Album of the Year: How to Dismantle an Atomic Bomb, U2.
Record of the Year: Boulevard of Broken Dreams, Green Day.
New Artist: John Legend
Male R&B Vocal Performance: Ordinary People, John Legend.
Pop Vocal Album: Breakaway, Kelly Clarkson.
Rap/Sung Collaboration: Numb/Encore, Jay-Z featuring Linkin Park.
Song of the Year: Sometimes You Can't Make It on Your Own, U2.
Female Pop Vocal Performance: Since U Been Gone, Kelly Clarkson.
Country Album: Lonely Runs Both Ways, Alison Krauss and Union Station.
Rap Album: Late Registration, Kanye West.
Rock Album: How to Dismantle an Atomic Bomb, U2.
Rap Solo Performance: Gold Digger, Kanye West.
Rap Performance by a Duo or Group: Don't Phunk With My Heart, The Black Eyed Peas.
Rap Song: Diamonds From Sierra Leone, D. Harris and Kanye West.
Solo Rock Vocal Performance: Devils & Dust, Bruce Springsteen.
Rock Performance by a Duo or Group With Vocal: Sometimes You Can't Make It on Your Own, U2.
Alternative Music Album: Get Behind Me Satan, The White Stripes.
Female R&B Vocal Performance: We Belong Together, Mariah Carey.
R&B Performance by a Duo or Group With Vocals: So Amazing, Beyonce and Stevie Wonder.
R&B Song: We Belong Together, J. Austin, M. Carey, J. Dupri & M. Seal, (D. Bristol, K. Edmonds, S. Johnson, P. Moten, S. Sully & B. Womack, (Mariah Carey).
Contemporary R&B Album: The Emancipation of Mimi, Mariah Carey.
Male Pop Vocal Performance: From the Bottom of My Heart, Stevie Wonder.
Pop Performance by a Duo or Group With Vocal: This Love, Maroon 5.
Pop Collaboration With Vocals: Feel Good Inc, Gorillaz Featuring De La Soul.
The canonical shot of an East Asian city is a night skyline studded with towering apartment and office buildings, bright with neon and plastic signage, a landscape of energy and modernity. Another classic image is the same city seen from above, in which identical apartment towers march across the city, spilling out over nearby geography, like stylized soldiers colonizing new territory in a board game. Densely populated dynamic conurbations of money, technological innovation and convenience, it is hard to see the cities of East Asia as what they truly are: necropolises. Why is this? The East Asian development model, with
June 16 to June 22 The following flyer appeared on the streets of Hsinchu on June 12, 1895: “Taipei has already fallen to the Japanese barbarians, who have brought great misery to our land and people. We heard that the Japanese occupiers will tax our gardens, our houses, our bodies, and even our chickens, dogs, cows and pigs. They wear their hair wild, carve their teeth, tattoo their foreheads, wear strange clothes and speak a strange language. How can we be ruled by such people?” Posted by civilian militia leader Wu Tang-hsing (吳湯興), it was a call to arms to retake
Desperate dads meet in car parks to exchange packets; exhausted parents slip it into their kids’ drinks; families wait months for prescriptions buy it “off label.” But is it worth the risk? “The first time I gave him a gummy, I thought, ‘Oh my God, have I killed him?’ He just passed out in front of the TV. That never happens.” Jen remembers giving her son, David, six, melatonin to help him sleep. She got them from a friend, a pediatrician who gave them to her own child. “It was sort of hilarious. She had half a tub of gummies,
The wide-screen spectacle of Formula One gets a gleaming, rip-roaring workout in Joseph Kosinski’s F1, a fine-tuned machine of a movie that, in its most riveting racing scenes, approaches a kind of high-speed splendor. Kosinski, who last endeavored to put moviegoers in the seat of a fighter jet in Top Gun: Maverick, has moved to the open cockpits of Formula One with much the same affection, if not outright need, for speed. A lot of the same team is back. Jerry Bruckheimer produces. Ehren Kruger, a co-writer on Maverick, takes sole credit here. Hans Zimmer, a co-composer previously, supplies the thumping
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