Victor Frankenstein
What, another Frankenstein movie fresh off the heels of last year’s I, Frankenstein? (Yeah, we’re pretending that Frankenstein vs the Mummy never existed.) While the former featured the monster as the protagonist, this one has Daniel Radcliffe and James McAvoy teaming up to tell the origin story of the film’s eponymous scientist who strived to create life from death. What is there new to tell about this way, way overtold story? Okay, so it’s told through the eyes of Igor — Frankenstein’s assistant — played by Radcliffe, who makes an appearance in the official trailer to make sure people know that it’s a “new twist on a kind of legendary tale.” Judging from the rest of the trailer, there doesn’t seem to be anything we don’t know, except for more action and explosions. Aside from the rehashing, it does have potential to be entertaining, and we can only hope that Radcliffe delivers on his promise. This film takes home the cake for the most uninspired title translation ever: guaiwu (怪物, which simply means monster).
Our Brand is Crisis
Why would two rival Bolivian politicians hire two rival American political consultants (especially when they’re played by Sandra Bullock and Billy Bob Thornton) to help them best each other in the upcoming presidential election? Because it actually happened in 2002, when Gonzalo Sanchez de Lozada hired Greenberg Carville Shrum to help him defeat Evo Morales. These events are chronicled in the 2005 documentary of the same name, upon which this George Clooney-produced fictionalized comedy version is based on. Of course, the Hollywood version can’t just be about Bolivian politics, so it reinvents itself to focus on the bickering Americans and their funny journey to self discovery — and they just happen to be in Bolivia during turbulent times, a convenient backdrop to throw in some ethics and morality to make the whole affair more noble. In real life, after taking office, Sanchez didn’t turn out to be such an awesome dude, which makes us wonder how the movie version of him is like.
Kidnapping Freddy Heineken
Just two weeks after the release of Legend, we have another movie that’s based on a book about true criminal events. Anthony Hopkins plays Freddy Heineken (yes, of the beer fame), who was nabbed in front of his Amsterdam office along with his driver in November 1983. Dutch journalist Peter de Vries wrote the book from actual interviews with the kidnappers, and even went as far as tracking down in 1994 another one of the masterminds who had escaped to Paraguay. But this movie isn’t about de Vries, whose life probably warrants a movie of its own — it’s simply about the crime, where honestly not much seems to transpire if you are familiar with the incident (which is probably why the film is only 95 minutes long). Well, at least there’s Hopkins. Just four years ago, a Dutch film was released about the same incident (starring Rutger Hauer, who sort of resembles Hopkins and starred alongside him in The Rit). The kidnappers filed an injunction to block that film from being shown, but failed. They probably didn’t try to mess with Hollywood.
Clearstream Affair
The local version of the movie poster adds a Taiwan-shaped trace of blood behind the man in the foreground, so it cannot be any more obvious that the country is featured in the film. It’s about the 2001 Clearstream affair, which involved shady bribery and money laundering between a French defense company and Taiwan’s military. It’s locally considered the biggest scandal in Republic of China Navy history and is linked to the murder of captain Yin Ching-feng (尹清楓), still unsolved today. The murder is featured in the film and the captain is played by Yin Chao-de (尹昭德), the late captain’s … wait, they’re not related. Enough about Taiwan, as the film is mostly based in France, and the focus here is hard-nosed investigative journalist Denis Robert, who revealed the affair in his book, Revolution$. We all know what wealthy, evil corporations are capable of doing to people who have wronged them, and Robert is about to find out.
Asphalte
French director Samuel Benchetrit, who grew up in housing projects, weaves an amusing, slice-of-life comedy featuring three separate stories with six downtrodden characters who all live in a run-down apartment block. Two of the stories came from Benchetrit’s semi-autobiographical book, Asphalt Chronicles. The film seems to be focused on human interaction, and despite its depressing setting, the stories each feature two lonely people striking up unlikely interactions with each other. This is heartwarming stuff, prompting one to feel that the projects aren’t so bad after all. Benchetrit’s son Jules plays Charly, the Parisian teenager who is the protagonist of the book and appears in one of the film’s stories. Oh yeah, there’s also Isabelle Huppert, Valeria Bruni-Tedeschi and Michael Pitt, who plays an astronaut.
Taiwan can often feel woefully behind on global trends, from fashion to food, and influences can sometimes feel like the last on the metaphorical bandwagon. In the West, suddenly every burger is being smashed and honey has become “hot” and we’re all drinking orange wine. But it took a good while for a smash burger in Taipei to come across my radar. For the uninitiated, a smash burger is, well, a normal burger patty but smashed flat. Originally, I didn’t understand. Surely the best part of a burger is the thick patty with all the juiciness of the beef, the
The ultimate goal of the Chinese Communist Party (CCP) is the total and overwhelming domination of everything within the sphere of what it considers China and deems as theirs. All decision-making by the CCP must be understood through that lens. Any decision made is to entrench — or ideally expand that power. They are fiercely hostile to anything that weakens or compromises their control of “China.” By design, they will stop at nothing to ensure that there is no distinction between the CCP and the Chinese nation, people, culture, civilization, religion, economy, property, military or government — they are all subsidiary
Nov.10 to Nov.16 As he moved a large stone that had fallen from a truck near his field, 65-year-old Lin Yuan (林淵) felt a sudden urge. He fetched his tools and began to carve. The recently retired farmer had been feeling restless after a lifetime of hard labor in Yuchi Township (魚池), Nantou County. His first piece, Stone Fairy Maiden (石仙姑), completed in 1977, was reportedly a representation of his late wife. This version of how Lin began his late-life art career is recorded in Nantou County historian Teng Hsiang-yang’s (鄧相揚) 2009 biography of him. His expressive work eventually caught the attention
This year’s Miss Universe in Thailand has been marred by ugly drama, with allegations of an insult to a beauty queen’s intellect, a walkout by pageant contestants and a tearful tantrum by the host. More than 120 women from across the world have gathered in Thailand, vying to be crowned Miss Universe in a contest considered one of the “big four” of global beauty pageants. But the runup has been dominated by the off-stage antics of the coiffed contestants and their Thai hosts, escalating into a feminist firestorm drawing the attention of Mexico’s president. On Tuesday, Mexican delegate Fatima Bosch staged a
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