All About Love
Girl-on-girl romance that sees respected director Ann Hui (許鞍華) squander her talent with a by-the-numbers attempt at a shocker that pairs Sandra Ng (吳君如) with Vivian Chow (周慧敏) as long separated lovers who, after toying with heterosexual love, or at least sex, discover that what they really long for is each other. The film’s feminist agenda is handled without subtlety and its attempts at humor fall flat.
Strike Out (三振)
Taiwanese baseball melodrama that packs more testosterone than game play. Strike Out presents the usual array of pop idols, with boys pretending to be tough and girls attempting to be innocent, and the whole shebang coming off like a cheap television soap opera. And the story, of course, is all about love. The film’s theme tune was composed by Yao Yuan-hao (姚元浩, aka How Yao), who also stars alongside a minor league lineup of aspiring talents.
Don Quixote (魔俠傳之唐吉可德)
One of two films opening this week inspired by Cervantes’ tale of a misguided knight and his sidekick Sancho Panza. This version, directed by Ah Gan (阿甘), has the story transplanted to Tang Dynasty China and presented in 3D. The main selling point of this film seems to be its big budget and the presence of Karena Lam (林嘉欣) in her first period costume drama role. She serves as the film’s Dulcinea. Don Quixote seems squarely aimed at China’s domestic market and is unlikely to be worthy of attention for anybody else.
Donkey Xote
Originally scheduled for release in September, this 2007 Spanish animation, now dubbed into English, has finally reached these shores. This is an unashamed rip-off of the Shrek series — though based on the Cervantes novel — with a trailer that announces that this film is “from the producers who saw Shrek,” a joking reference to its stylistic plagiarism of that successful franchise. Even the Donkey of the title is a bit too familiar.
Skyline
Aliens are back, and once again their intentions aren’t the best. In Skyline, simply looking at the massive alien spacecraft looming on the horizon is enough to get you sucked up into the stratosphere. The film, which takes ideas and images from War of the Worlds and Independence Day, among others, isn’t original, but there are plenty of special effects. Directed by effects specialists the Brothers Strause, who brought us the universally panned AVPR: Aliens vs Predator: Requiem (2007).
Two in the Wave (Deux de la Vague)
French documentary about the tempestuous friendship between Jean-Luc Godard and Francois Truffaut. Born within two years of each other, the two grew up to be leaders of French New Wave cinema, made some of the most enduring classics of that movement, and subsequently saw their friendship tested by the political upheavals of 1968. Features archive footage of many of the great and good of French cinema including Charles Aznavour, Jean-Paul Belmondo, Jacqueline Bisset, Jean Cocteau, Anna Karina and others.
Where Got Ghost (嚇到笑)
From the Singaporean director Loeng Zi Koeng (梁智強), who brought as the two Money Not Enough (錢不夠用) films that send up the city-state’s materialistic culture. Loeng’s latest effort, Where Got Ghost, which adds traditional Chinese ghost story elements to the mix, was made from three shorts. The humor is broad and somewhat labored, and there are more laughs than gasps.
Bleach: The DiamondDust Rebellion
Bleach: The DiamondDust Rebellion is the second movie in the Bleach manga-based anime series. Set in a futuristic samurai world in which a young man with the powers of a “death god” has to protect humans from a variety of powerful enemies, this is hectic, violent anime, with lots of big video-game style battles and bizarrely kitted out warriors.
The 2010 Golden Horse Film Festival (2010台北金馬影展)
The country’s largest film festival, which this year boasts a bulging lineup of feature, documentary, animation, short and experimental films divided into 10 categories and 31 sub-categories, is now in its third, and last, week. Cannes-winning director Apichatpong Weerasethakul from Thailand and Bruce Davis, who has served as the executive director of The Academy of Motion Picture Arts and Sciences for more than 20 years, will attend forums next week. The week ahead is dedicated to a retrospective on Eric Rohmer. The program includes the French auteur’s two early series, Six Moral Tales and Comedies and Proverbs, as well as his feature debut The Sign of Leo (1959).
Festival films are being shown on six screens at three movie theaters: Shin Kong Cineplex (新光影城), 36 Xining S Rd, Taipei City (台北市西寧南路36號), Ambassador Theatre (國賓影城) at Breeze Center (微風廣場), 7F, 39, Fuxing S Rd Sec 1, Taipei City (台北市復興南路一段39號7樓) and Ambassador Theatre (國賓影城) at Spring Center (長春廣場), 176 Changchun Rd, Taipei City (台北市長春路176號).
Tickets cost NT$230 per screening (NT$200 for students with ID and people with disabilities), available through 7-Eleven ibon kiosks. For more information, visit the festival’s bilingual Web site at www.goldenhorse.org.tw.
Feb. 17 to Feb. 23 “Japanese city is bombed,” screamed the banner in bold capital letters spanning the front page of the US daily New Castle News on Feb. 24, 1938. This was big news across the globe, as Japan had not been bombarded since Western forces attacked Shimonoseki in 1864. “Numerous Japanese citizens were killed and injured today when eight Chinese planes bombed Taihoku, capital of Formosa, and other nearby cities in the first Chinese air raid anywhere in the Japanese empire,” the subhead clarified. The target was the Matsuyama Airfield (today’s Songshan Airport in Taipei), which
China has begun recruiting for a planetary defense force after risk assessments determined that an asteroid could conceivably hit Earth in 2032. Job ads posted online by China’s State Administration of Science, Technology and Industry for National Defence (SASTIND) this week, sought young loyal graduates focused on aerospace engineering, international cooperation and asteroid detection. The recruitment drive comes amid increasing focus on an asteroid with a low — but growing — likelihood of hitting earth in seven years. The 2024 YR4 asteroid is at the top of the European and US space agencies’ risk lists, and last week analysts increased their probability
For decades, Taiwan Railway trains were built and serviced at the Taipei Railway Workshop, originally built on a flat piece of land far from the city center. As the city grew up around it, however, space became limited, flooding became more commonplace and the noise and air pollution from the workshop started to affect more and more people. Between 2011 and 2013, the workshop was moved to Taoyuan and the Taipei location was retired. Work on preserving this cultural asset began immediately and we now have a unique opportunity to see the birth of a museum. The Preparatory Office of National
On Jan. 17, Beijing announced that it would allow residents of Shanghai and Fujian Province to visit Taiwan. The two sides are still working out the details. President William Lai (賴清德) has been promoting cross-strait tourism, perhaps to soften the People’s Republic of China’s (PRC) attitudes, perhaps as a sop to international and local opinion leaders. Likely the latter, since many observers understand that the twin drivers of cross-strait tourism — the belief that Chinese tourists will bring money into Taiwan, and the belief that tourism will create better relations — are both false. CHINESE TOURISM PIPE DREAM Back in July
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