Taipei enjoyed a delightful treat this past weekend with the first five of the original 10 plays that make up Taipei Shorts II. And if viewers liked those, the coming five plays promise an even more provocative and enticing evening.
In the upcoming works, the five new playwrights transverse time and space with challenging existentialist, absurd and inquisitive themes.
In A Gift from the Heavens, Mark Caltonhill revisits the death of Tang Dynasty poet, Li Bai (李白) but frames his verses with 1930 Taiwanese folk songs set in the politically repressive 1970s. The protagonist sings these folk songs to literary, political and comical effect.
Photos courtesy of Alicia Haddad
A T Beaune takes viewers into a different dimension mixing the modern with the past in Flight 109. In this play, Aqua on her round the world flight faces the existentialist conflict of being true to oneself as well as to one’s lover who remains at home.
In preparation, theatregoers are advised to read Shakespeare’s Sonnet 109 and be aware of Sandra Tavoli’s musical rendition of it, to get the full complexity of all expressed.
Shashwati Talukdar veers into the absurd with a mind-bending challenge of a different sort in Memory Stratagem. Here a memory expert in a remote monastery is trying to sort out the true story of a hero from a distant time, while being hassled by a monk to move quickly and just get it done.
Culture Bleep by Esther Wainwright also takes viewers into the absurd in the year 2040. There a desperate Mr Vain finds that, having lost his mobile phone, he is unable to link with his social media and therefore starts losing his viewers.
Finally, after all the heavy stuff, Emily Haver brings delight with Little Moons. Here two people wearing hydrated facemasks and listening to Debussy’s Clare de Lune come together to witness an eclipse.
On one level, it is simply a “sweet and silly love story” the dream-like type that everyone longs to experience. Yet at another level, it reminds us that love and magic are real and that we should always be open to their possibility.
All in all, the coming weekend promises to be a wild ride for viewers, and certainly one well worth the experience.
Next week, candidates will officially register to run for chair of the Chinese Nationalist Party (KMT). By the end of Friday, we will know who has registered for the Oct. 18 election. The number of declared candidates has been fluctuating daily. Some candidates registering may be disqualified, so the final list may be in flux for weeks. The list of likely candidates ranges from deep blue to deeper blue to deepest blue, bordering on red (pro-Chinese Communist Party, CCP). Unless current Chairman Eric Chu (朱立倫) can be convinced to run for re-election, the party looks likely to shift towards more hardline
Sept. 15 to Sept. 21 A Bhutanese princess caught at Taoyuan Airport with 22 rhino horns — worth about NT$31 million today — might have been just another curious front-page story. But the Sept. 17, 1993 incident came at a sensitive moment. Taiwan, dubbed “Die-wan” by the British conservationist group Environmental Investigation Agency (EIA), was under international fire for being a major hub for rhino horn. Just 10 days earlier, US secretary of the interior Bruce Babbitt had recommended sanctions against Taiwan for its “failure to end its participation in rhinoceros horn trade.” Even though Taiwan had restricted imports since 1985 and enacted
Enter the Dragon 13 will bring Taiwan’s first taste of Dirty Boxing Sunday at Taipei Gymnasium, one highlight of a mixed-rules card blending new formats with traditional MMA. The undercard starts at 10:30am, with the main card beginning at 4pm. Tickets are NT$1,200. Dirty Boxing is a US-born ruleset popularized by fighters Mike Perry and Jon Jones as an alternative to boxing. The format has gained traction overseas, with its inaugural championship streamed free to millions on YouTube, Facebook and Instagram. Taiwan’s version allows punches and elbows with clinch striking, but bans kicks, knees and takedowns. The rules are stricter than the
Last week the story of the giant illegal crater dug in Kaohsiung’s Meinong District (美濃) emerged into the public consciousness. The site was used for sand and gravel extraction, and then filled with construction waste. Locals referred to it sardonically as the “Meinong Grand Canyon,” according to media reports, because it was 2 hectares in length and 10 meters deep. The land involved included both state-owned and local farm land. Local media said that the site had generated NT$300 million in profits, against fines of a few million and the loss of some excavators. OFFICIAL CORRUPTION? The site had been seized