Ballet fans can go for months in Taiwan without seeing a show, and then a deluge will hit and pointe shoes are popping up all over the place.
This weekend, coming hot on the heels of the Mariinsky Theatre Ballet Company’s performances at the National Theater in Taipei just two weeks ago, is one such time.
The 25-year-old St Petersburg Ballet Theatre and its tall prima ballerina, Irina Kolesnikova, have returned to Taiwan for a two-city tour that opens tonight at the National Theater with La Bayadere, but it is just one of several ballet productions in the north and south of the nation.
Photo courtesy of the Kaohsiung City Ballet
St Petersburg will give two performances of La Bayadere and three of Swan Lake, accompanied by the Evergreen Symphony Orchestra (長榮交響樂團), before moving on to Taichung next week, where the company will perform Swan Lake again, accompanied by the Taichung City Symphony Orchestra (台中市交響樂團).
Over at the Taipei City Government Family Theater, the Rondo Ballet Theater (羅德芭蕾舞團) will perform Coppelia on Saturday and Sunday, while at the New Taipei City Arts Center (新北市藝文中心演藝廳), the Taiwan Grand Prix International Ballet Competition opens this morning and runs through Sunday.
Last, but not least, the Kaohsiung City Ballet (KCB, 高雄城市芭蕾舞團) is moving up in the world, opening a three-city tour of its latest production, Water (水), at the National Kaohsiung Center for the Arts’ Playhouse on Saturday.
Photo courtesy of the St Petersburg Ballet Theatre
Getting back to La Bayadere, which has only been seen in Taiwan when the American Ballet Theater (ABT) visited Taipei in 2012, is a classic Russian production that was rarely performed in full outside of Russia until Natalia Makarova restaged a shortened version for ABT in 1980, although the Kingdom of the Shades scene, another “white ballet” utilizing most of a company’s corps de ballet, has been part of the repertoire of several companies around the world.
Originally choreographed by Marius Petipa to a score by Ludwig Minkus, La Bayadere, like the best of the Western classical ballet canon, is a tale of love, betrayal and redemption. Set in a royal court in ancient India, it tells the story of a temple dancer and a warrior, Nikiya and Solor, who are in love, but a high Brahmin priest is obsessed with Nikiya and plots to have Solar married to the rajah’s daughter, Gamzatti.
Coppelia is another 19th century romantic classic, albeit a happier one, originally choreographed by Arthur Saint-Leon to a score by Leo Delibes, although most productions now use a later version choreographed by Petipa. It tells the story of a mechanical doll that is so life-like that a young man falls in love with her, even though he is already engaged. Jealousy and confusion ensues.
Photo courtesy of the Leipzig Ballet
Rondo Ballet’s show might not have the scale of St Petersburg’s productions, but it does have a Germany-based Taiwanese ballerina, Taipei-born Vivian Wang (王苡), who joined the Leipzig Ballet last year. She will be partnered by another guest artist, Vincenzo Timpa, also from the Leipzig company.
KCB is going for a contemporary ballet with its new production, featuring works by frequent collaborators Constantin Georgescu, a Romanian choreographer/multimedia artist, and Kaohsiung-born Wang Kuo-chuan (王國權).
As with last year’s Light (光), KCB founder Chang Hsiu-ru (張秀如) asked the two men to create works based on a single theme.
Georgescu said his Water explores different states in which water can exist, and how these states can become metaphors for human connections and their interactions with the environment.
He conceived the piece like a photo album, where different moments can be viewed as connected or as separate parts.
Wang Kuo-chuan said his Water explores the quietness and the power of the liquid.
Performance notes:
WHAT: Irina Kolesnikova and St Petersburg Ballet Theatre
WHERE: National Theater (國家戲劇院), 21-1 Zhongshan S Rd, Taipei City (台北市中山南路21-1號)
WHEN: Tonight and tomorrow at 7:30pm — La Bayadere; Saturday at 2:30pm and 7:30pm, Sunday at 2:30pm — Swan Lake
ADMISSION: Remaining seats priced at NT$3,800 to NT$5,800, available online at tickets.udnfunlife.com and at convenience store. Tomorrow night is sold out.
ADDITIONAL PERFORMANCES: Swan Lake Friday and Saturday nights next week and Sunday afternoon at the National Taichung Theater (台中國家歌劇院) 101, Huilai Rd Sec 2, Taichung City (台中市惠來路二段101號). Tickets from NT$400 to NT$4,200, available as above
WHAT: Water
WHEN: Saturday at 7:30pm
WHERE: The Playhouse at the National Kaohsiung Center for the Arts (衛武營國家藝術文化中心) 1, Sanduo 1st Rd, Kaohsiung City (高雄市三多一路1號)
ADMISSION: Remaining tickets are NT$400 to NT$800, available at the center’s box offices, online at www.artsticket.com.tw and at convenience store ticket kiosks
ADDITIONAL PERFORMANCES: Aug. 24 at 7:30pm at the Pingtung County Art Center (屏東縣藝術館), 427, Heping Rd, Pingtung City (屏東市和平路427號), tickets NT$400 and NT$600; and Aug. 27 at the National Taichung Theater (台中國家歌劇院) 101, Huilai Rd Sec 2, Taichung City (台中市惠來路二段101號). Tickets from NT$400 to NT$1,200, available online at www.artsticket.com.tw and at convenience store ticket kiosks
What: Coppelia
When: Saturday at 7:30pm and Sunday at 2:30pm
Where: Taipei City Government Family Theater (台北市政府親子劇場), 2F, Taipei City Hall, 1 Shifu Rd, Taipei City (台北市市府路1號2樓)
Admission:NT$300 to NT$1,000; available at NTCH box offices and other ticketing outlets, online at www.artsticket.com.tw and at convenience store ticketing kiosks.
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby