dawdle and delay is what the Chinese Nationalist Party (KMT) alternative special defense budget proposal means for the defense of Taiwan. It is a betrayal of both Taiwan and the US. IT’S
Paul Thomas Anderson’s “One Battle After Another” was crowned best picture at the 98th Academy Awards, handing Hollywood’s top honor to a comic, multi-generational American saga of political resistance. The ceremony Sunday, which also saw Michael B. Jordan win best actor and “Sinners” cinematographer Autumn Durald Arkapaw make Oscar history as the first female director of photography to win the award, was a long-in-coming coronation for Anderson, a San Fernando Valley native who made his first short at age 18 and has been one of America’s most lionized filmmakers for decades. Before Sunday, Anderson had never won an Oscar. But “One Battle
In Kaohsiung’s Indigenous People’s Park (原住民主題公園), the dance group Push Hands is training. All its members are from Taiwan’s indigenous community, but their vibe is closer to that of a modern, urban hip-hop posse. MIXING CULTURES “The name Push Hands comes from the idea of pushing away tradition to expand our culture,” says Ljakuon (洪濬嚴), the 44-year-old founder and main teacher of the dance group. This is what makes Push Hands unique: while retaining their Aboriginal roots, and even reconnecting with them, they are adamant about doing something modern. Ljakuon started the group 20 years ago, initially with the sole intention of doing hip-hop dancing.
You would never believe Yancheng District (鹽埕) used to be a salt field. Today, it is a bustling, artsy, Kowloon-ish “old town” of Kaohsiung — full of neon lights, small shops, scooters and street food. Two hundred years ago, before Japanese occupiers developed a shipping powerhouse around it, Yancheng was a flat triangle where seawater was captured and dried to collect salt. This is what local art galleries are revealing during the first edition of the Yancheng Arts Festival. Shen Yu-rung (沈裕融), the main curator, says: “We chose the connection with salt as a theme. The ocean is still very near, just a
RSS