David Blundell will give a lecture on Saturday titled “Taiwan roots of the Austronesian Language and Culture,” at the Legislative Yuan, sharing the stage with Democratic Progressive Party (DPP) Legislator Kolas Yotaka, who will discuss the current state of Aboriginal affairs in Taiwan.
Blundell, a professor at National Chengchi University who has been doing anthropological and archaeological research in Taiwan since the early 1980s, will discuss how the majority of Austronesian languages find their origins in Taiwan.
“It’s a history that dates back between 4,500 to 3,500 years,” Blundell told the Taipei Times, when Taiwan’s Aboriginal groups first started to travel to what is today’s Malaysia, Indonesia and the Philippines.
Photo: Huang Ming-tang, Taipei Times
“They weren’t colonists,” Blundell says, “but traders.”
Blundell, who has recently edited Taiwan Since Martial Law: Society, Culture, Politics, Economics and Austronesian Taiwan: Linguistics, History, Ethnology, Prehistory, says that the “Formosans” would trade nephrite jade, grain and pottery to southeast Asia where they would also pass on their languages.
Their languages became incubators for other languages, which Blundell numbers at around 1,200 today, all of which fall under the Austronesian family.
“If the language incubated in Indonesia, it became a different kind of language ... just as European languages became differentiated,” he says, a pattern that repeated itself throughout the region and as far as Madagascar.
Kolas told the Taipei Times through a spokesperson that she will discuss the current land rights issues facing Aborigines.
The lectures will be held at 10am in English at the Legislative Yuan complex, 1 Jinan Rd, Taipei City (台北市濟南路1號). Admission is NT$100 and includes light refreshments.
Attendees must register with Jerome Keating by 10pm tomorrow at: jkeating@ms67.hinet.net.
The canonical shot of an East Asian city is a night skyline studded with towering apartment and office buildings, bright with neon and plastic signage, a landscape of energy and modernity. Another classic image is the same city seen from above, in which identical apartment towers march across the city, spilling out over nearby geography, like stylized soldiers colonizing new territory in a board game. Densely populated dynamic conurbations of money, technological innovation and convenience, it is hard to see the cities of East Asia as what they truly are: necropolises. Why is this? The East Asian development model, with
June 16 to June 22 The following flyer appeared on the streets of Hsinchu on June 12, 1895: “Taipei has already fallen to the Japanese barbarians, who have brought great misery to our land and people. We heard that the Japanese occupiers will tax our gardens, our houses, our bodies, and even our chickens, dogs, cows and pigs. They wear their hair wild, carve their teeth, tattoo their foreheads, wear strange clothes and speak a strange language. How can we be ruled by such people?” Posted by civilian militia leader Wu Tang-hsing (吳湯興), it was a call to arms to retake
Desperate dads meet in car parks to exchange packets; exhausted parents slip it into their kids’ drinks; families wait months for prescriptions buy it “off label.” But is it worth the risk? “The first time I gave him a gummy, I thought, ‘Oh my God, have I killed him?’ He just passed out in front of the TV. That never happens.” Jen remembers giving her son, David, six, melatonin to help him sleep. She got them from a friend, a pediatrician who gave them to her own child. “It was sort of hilarious. She had half a tub of gummies,
The wide-screen spectacle of Formula One gets a gleaming, rip-roaring workout in Joseph Kosinski’s F1, a fine-tuned machine of a movie that, in its most riveting racing scenes, approaches a kind of high-speed splendor. Kosinski, who last endeavored to put moviegoers in the seat of a fighter jet in Top Gun: Maverick, has moved to the open cockpits of Formula One with much the same affection, if not outright need, for speed. A lot of the same team is back. Jerry Bruckheimer produces. Ehren Kruger, a co-writer on Maverick, takes sole credit here. Hans Zimmer, a co-composer previously, supplies the thumping