Before taking a long escape for the Lunar New Year holidays, it might be a good idea to watch a movie that will calm your heart and make you more sympathetic. This weekend's new release, Nobody Knows, is a solid piece you should not miss.
Acclaimed Japanese filmmaker Hirokazu Koreeda is known for his brooding dramas with intriguing topics, such as After Life (1998), an imaginative film set in an afterlife where the deceased worry about life and death, memory and oblivion. This latest film, Nobody Knows, is based on a true story about four abandoned children who quietly lead isolated lives in an apartment in Tokyo.
PHOTOS: COURTESY OF CMPC
The film's opening looks ordinary but turns bizarre. The mom, Keiko, moves to a new house with her oldest son, Akira (Yagira Yuya). Inside the Louis Vuitton suitcases are three other kids, ages five to 10, each with different fathers whose identities are not revealed.
PHOTOS: COURTESY OF CMPC
Keiko makes the rule that the kids are not allowed to go out. Only Akira gets to leave to buy groceries and take care of the siblings. The mom is always out, working late or seeing boyfriends.
In director Koreeda's clean and -- as usual -- brooding lens, the drama of the story slowly and quietly unfolds.
PHOTO: TAIPEI TIMES
One day the mom leaves some money and a note asking Akira to take care of his siblings. The four children begin their lives about which "nobody knows."
The mom suddenly comes back on a winter night to give each kid some presents and immediately pack and leave. She promises to come back for Christmas but never does. Akira, the son, realizes that they have been abandoned and decides to hide the secret. He affectionately takes up the responsibility and maintains a family life with almost no money. In one scene, the family of four goes out for the first time to a convenience store to buy things they like.
But cruelty gradually shadows the home-alone children. Akira is, after all, a 12-year-old boy who likes baseball, computer games and hanging out with friends. After being abandoned, his dignity and faith wear off. And as for his siblings, their hope wanes, too, and they stop asking, `When is mom coming back?'
Director Koreeda uses a documentary-style method to shoot the film, and he spent a whole year living and shooting with the four non-professional child actors. The amateurs come out very naturally and even match performances by the actress who plays their mom and the Cannes' Best Actor, Yagira Yuya.
The most valuable part of the film is that while the drama is very powerful and touching, there is not one slice of a sensational shot. The prose-like narration gives more pounding to one's heart.
One naturally wonders when there will be a Taiwanese film as impressive as this Japanese film. The answer is that the audience might have to wait a few months, since most local production houses are in the beginnings of their 2005 projects.
Three Dots Entertainment (三和娛樂), the company behind the gay comedy Formula 17 (十七歲的天空), recently announced a slate of three movies for 2005. Horror film The Heirloom (宅變) will be followed by two comedies.
The Heirloom will be directed by 23-year-old Leste Chen (陳正道). Terri Kwan (關穎), who starred in Turn Left, Turn Right (向左走 向右走) and Jason Chang (張大鏞), who starred in Formula 17, will star in the film as a couple that inherits a haunted house. The shooting is scheduled to start in March.
The Extra Zone (working title), a comedy about the life of a film extra, is a project that again teams up star Tony Yang (楊佑寧) and director DJ Chen (陳映蓉) as in Formula 17, which was the second-best-sold local film in Taiwan by grossing some NT$6 million and selling internationally, including at venues in the US and Japan. The film also won a Best New Performer award for actor Tony Yang.
Three Dots' third planned film is Metrosexual 101 (搶救無趣男), written by the screenwriter of Formula 17, Rady Fu. Taiwan's genre-driven films, especially those with horror themes, will come in groups in 2005.
Su Chao-pin (蘇照彬), the screenwriter of the 2002 hit thriller Double Vision (雙瞳) and the 2003 Hong Kong horror flick Three (三更), will be making an NT$3 million horror film Silk (鬼絲).
The film has received NT$400,000 from the government's Subsidy for Film Production and Taiwan DVD maker and technology giant CMC Magnetics will be among the major investors of the film.
Scheduled to start shooting in March, Silk explores the mysterious legend that one's doom is near if one finds a string of silk on one's back. Rene Liu (劉若英) and Tony Leung Kar-fai (梁家輝) from Double Vision are among the casting choices.
Also coming in on the horror-flick train is Alice Wang (王毓雅) with her Aunt Tiger (虎姑婆), which is adapted from an ancient Chinese folk tale about a child-eating old lady, and Stan Yin's (尹祺) E Yue (惡月), whose investor is Central Motion Picture Corporation (中影, CMPC), Taiwan's oldest film studio. Both films are in post production.
May 18 to May 24 Pastor Yang Hsu’s (楊煦) congregation was shocked upon seeing the land he chose to build his orphanage. It was surrounded by mountains on three sides, and the only way to access it was to cross a river by foot. The soil was poor due to runoff, and large rocks strewn across the plot prevented much from growing. In addition, there was no running water or electricity. But it was all Yang could afford. He and his Indigenous Atayal wife Lin Feng-ying (林鳳英) had already been caring for 24 orphans in their home, and they were in
President William Lai (賴清德) yesterday delivered an address marking the first anniversary of his presidency. In the speech, Lai affirmed Taiwan’s global role in technology, trade and security. He announced economic and national security initiatives, and emphasized democratic values and cross-party cooperation. The following is the full text of his speech: Yesterday, outside of Beida Elementary School in New Taipei City’s Sanxia District (三峽), there was a major traffic accident that, sadly, claimed several lives and resulted in multiple injuries. The Executive Yuan immediately formed a task force, and last night I personally visited the victims in hospital. Central government agencies and the
Australia’s ABC last week published a piece on the recall campaign. The article emphasized the divisions in Taiwanese society and blamed the recall for worsening them. It quotes a supporter of the Taiwan People’s Party (TPP) as saying “I’m 43 years old, born and raised here, and I’ve never seen the country this divided in my entire life.” Apparently, as an adult, she slept through the post-election violence in 2000 and 2004 by the Chinese Nationalist Party (KMT), the veiled coup threats by the military when Chen Shui-bian (陳水扁) became president, the 2006 Red Shirt protests against him ginned up by
As with most of northern Thailand’s Chinese Nationalist Party (KMT) settlements, the village of Arunothai was only given a Thai name once the Thai government began in the 1970s to assert control over the border region and initiate a decades-long process of political integration. The village’s original name, bestowed by its Yunnanese founders when they first settled the valley in the late 1960s, was a Chinese name, Dagudi (大谷地), which literally translates as “a place for threshing rice.” At that time, these village founders did not know how permanent their settlement would be. Most of Arunothai’s first generation were soldiers