The Second Miaoli International Mask Festival (第二屆苗栗國際假面藝術節), which opened Saturday, is presenting one of the most comprehensive exhibitions of Asian masks ever held in Taiwan. The event, which runs until April 29, will also incorporate an array of folk music and dance performances associated with the use of masks.
The exhibition and performances are sponsored by the Miaoli County Culture Bureau (
PHOTO COURTESY OF ACEF
The current exhibition, which focuses on Asia, contains 403 masks, many of them over a century old. Highlights of the exhibition are two sacrificial masks from Java which date back 1,000 years, one of which is made of gold, the other of bronze. Securing these objects' shipment to Taiwan for the show was perhaps the event's biggest coup. "Insurance made up a large part of the expenses for this show," said Chou.
PHOTO COURTESY OF ACEF
The mask exhibition takes the form of an installation art display and aims to cover the two main traditions of mask art in Asia, Chinese and Indian. Chou said said viewers will be able to see the frequent overlap of the traditions,especially visible in the mask art of regions like Tibet. Featured masks originate from Mongolia, Tibet, China, Japan, Taiwan, Thailand, India, Nepal and Sri Lanka.
The Miaoli Mask Festival was initiated in 1999 during the preparation for the construction of the Sanyi Museum of Wood Sculpture (三義木雕博物館), when cultural administrators happened upon the strong vein of mask art that exists within Miaoli's wood carving tradition.
PHOTO COURTESY OF ACEF
The subtitle of the show "Masks, a Banquet for the Soul" (假面的藝術,心靈的饗宴) is intended to emphasize the important role that masks play in expressing religious aspirations and the importance of masks in traditional culture.
PHOTO COURTESY OF ACEF
Although masks are not commonly used in Chinese ritual or performance, Hakka (客家) culture, which is strongly represented in Miaoli, uses masks in funeral rites, which explains the choice of Miaoli for the event.
Hakka masks will be on display, as will another form of Chinese masks, called "Nuo" (儺面), which date back to the Tang dynasty (618-907) and are currently only used in China's relatively isolated Guizhou (貴州) and Jiangxi (
PHOTO: TIFFANY FENG, TAIPEI TIMES
One of the most dynamic elements of the festival will be performances by troupes from all over the world. These will be held in many different locations around Miaoli and most, with the exception of those by higher-profile dance groups, will be free.
Organizers say the event is a rare opportunity to learn about the rich heritage and multiple religious and cultural usages of masks. "By wearing a mask I represent a ghost. In the northeast of Thailand, the masked performers scare away evil spirits that lurk in the wilderness," said one ghost performer of the Nongkhai Dramatic Art Club (農凱戲劇藝術團) from Thailand.
Members of Mongol National Ethnic Dance Group (蒙古國家民族歌舞團) said that their masks were representations of Buddha, and their performance was intended to subdue demons and enhance people's faith in Buddhism.
Fu Hsueh-peng (傅學鵬), Miaoli County commissioner, said he hoped the arts festival would become a regular event to show off Miaoli's culture and give Miaoli residents a chance to learn more about the cultures of other nations.
What: The Second Miaoli International Mask Festival (
When: April 1 to April 29, 9am to 9pm
Where: Miaoli County Culture Bureau (
Ticket: Exhibition NT$100; Performances, free or NT$100 to NT$500
For more information call (037) 352-961 ext. 611-614 or check out the festival Web site at http://www.mask.org.tw.
April 28 to May 4 During the Japanese colonial era, a city’s “first” high school typically served Japanese students, while Taiwanese attended the “second” high school. Only in Taichung was this reversed. That’s because when Taichung First High School opened its doors on May 1, 1915 to serve Taiwanese students who were previously barred from secondary education, it was the only high school in town. Former principal Hideo Azukisawa threatened to quit when the government in 1922 attempted to transfer the “first” designation to a new local high school for Japanese students, leading to this unusual situation. Prior to the Taichung First
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
The Ministry of Education last month proposed a nationwide ban on mobile devices in schools, aiming to curb concerns over student phone addiction. Under the revised regulation, which will take effect in August, teachers and schools will be required to collect mobile devices — including phones, laptops and wearables devices — for safekeeping during school hours, unless they are being used for educational purposes. For Chang Fong-ching (張鳳琴), the ban will have a positive impact. “It’s a good move,” says the professor in the department of
Article 2 of the Additional Articles of the Constitution of the Republic of China (中華民國憲法增修條文) stipulates that upon a vote of no confidence in the premier, the president can dissolve the legislature within 10 days. If the legislature is dissolved, a new legislative election must be held within 60 days, and the legislators’ terms will then be reckoned from that election. Two weeks ago Taipei Mayor Chiang Wan-an (蔣萬安) of the Chinese Nationalist Party (KMT) proposed that the legislature hold a vote of no confidence in the premier and dare the president to dissolve the legislature. The legislature is currently controlled