Jimmy Liao's (
So, to adapt one of his stories into a movie, especially a romance drama, one needs to enrich the plot and create more characters, it might be thought.
Johnny To's Turn Left, Turn Right (
On the positive side, Takeshi Kaneshiro (
Kaneshiro plays a young violinist who lives alone in a Taipei apartment. He's a young talent who only gets to play cheesy tunes in restaurants and subway stations. Same for Leung, working in a publishing company, she likes the poems and novels of Polish writer W. Szymborska. But her boss has asked her to translate horror stories that give her constant nightmares.
PHOTOS COURTESY OF WARNER
The two loners are neighbors but do not know each other. Though they have never met, the audience is made aware that they both have a lot in common with each other. As such, they both wear cute Bohemian clothing with colorful wool hats and scarves. Each rides a bicycle and enjoys peddling around the city. They love art and literature, sitting in the park on a Sunday afternoon and playing with kids or dogs. Also, they both want to go abroad someday for better opportunities. More importantly, it seems, they have not met that someone they were destined to meet.
Like two parallel lines, they always pass each other. Taking elevators at the same time, she goes up and he goes down. They leave a building but take different turns. Taking the MRT, they each stand on on either side of the platform.
One day at a park by the fountain, the two lives finally converge. They chat as though they're old lovers who have been apart for a long time. He plays music for her and she teaches him Polish poems.
Then, he realizes that she was the girl he had a crush on in elementary school, that he remembers sitting on the horse of a merry-go-round, watching her back. Their first meeting goes really well, so they exchange their numbers and leave in the pouring rain, only to find out later that the numbers have smudged in the rain and are now unrecognizable.
The movie is faithful to the book in portraying conveying dream-like pictures and colors. The small Taipei apartments they live in are cute and fantastical. The MRT stations, the fountains in Beitou Park, Warner Village and Hsimenting all look pleasant. From a Hong Kong director's lens Taipei indeed looks lovely.
The biggest problem, however, is that the chemistry between Leung and Kaneshiro is not convincing, even though they look good together. Kaneshiro seems lost despite Leung's best efforts. From the way he looks at Leung and the way he talks to her, you get a dry feeling and it is hard to imagine how he could be suffering from losing her.
Turn Left, Turn Right intends to combine both To's Hong Kong-style chattering-style comedy and Liao's Taiwanese melancholy poetics, but fails to make a bridge over the divide. The result is that fans are left only half satisfied at the end.
If one asks Taiwanese why house prices are so high or why the nation is so built up or why certain policies cannot be carried out, one common answer is that “Taiwan is too small.” This is actually true, though not in the way people think. The National Property Administration (NPA), responsible for tracking and managing the government’s real estate assets, maintains statistics on how much land the government owns. As of the end of last year, land for official use constituted 293,655 hectares, for public use 1,732,513 hectares, for non-public use 216,972 hectares and for state enterprises 34 hectares, yielding
The small platform at Duoliang Train Station in Taitung County’s Taimali Township (太麻里) served villagers from 1992 to 2006, but was eventually shut down due to lack of use. Just 10 years later, the abandoned train station had become widely known as the most beautiful station in Taiwan, and visitors were so frequent that the village had to start restricting traffic. Nowadays, Duoliang Village (多良) is known as a bit of a tourist trap, with a mandatory, albeit modest, admission fee of NT$10 giving access to a crowded lane of vendors with a mediocre view of the ocean and the trains
Traditionally, indigenous people in Taiwan’s mountains practice swidden cultivation, or “slash and burn” agriculture, a practice common in human history. According to a 2016 research article in the International Journal of Environmental Sustainability, among the Atayal people, this began with a search for suitable forested slopeland. The trees are burnt for fertilizer and the land cleared of stones. The stones and wood are then piled up to make fences, while both dead and standing trees are retained on the plot. The fences are used to grow climbing crops like squash and beans. The plot itself supports farming for three years.
For many people, Bilingual Nation 2030 begins and ends in the classroom. Since the policy was launched in 2018, the debate has centered on students, teachers and the pressure placed on schools. Yet the policy was never solely about English education. The government’s official plan also calls for bilingualization in Taiwan’s government services, laws and regulations, and living environment. The goal is to make Taiwan more inclusive and accessible to international enterprises and talent and better prepared for global economic and trade conditions. After eight years, that grand vision is due for a pulse check. RULES THAT CAN BE READ For Harper Chen (陳虹宇), an adviser
RSS