In a small area of Ximending bounded by cinemas, the Danshui River and a strip of karaoke bars and hotels, are lanes and alleys that cater to hip-hop crews and consumers of Asian fashion. It is a lively section of Taipei, with rehearsal spaces for bands and film workshops, mixed with vendors and by-the-hour hotels. There are hundreds of places to eat and all-night cafes.
Taking a stroll and probably getting lost is not a bad way to kill some time if it involves lunch or dinner and a break for coffee. On the way you'll see a hoard of graffiti. It's not unlike taking a stroll through a contemporary art gallery's exhibition of ghetto artists. Among the prominent artists, there is the sublime Arnold -- who is rumored to be doing his military service -- and Ragdoll. Tags are in Chinese and English. The boom-box greetings of the competing storeowners are the rhythm of the streets, with a half-abandoned car spray-painted with the terse statement: Fuck Nike.
PHOTO: JULES QUARTLY, TAIPEI TIMES
Though papers reported gangland street fights over drugs a few years back, Ximending is now heavily patrolled and has a lot of closed circuit TV cameras mounted on streetlamps.
PHOTO: JULES QUARTLY, TAIPEI TIMES
It feels like a peaceful, sub-tropical urban jungle. At night there are 24-hour tea and coffee houses, bowling alleys, PC game places and arcades. There are a few nightclubs and many karaoke and red-envelope bars (so called because men pay for a song with a red envelope containing money). At dawn, the clientele and hostesses from the piano bars on Chengdu Road spill out into the street and toward the line of yellow taxis.
Originally a public burial ground when it was first developed in 1885, Ximending's name derives from being one of the five gates of Taipei. It was an entertainment district developed by the Japanese in the first half of the century and flourished in the1950s and 1960s, when it first became a fashionable hotspot for the prospering Chinese Nationalist Party soldiers and locals.
PHOTO: JULES QUARTLY, TAIPEI TIMES
Japan is back now, at least when it comes to fashion. Young women wear minutely planned and accessorized looks inspired by manga comic characters. They wear shorts and layers of long colorful socks with flat sandals or boots. The guys are a mixed bunch of shorts, cargo pants, baggy jeans, extra-large clothing, hats and shades.
PHOTO: JULES QUARTLY, TAIPEI TIMES
Ohtomo (大
Mao (毛
PHOTO: JULES QUARTLY, TAIPEI TIMES
They both say business is good.
PHOTO: JULES QUARTLY, TAIPEI TIMES
At Doobiest, on Wuchang Street, many of the clothes and accessories are from the US, with labels like Tribal USA and Dickies. The Denon turntables are prominently displayed, but a CD plays in the background. XXXL shirts and pants are being sold to the guys, hot pants for the ladies. There is an Apple computer and 12-inch records. At another hip-hop store nearby, kids admire a custom-made low-rider bike with high handlebars and chrome accessories.
Down on Emei Street are some large works of graffiti, more stores with names like Pinky, Mother Fucker, K.O.S (king of the streets) and Vicious. They aim for the broad spectrum of punk-death metal combinations, soul, R 'n' B and US skateboarder styles. A little further and the hip-hop boutiques make way for hotels, karaoke parlors and all-night fried rice and noodle diners that always seem to have a little sashimi and a lot of Taiwan Beer.
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
President William Lai’s (賴清德) March 13 national security speech marked a turning point. He signaled that the government was finally getting serious about a whole-of-society approach to defending the nation. The presidential office summarized his speech succinctly: “President Lai introduced 17 major strategies to respond to five major national security and united front threats Taiwan now faces: China’s threat to national sovereignty, its threats from infiltration and espionage activities targeting Taiwan’s military, its threats aimed at obscuring the national identity of the people of Taiwan, its threats from united front infiltration into Taiwanese society through cross-strait exchanges, and its threats from
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
RSS