The 39th Golden Horse Awards got started yesterday evening in Kaohsiung with an abundance of Hong Kong contenders and plenty of relatively new faces. Despite the almost total dominance of Hong Kong talent, Chang Tso-chi picked up the Best Picture award for The Best of Times, one of only five and the only significant award picked up by a Taiwan film.
The people of the port city turned out in force to greet the stars, but the flood of southern hospitality and passion made an odd contrast with the blandness of the award ceremony itself. The Kaohsiung City Government has thrown itself behind the event with considerable vigor, contributing NT$16 million and the use of the splendid Kaohsiung Cultural Center as the venue. But this didn't do much to balance the feeling that the Golden Horse Awards this year are more of a Hong Kong event than a Taiwanese one.
PHOTO: TAIPEI TIMES
The lack of major films or big name stars in the nominations somewhat detracted from the event from the start. And then, with Hong Kong films sweeping up most of the important acting awards, and maintaining a strong hold on the technical categories, Taiwan seemed likely to be totally ignored at its own film festival.
The Best of Times was Taiwan's only real medal hope in the major awards. It went into the competition with nine nominations, behind Hollywood Hong Kong by Hong Kong director Fruit Chan, already a veteran of the Golden Horse, who garnered 14 nominations, a Golden Horse record. Chang took a ride on an emotional roller coaster during the course of the award ceremony as Best of Times was beaten out repeatedly by Hong Kong films. Winning the Best Taiwan Film of the Year seemed to announce the end of major award hopes early in the ceremony. The film did pick up the Audience award, but it was the sad truth that there were no other local choices.
Perhaps most galling for Chang was to see first-time actor Kao Meng-jie
July Rhapsody, which was not nominated in any of the major categories except best picture, was a dark horse that picked up three major awards. In a somewhat unusual move, Karena Lam, the Taiwan-born singer who has developed her career in Hong Kong, picked up Best Supporting Actress as well as Best New Performer for her role in July Rhapsody. She beat out bigger name stars for her portrayal of a precocious young girl who falls in love with her teacher, played by Jacky Cheung (張學友). After accepting her second award, Lam was virtually speechless with surprise, saying only that she would have to treat her co-star and idol Jacky Cheung to a big meal. With contracts signed for two more movies, the coup of picking up two awards will do the first-time actress no harm in her career.
July Rhapsody also picked up Best Original Screen Play for Ivy Ho, the writer of the highly regarded Comrades, Almost a Love Story (甜蜜蜜, 1996). Speaking to the Taipei Times, Ho said that although Comrades received more critical acclaim, she feels more strongly about the script for July Rhapsody.
The rather lackluster mood of the award ceremony was only broken by one award, which had many Taiwan film professionals reaching for their hankies. Ang Lee (李安), on a three-day whirlwind visit, taking time off from post-production on the Incredible Hulk which is scheduled to open in the US in June, presented a Lifetime Achievement award to Lung Sihung (郎雄), who died in early May. Lung was Taiwan cinema's great father figure, and cooperated with Lee on films ranging from Pushing Hands (1992) to Crouching Tiger, Hidden Dragon. His long time collaborator Kuei Ya-lei (歸亞蕾), who often played his on-screen wife, sang a song in memory of him. It is a tribute to Lung's high standing that the occasion came off in touching rather than maudlin fashion.
Somewhere Over the Dreamland, a film about Taiwan's Aborigines which won Best Picture in the Critic's Week section of the Venice Film Festival, failed to get nominations for any of the major categories, but picked up Best Original Film Score for Bulan Yukan, who also played the lead role in the film.
Christopher Doyle, who picked up yet another award for Best Cinematography, shrugged off the honor saying he couldn't remember how many he had already taken home. At the same time he said that he first started making films in Taiwan, so the Golden Horse still held a special place in his heart.
Another special award, that for the Best Taiwan Film Professional of the Year went to Liao Ching-sung, one of Taiwan's most senior film editors. He edited the film In Our Time back in 1976, a film regarded as the seminal work of the New Taiwan Cinema. He has since worked for all the major names in Taiwan cinema and despite repeated nominations, has never won a Golden Horse. He was nominated this year for Best of Times and yet again failed to get an award.
The winner of the Best Actress award went to Lee Sin-je, a surprise to many as this young actress only has only two films behind her, having won the Best New Performer award at Berlin just last year for Betel Nut Beauty (2001).
Leon Lai, who picked up Best Actor, was a less controversial choice although he played in the very short Three-Going Home. Although Peter Chan-Hosun did not pick up an award himself, as the director of Three-Going Home and producer, through his Applause Pictures, of The Eye, he was associated with the victories of his actors.
After picking up his Best Film award, an elated Chang commented that despite this gesture, Taiwan still lags far behind Hong Kong. He pointed out that while Hong Kong had a film "industry," Taiwan was still at the handicraft stage of development. "With the money I get for this award, I will be able to get some equipment," he quipped.
Winners at the 39th Golden Horse Awards
Best Feature Film
The Best of Times
Best Director
Fruit Chan
Best Leading Actor
Leon Lai
Best Leading Actress
Lee Sin-je
Best Supporting Actor
Anthony Hong
Best Supporting Actress
Karena Lam
Best New Performer
Karena Lam for July Rhapsody
Best Original Screenplay
Ivy Ho
Best Cinematography
Christopher Doyle
Best Taiwanese Film of the Year
The Best of Times Somewhere Over Dreamland
Best visual Effects
Centro Digital Pictures
Best Art Direction
Huang Mao-Sen
Best Make up & Costume Design
Jessie DAI
Best Action Choreography
Bruce Mang
Best Original Film Score
Bulan Yukan
Best Original Film Song
Raincoat
Huang pin-yuan for Love at 7-11
Best Film Editing
Law Wing Cheong
Best Sound Effect
Cuson Liu
Best Documentary
Spring: The Story of Hsu Chin-Yu
by Tseng Wen-Chen
How High Is the Mountain
Best Short Film
Summers
Best Taiwan Film of the Year
The Best of Times by Chang Tso-chi
Best Taiwan Film Professional of the Year
Liao Ching-sung
Audience Award
The Best of Times by Chang Tsuo-chi
Nothing like the spectacular, dramatic unraveling of a political party in Taiwan has unfolded before as has hit the Taiwan People’s Party (TPP) over recent weeks. The meltdown of the New Power Party (NPP) and the self-implosion of the New Party (NP) were nothing compared to the drama playing out now involving the TPP. This ongoing saga is so interesting, this is the fifth straight column on the subject. To catch up on this train wreck of a story up to Aug. 20, search for “Donovan’s Deep Dives Ko Wen-je” in a search engine. ANN KAO SENTENCED TO PRISON YET AGAIN,
When the Dutch began interacting with the indigenous people of Taiwan, they found that their hunters classified deer hide quality for trade using the Portuguese terms for “head,” “belly,” and “foot.” The Portuguese must have stopped here more than once to trade, but those visits have all been lost to history. They already had a colony on Macao, and did not need Taiwan to gain access to southern China or to the trade corridor that connected Japan with Manila. They were, however, the last to look at Taiwan that way. The geostrategic relationship between Taiwan and the Philippines was established
Sept. 9 to Sept. 15 The upgrading of sugarcane processing equipment at Ciaozaitou Sugar Factory (橋仔頭) in 1904 had an unintended but long-lasting impact on Taiwan’s transportation and rural development. The newly imported press machine more than doubled production, leading to an expansion of the factory’s fields beyond what its original handcarts and oxcarts could handle. In 1905, factory manager Tejiro Yamamoto headed to Hawaii to observe how sugarcane transportation was handled there. They had trouble finding something suitable for Taiwan until they discovered a 762mm-gauge “miniature” railroad at a small refinery in the island of Maui. On
When Sara (names in this story are changed to protect the sources’ identities) takes her daughter April out anywhere in Taiwan, she’s frequently asked the same question: “Is your husband Taiwanese?” Sara is white, and April has unmistakably Asian features. “My wife is Taiwanese,” she replies. If asked, she may then clarify that April is her biological child, Taiwanese by blood, and has two moms. This often creates more confusion, but it is a difficult reality for Sara, her wife Dana and April. While Dana has adopted April, the child does not have Taiwanese (Republic of China) nationality despite both of her
RSS