Thu, Apr 14, 2016 - Page 12 News List

High hopes for Indonesian author vying for Man Booker glory

Eka Kurniawan has been compared to literary greats such as Gabriel Garcia Marquez and Haruki Murakami

By Olivia Rondonuwu  /  AFP, Jakarta

Eka Kurniawan shows off his book, Man Tiger, in Jakarta last month.

Photo: AFP/Goh Chai Hin

Already compared to literary heavyweights Gabriel Garcia Marquez and Haruki Murakami, great expectations weigh on Eka Kurniawan, the first Indonesian ever nominated for a Man Booker International Prize.

The 40-year-old is up against revered writers like Orhan Pamuk and Kenzaburo Oe, both past recipients of the Nobel Prize in Literature, but there is a growing buzz about the works of this little known author.

At home, titles of Kurniawan’s novels splashed across the back of trucks, while newspapers and magazines hail him Indonesia’s most exciting writer for a generation. “My friends sent me pictures of the back of trucks bearing the titles of my books — these (trucks and the lives of the drivers) were an inspiration for one of my novels — and the fact my books are emblazoned there brought me to a state of euphoria, I got goosebumps,” he tells AFP.

Internationally, demand is such that he’s already attended the acclaimed Frankfurt and Melbourne Book Fairs.

Despite this, Kurniawan says his inclusion on the longlist for the prestigious award, for Man Tiger — the story of a young man who gnaws his elderly neighbor to death — came as a “surprise.” He will find out today if he has made the final six. The winning author and translator will also share US$71,000 in prizemoney, while all the finalists receive approximately US$1,400.

A shortlist nomination — or better still, a victory — will likely provide a much-needed international profile boost not just for Kurniawan, but for the nation’s literary scene.

“I hope this is the case that Indonesian literature is really on the rise, because in the past 10 years I can feel the excitement,” he adds.

FREE FROM TABOOS

Indonesian writers have long struggled for appreciation at home, let alone on the world stage. Many do not have the means to translate their books into other languages and attract publishers and readers abroad.

Yet their is a passionate desire to share their stories and the profession has flourished since Indonesia embraced democracy. Kurniawan, who is now married with a young daughter, participated in the student protests that toppled the authoritarian regime in 1998. He says the wave of openness that followed the end of Suharto’s three-decade rule had an “enormous” influence on Indonesia’s literary evolution.

“I feel Indonesia is more open,” Kurniawan explains. “We can speak practically about many things, including politics, religion and other taboos like sex.”

Kurniawan’s own work is no exception: Man Tiger is a grisly, murderous tale, while Beauty is a Wound revolves around the communist massacres across Indonesia in the 1960s, a politically-sensitive topic to this day.

The vein of magic realism throughout his work has earned Kurniawan comparisons to legendary Colombian novelist Marquez, while others tout him as successor to Pramoedya Ananta Toer.

Pramoedya, who died a decade ago this month, is considered Indonesia’s greatest-ever writer. His legendary Buru Quartet — which he wrote behind bars during the Suharto years — earned him several nominations for a Nobel Prize for Literature, and acclaim overseas.

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For all the high praise directed at Kurniawan, who is from West Java but now lives in Jakarta, it has been a slow crawl from aspiring writer to Booker nominee.

He worked as a graphic designer and jobbing writer, but when Man Tiger was first published in Indonesian in 2004 — he concedes the readership really only extended to his circle of close friends.

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