Several documentaries made over the past year have examined the legacy of World War II. Song of the Reed (蘆葦之歌), for example, chronicles women who were forced into sexual slavery during the war, while Wansei Back Home (灣生回家) sheds light on the lives of Japanese citizens born in Taiwan during the colonial period from 1895 to 1945.
At first glance, The Rocking Sky appears to be just another version of the first generation of Chinese air force pilots who were trained to fight against imperial Japan’ superior forces.
On closer look, however, director Chang Chao-wei (張釗維) and his crew offer rare insight into the past through interviews with 40 surviving pilots and their relatives in Taiwan, China and Hong Kong. Personal narratives are brought to the forefront through letters, poems, photographs and interviews.
Photo courtesy of CNEX Studio Corporation
The filmmakers emphasize the role of women, revealing the cruelty of war through the eyes of female writers and academics who lived through the period.
While the choice of female writers gives the film a pronounced literary tone, actor Chin Shih-chieh (金士傑) brings further nuance to the film’s emotional core as the off-screen narrator.
The Rocking Sky begins in 1932, just after the Republic of China founded the Central Aviation School in Jianqiao, Hangzhou, in anticipation of an all-out war with Japan. Upon entering the academy, one would see the school’s motto, which reads: “Our bodies, planes and bombs shall perish along with the enemies’ troops, vessels and fortifications.”
Photo courtesy of CNEX Studio Corporation
“No other aviation school in the world would have a motto like this,” the off-screen narrator says.
During the Second Sino-Japanese war, 1,700 Chinese pilots took to the skies, and among them, every six out of 10 gave their lives during the early phase of the war.
The film delves into the lives of celebrated pilots and their heroic deeds.
Photo courtesy of CNEX Studio Corporation
Through the memoir by Chi Pang-yuan (齊邦媛), a prominent Taiwanese author, the struggle of pilot Chang Ta-fei (張大飛) as he faced death on a daily basis quietly emerges. A close friend of Chi’s family, Chang once mentioned to the then young writer that he could never forget the expression of panic on the face of a Japanese pilot he shot down.
After a good friend went on a mission and never returned, Chang wrote to Chi, and said that he knew he would be next.
“I pray and meditate. I feel peace in my heart,” he said.
The pilot was killed during a mission at the age of 26.
By the end of the war, over 4,000 Chinese pilots had perished. Asking what this figure actually means, the film cites a poem by academic Lin Hui-yin (林徽因), who had become a mother figure to eight young pilots, all killed during the war.
Lin’s poem, spoken with real feeling by film director and actress Sylvia Chang (張艾嘉), ends with the following lament:
“You are still just a child but there is nothing that you haven’t given. Millions of people have already forgotten. For whom you have died for?”
Under pressure, President William Lai (賴清德) has enacted his first cabinet reshuffle. Whether it will be enough to staunch the bleeding remains to be seen. Cabinet members in the Executive Yuan almost always end up as sacrificial lambs, especially those appointed early in a president’s term. When presidents are under pressure, the cabinet is reshuffled. This is not unique to any party or president; this is the custom. This is the case in many democracies, especially parliamentary ones. In Taiwan, constitutionally the president presides over the heads of the five branches of government, each of which is confusingly translated as “president”
Sept. 1 to Sept. 7 In 1899, Kozaburo Hirai became the first documented Japanese to wed a Taiwanese under colonial rule. The soldier was partly motivated by the government’s policy of assimilating the Taiwanese population through intermarriage. While his friends and family disapproved and even mocked him, the marriage endured. By 1930, when his story appeared in Tales of Virtuous Deeds in Taiwan, Hirai had settled in his wife’s rural Changhua hometown, farming the land and integrating into local society. Similarly, Aiko Fujii, who married into the prominent Wufeng Lin Family (霧峰林家) in 1927, quickly learned Hoklo (commonly known as Taiwanese) and
The Venice Film Festival kicked off with the world premiere of Paolo Sorrentino’s La Grazia Wednesday night on the Lido. The opening ceremony of the festival also saw Francis Ford Coppola presenting filmmaker Werner Herzog with a lifetime achievement prize. The 82nd edition of the glamorous international film festival is playing host to many Hollywood stars, including George Clooney, Julia Roberts and Dwayne Johnson, and famed auteurs, from Guillermo del Toro to Kathryn Bigelow, who all have films debuting over the next 10 days. The conflict in Gaza has also already been an everpresent topic both outside the festival’s walls, where
The low voter turnout for the referendum on Aug. 23 shows that many Taiwanese are apathetic about nuclear energy, but there are long-term energy stakes involved that the public needs to grasp Taiwan faces an energy trilemma: soaring AI-driven demand, pressure to cut carbon and reliance on fragile fuel imports. But the nuclear referendum on Aug. 23 showed how little this registered with voters, many of whom neither see the long game nor grasp the stakes. Volunteer referendum worker Vivian Chen (陳薇安) put it bluntly: “I’ve seen many people asking what they’re voting for when they arrive to vote. They cast their vote without even doing any research.” Imagine Taiwanese voters invited to a poker table. The bet looked simple — yes or no — yet most never showed. More than two-thirds of those
RSS