The Body Expression Dance Theater (BodyEDT, 體相舞蹈劇場) returns to the Experimental Theater in Taipei tonight for four performances of founder Lee Ming-cheng’s (李名正) latest work, Mr.R2.0-Utopia (Mr.R2.0-烏托邦).
For more than a decade, Lee’s works for his 15-year-old troupe have largely centered on what he labels “contemporary urban consciousness.”
In 2012 he premiered Mr.R, a combination of digital programing, holographic projections, LED lighting and dance that told the tale of a rabbit without a face, lacking an identity and forced to survive by wearing a mask in order to prove his existence.
Photo Courtesy of Body Expression Dance Theater
Mr.R was about the process of looking for recognition and existence, about transformation. The show won rave reviews last year in France, where it was performed at the Festival d’Avignon off, and won Lee a technology research award from the Ministry of Culture.
Lee has brought the rabbit back to life this year for his six-dancer company, only this time Mr.R is not searching for his own identity, but for a utopia in contemporary society. The question of whether utopia exist or if it just an ideal that we carry in our hearts that can never be real is at the heart of Lee’s hour-long work.
For those who wonder why he chose a rabbit as the central figure in the two shows, Lee has a simple answer — it is all about the ears.
A rabbit’s large ears project an image of a creature that is always listening, able to tune in to the quietest of conversations.
Lee told Performing Arts Review magazine that on television, there are so many talking heads, everyone has so many opinions, but few people are actually listening to others. He said he hopes that through Mr.R’s ears, people will be able to hear different ideas.
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