The 11th Taipei Biennial opens this weekend with a show that brings issues of climate change and environmental conservation into the fore. Co-curated by Italian Francesco Manacorda and Wu Mali (吳瑪利), Post-Nature—A Museum as an Ecosystem (後自然:美術館作為一個生態系統) includes 41 artists from 19 countries who are engaged in a number of knowledge fields including science, sociology, urban planning, activism, theory and non-governmental organization. From different perspectives, they examine “a multitude of planetary ecologies, economies and societal structures, and bring to light the different modes of connectivity upon which they rely,” writes the museum in a press release. The show not only presents ecological issues in an art museum context, it also proposes that humans should consider natural living systems as an ideal social model. “Natural ecosystems exist on the basis of symbiosis, reciprocal working and collaboration, in order to maintain a balance. Human activity may be well-advised to follow nature’s example, as global environmental problems become increasingly turbulent and complex,” writes the museum. The show is accompanied by a series of workshops, events and research, beginning with performance of 17 local sound artists inside a lingzhi mushroom installation created by Mycelium Network Society. For more information, visit: www.taipeibiennial.org
■ Taipei Fine Arts Museum (台北市立美術館 TFAM), 181, Zhongshan N Rd Sec 3, Taipei (台北市中山北路三段181號), tel: (02) 2595-7656. Open Tuesdays to Sundays from 9:30am to 5:30pm and until 8:30pm on Saturdays
■ Until March 10
Photo Courtesy of Chi-wen Gallery
Project Fulfill Art Space presents Earthly Delights (人間樂園), a solo exhibition by distinguished Vietnamese-American artist Dinh Q Le. The title of the show references a 15th Century triptych, The Garden of Earthly Delights, by Dutch artist Hieronymus Bosch. “Painted over 500 years ago, historians are divided on [its] interpretation... ranging from a moral warning to worldly temptations, to a celebration of sexual joy and life’s pleasures,” writes the gallery in a press release. Extending from these suggested meanings, the show examines the development of Vietnam’s sexual culture, particularly through the context of online pornography. While the Internet in Vietnam is censored in many areas, pornography is not among the blocked content, says the artist. The arrival of the Internet in Vietnam and the abundance of online porn has greatly changed the Vietnamese view of sexuality. The show features new works from his photo weaving series, in which photographic images are interwoven to create layered and repetitive montages that “alter perceptions of historical events and our collective memory,” writes the gallery. Le’s assemblage technique is inspired by traditional Vietnamese grass mat weaving, which exudes a sense of craft and altered perception. A central piece on display will be a large photo scroll that is 50 meters long.
■ Project Fulfill Art Space (就在藝術空間), 2, Alley 45, Ln 147, Xinyi Rd Sec 3, Taipei City (台北市信義路三段147巷45弄2號), tel: (02) 2707-6942. Open Tuesdays to Sundays from 1pm to 6pm
■ Until Dec. 21
Photo Courtesy of Project Fulfill Art Space
Anne X Ama — Girls under Fire in WWII (安妮與阿嬤相遇:看見女孩的力量) is a collaborative exhibition between The Ama Museum, an institution dedicated to comfort women during Japanese rule, and the Anne Frank House, the former residence and present museum of Jewish wartime writer Anne Frank. Both museums are dedicated to the remembrance of women who suffered during World War II and seek to increase awareness of their life stories. The show features Frank’s diary, memorabilia and a recreation of the secret annex in which she and her family hid during the war. Her diary was published by her father in 1947 and has since been translated into over 70 languages. “At age 13, Anne wrote in her diary the incredible story of their lives in hiding, the emotions she experienced through her rite of passage as a teenage girl, her young and inexperienced romance and her thoughts on war, discrimination and the fate of women,” reads the exhibition preface. By sharing the story of Anne Frank, the Ama Museum hopes to encourage visitors to reflect on the atrocities of war. “How can we prevent the misfortune of Anne and the Amas from happening again?” asks the museum.
■ Ama Museum (婦女救援基金會附設阿嬤家—和平與女性人權館), 256, Dihua St, Sec 1, Taipei City (台北市迪化街一段256號), tel: (02) 2553 7133. Open Tuesdays to Sundays from 10am to 5pm
■ Until Dec. 30
Photo Courtesy of the artist
Dust to Dust: of Myths and Men (塵念塵:神話與人間) is a group exhibition of three Luxembourg-based artists who in the spring participated in a short residency program in Taiwan. For this show, the artists have been invited back to Taiwan to present their final work based on projects they have began during their program. Their projects involve physical and mental recordings of their encounters, as well as the relationship between the socio-political and ancient mythologies and philosophies. Karolina Markiewicz and Pascal Piron is an artist duo that creates films, plays, VR projects, experimental photography and paintings that examine the human condition and the nature of images. Marco Godinho is a Portuguese-born artist who creates installations, videos, drawings and collaborative projects inspired by notions of exile, memory and geography. His practice is influenced by his experiences of multiculturalism while living a nomadic lifestyle. The opening of the show is accompanied by a free tattoo session of Godinho’s Forever Immigrant by Taiwanese tattoo artist Ku Yung-chi (顧詠琪). Following the tattoo session, the curator will be performing an original piece entitled Away from that line, in toward the earth. For more information, visit: vtartsalon.com.
■ VT Art Salon (非常廟藝文空間), B1, 47 Yitong St, Taipei City (台北市伊通街47號B1), tel: (02) 2516-1060. Open Tuesdays to Thursdays from 1:30pm to 9pm, and Fridays and Saturdays from 1:30pm to 10pm
■ Until Dec. 29
Photo Courtesy of The Ama Museum
Currently on view at Chi-wen Gallery is a solo exhibition, Notes on Psychedelics II: inside a Memorable Fancy (致幻記 II:刻幻象), by Taiwanese artist Chen Yin-ju (陳瀅如). Chen is known for her video installation and drawings that engage with her personal experiences and studies of occultism and pseudo-science. The show presents her latest work, Notes on Psychedelics II: Inside a Memorable Fancy, which includes a looped video of a drumming shaman, two animated videos of abstract, vibrational tunnels and a number of drawings that deal with consciousness and the soul. The drawings are slightly warped and suspended in the air as if frozen in motion.
■ Chi-Wen Gallery (其玟畫廊), 32, Lane 2, Zhongshan N Rd Sec 6, Taipei City (台北市中山北路六段2巷32號), tel: (02) 2837-0237. Open Tuesdays to Saturdays from 1pm to 6pm.
■ Until Dec. 15
Following the shock complete failure of all the recall votes against Chinese Nationalist Party (KMT) lawmakers on July 26, pan-blue supporters and the Chinese Communist Party (CCP) were giddy with victory. A notable exception was KMT Chairman Eric Chu (朱立倫), who knew better. At a press conference on July 29, he bowed deeply in gratitude to the voters and said the recalls were “not about which party won or lost, but were a great victory for the Taiwanese voters.” The entire recall process was a disaster for both the KMT and the Democratic Progressive Party (DPP). The only bright spot for
Water management is one of the most powerful forces shaping modern Taiwan’s landscapes and politics. Many of Taiwan’s township and county boundaries are defined by watersheds. The current course of the mighty Jhuoshuei River (濁水溪) was largely established by Japanese embankment building during the 1918-1923 period. Taoyuan is dotted with ponds constructed by settlers from China during the Qing period. Countless local civic actions have been driven by opposition to water projects. Last week something like 2,600mm of rain fell on southern Taiwan in seven days, peaking at over 2,800mm in Duona (多納) in Kaohsiung’s Maolin District (茂林), according to
Aug. 11 to Aug. 17 Those who never heard of architect Hsiu Tse-lan (修澤蘭) must have seen her work — on the reverse of the NT$100 bill is the Yangmingshan Zhongshan Hall (陽明山中山樓). Then-president Chiang Kai-shek (蔣介石) reportedly hand-picked her for the job and gave her just 13 months to complete it in time for the centennial of Republic of China founder Sun Yat-sen’s birth on Nov. 12, 1966. Another landmark project is Garden City (花園新城) in New Taipei City’s Sindian District (新店) — Taiwan’s first mountainside planned community, which Hsiu initiated in 1968. She was involved in every stage, from selecting
The great number of islands that make up the Penghu archipelago make it a fascinating place to come back and explore again and again. On your next trip to Penghu, why not get off the beaten path and explore a lesser-traveled outlying island? Jibei Island (吉貝嶼) in Baisha Township (白沙鄉) is a popular destination for its long white sand beach and water activities. However, three other permanently inhabited islands in the township put a unique spin on the traditional Penghu charm, making them great destinations for the curious tourist: Yuanbeiyu (員貝嶼), Niaoyu (鳥嶼) and Dacangyu (大倉嶼). YUANBEIYU Citou Wharf (岐頭碼頭) connects the mainland