In times of rising tensions and uncertainty in the Asia Pacific, it is essential that we look back into the region’s complex past to understand why history, to a degree perhaps unseen anywhere else, is so alive as to threaten the very foundations laid by the economic success of the past two decades.
A new book on the wars that defined the first half of the twentieth century — and that reverberate through time to create a mosaic of seemingly intractable conflicts — sheds much-needed light on the origins of the region’s troubles, past, present and future.
In The Wars for Asia, 1911-1949, S.C.M. Paine, a professor of strategy and policy at the US Naval War College, picks up where she left off in The Sino-Japanese War of 1894-1895: Perceptions, Power, and Primacy (2005), which did a wonderful job analyzing China’s humiliating defeat in a short war with Japan that ended with the Treaty of Shimonoseki under which, among other things, Taiwan was handed over to Japan. In that defeat, the seeds of China’s “century of humiliation” were sown, which half a century later would reap a new — and this time much more devastating — round of hostilities before, during and after World War II.
In her previous work, Paine showed us how a recently modernized Japan made short shrift of China not so much because Japanese forces fought with aplomb, but because of China’s ineptness and the divisions that rendered its leadership incapable of taking control of the situation. Emboldened by its victory and arrival among the select list of developed nations — Asia’s first — Japan then fought another war, this time with Russia, where against all odds defeated its European adversary, thus setting the stage for future conflict over Korea and Manchuria.
Sadly for readers, Paine does not cover the Russo-Japanese War and in The Wars for Asia begins her story, which she tells thematically rather than in linear fashion, in 1911 with the birth of the Republic of China. Using large quantities of sources from China, Taiwan, Japan and Russia, Paine lucidly tells a tale from a perspective that often gets largely ignored by historians in the West by looking at the situation from the eyes of the Asian participants themselves.
As a result, Paine’s account provides much insight into decisions that otherwise have often been described as “irrational” (for example, Japan’s forcing the US’ entry into the Pacific theater by attacking Pearl Harbor) or the result of utterly incapable leaders (Chiang Kai-shek, 蔣介石). She also sheds important light on the domestic economic policies adopted by the US that, rather than deter Japan, achieved the exact opposite and compelled it to send its troops well beyond Manchuria, where they should have gone no further.
In a helpful move, the author provides three levels — local, regional and global — from which to look at the situation in East Asia at the beginning of the twentieth century. All three have China at the center, with Japan regarding it as both a source of threats and opportunity. Ongoing instability in China, with a long succession of overthrows, warlordism and stagnation, added to the threat of communism following the revolution in Russia. For resource-poor Japan, China (especially Manchuria) was too important to leave alone as an indispensable lifeline to ensure its rightful place among the world’s leading nations.
By injecting itself into restive China, Japan unwittingly became an antagonist at all three levels of the conflict by becoming a participant in the Chinese civil war, a counterbalance to Russian influence within the region, and as a force that threatened, along with Nazi Germany, to undermine an international system that Western states were indisposed to abandoning.
With masterful succinctness, Paine manages to distil the leadership battles within Japan, the impact of the Great Recession and the Western refusals to (in Tokyo’s eyes) give it the autonomy it deserved and in doing so weaves a narrative that remains captivating throughout, something that cannot be said of all history books. One of the book’s strengths is its short length — 487 pages, but of those, 170 are for a chronology, endnotes and a bibliography — which makes her treatment of the subject as concise as it is rewarding. Those who seek a blow-by-blow account of all the battles will need to look elsewhere.
Paine’s ultimate objective, and one that she achieves with brio, is to depict the interactions between the three levels of the conflict. Although there is nothing novel in using a multi-layered approach to analyzing conflict, Paine does so in a way that is very helpful, especially in her treatment of Tokyo’s inability, which ultimately proved disastrous, to adjust its strategies in ways that reflected all three levels. In doing so, Japan managed to antagonize every one of the main protagonists in the region, which meant that instead of fighting enemies sequentially as it wanted, it ended up facing enemies on a number of fronts (Moscow did much better in that regard). With Japanese imperial forces already overstretched in an unwinnable war on the Chinese mainland, Tokyo not only succeeded in bringing Russia and the US into the conflict, but allowed Moscow to strike what Paine calls “the most successful act of Soviet diplomacy between 1917 and 1991” by convincing Chiang’s Nationalist forces to cease their campaign of annihilation against the communists and make common cause, if only briefly, against Japan.
Following Japan’s inevitable defeat — hit by US naval successes, the nuclear detonations at Hiroshima and Nagasaki, and the threat of 1.5 million Russian troops — Paine turns, or returns, that is, to the Chinese Civil War, which runs through the entire narrative like a long thread. One of the many achievements of the book is the author’s ability to demonstrate how the shadow of the Civil War always hung over everything else, with Nationalist and communist leaders adjusting their strategy for fighting the Japanese with the eventual resumption of the Civil War clearly in their minds. Chiang rarely sent his best troops to fight the Japanese, while Mao Zedong’s (毛澤東) communists — official communist propaganda notwithstanding — only played a minor role in the mobilization against Japan, instead conserving its forces to fight the Nationalists.
Paine concludes her book with an analysis of the factors that led to the Nationalist’s sudden demise in 1949, prompted in part by a highly successful propaganda campaign by Mao and the inability of Chiang’s government to make the necessary reforms. Not unlike Jay Taylor in his seminal The Generalissimo: Chiang Kai-shek and the Struggle for Modern China, Paine’s portrayal of Chiang is more generous than other recent accounts of his failings and makes a convincing case about the immensity of the challenges that he and other ROC leaders faced in modernizing their country amid civil war and foreign invasion.
Paine’s account is an unsparing, surprisingly even and altogether enjoyable effort that truly deserves to be read widely by academics and policymakers who seek to make sense of the dangerous future that may lie ahead of us in Asia, thanks in great part to wars of the past. For many, it’s unfinished business.
In Taiwan there are two economies: the shiny high tech export economy epitomized by Taiwan Semiconductor Manufacturing Co (TSMC, 台積電) and its outsized effect on global supply chains, and the domestic economy, driven by construction and powered by flows of gravel, sand and government contracts. The latter supports the former: we can have an economy without TSMC, but we can’t have one without construction. The labor shortage has heavily impacted public construction in Taiwan. For example, the first phase of the MRT Wanda Line in Taipei, originally slated for next year, has been pushed back to 2027. The government
July 22 to July 28 The Love River’s (愛河) four-decade run as the host of Kaohsiung’s annual dragon boat races came to an abrupt end in 1971 — the once pristine waterway had become too polluted. The 1970 event was infamous for the putrid stench permeating the air, exacerbated by contestants splashing water and sludge onto the shore and even the onlookers. The relocation of the festivities officially marked the “death” of the river, whose condition had rapidly deteriorated during the previous decade. The myriad factories upstream were only partly to blame; as Kaohsiung’s population boomed in the 1960s, all household
Allegations of corruption against three heavyweight politicians from the three major parties are big in the news now. On Wednesday, prosecutors indicted Hsinchu County Commissioner Yang Wen-ke (楊文科) of the Chinese Nationalist Party (KMT), a judgment is expected this week in the case involving Hsinchu Mayor Ann Kao (高虹安) of the Taiwan People’s Party (TPP) and former deputy premier and Taoyuan Mayor Cheng Wen-tsan (鄭文燦) of the Democratic Progressive Party (DPP) is being held incommunicado in prison. Unlike the other two cases, Cheng’s case has generated considerable speculation, rumors, suspicions and conspiracy theories from both the pan-blue and pan-green camps.
Stepping inside Waley Art (水谷藝術) in Taipei’s historic Wanhua District (萬華區) one leaves the motorcycle growl and air-conditioner purr of the street and enters a very different sonic realm. Speakers hiss, machines whir and objects chime from all five floors of the shophouse-turned- contemporary art gallery (including the basement). “It’s a bit of a metaphor, the stacking of gallery floors is like the layering of sounds,” observes Australian conceptual artist Samuel Beilby, whose audio installation HZ & Machinic Paragenesis occupies the ground floor of the gallery space. He’s not wrong. Put ‘em in a Box (我們把它都裝在一個盒子裡), which runs until Aug. 18, invites