Featuring pop idol Ella Chen (陳嘉樺) as a betel nut beauty (檳榔西施) falling for a younger man, The Missing Piece (缺角一族) is fortunately more than the usual soap opera schlock. For his second feature, veteran TV director Chiang Fong-hung (江豐宏) produces a romantic, light-hearted comedy which balances the youthful love story with a look into the characters’ self-seeking quests. The movie boasts a finely tuned cast, comprising veteran thespian Tsai Chen-nan (蔡振南), young talent Austin Lin (林柏宏) and Chen.
At the center of the lively drama is Daofeng (Lin), a bashful college student who breaks from his humdrum city life and plans to hitchhike to a tropical town called Sunshine Village.
Along his trek, Daofeng meets Shasha (Chen), a jovial betel nut girl who wears flamboyant costumes in her transparent booth surrounded by vast, sun-baked grassland.
Photo courtesy of Three Giant Production
Another daily commuter is Uncle Tin Can (Tsai), who lives alone in a big house by the sea and spends his time recycling abandoned things. Uncle Tin Can and Daofeng become friends. Yet another encounter brings Daofeng to local villager Auntie Haichu (played by Lin Mei-chao, 林美照), who likes to eat her lunchbox in front of a tall chimney of a defunct sugar factory.
Daofeng’s new friends make him feel right at home. But the more he comes to know them, the more he realizes that underneath their blithe appearances, they are hurt and lost inside, longing for reconciliation with themselves and others. Meanwhile, Daofeng’s affection toward Shasha gradually grows.
Despite a fair amount of narrative untidiness, Chiang’s second feature is a feel-good movie that strikes a chord with the audience through universal themes of love, regret and reconciliation. Known for his life-long collaboration with film maestro Tsai Ming-liang (蔡明亮), cinematographer Liao Pen-jung (廖本榕) injects buoyant exuberance. Bathed in vibrant hues, even the roadside betel-nut stand brings to mind a quaint cottage from a fairy tale.
Chiang’s decades-long career as a TV drama director gives him a keen eye for choosing the right actor for the role. Lin and Chen complement each other well as a couple with contrasting personalities. But the most noticeable performance is delivered by Tsai who effortlessly brings to life the many facets of his character, swinging from idiosyncrasy to graciousness.
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Under pressure, President William Lai (賴清德) has enacted his first cabinet reshuffle. Whether it will be enough to staunch the bleeding remains to be seen. Cabinet members in the Executive Yuan almost always end up as sacrificial lambs, especially those appointed early in a president’s term. When presidents are under pressure, the cabinet is reshuffled. This is not unique to any party or president; this is the custom. This is the case in many democracies, especially parliamentary ones. In Taiwan, constitutionally the president presides over the heads of the five branches of government, each of which is confusingly translated as “president”
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Sept. 1 to Sept. 7 In 1899, Kozaburo Hirai became the first documented Japanese to wed a Taiwanese under colonial rule. The soldier was partly motivated by the government’s policy of assimilating the Taiwanese population through intermarriage. While his friends and family disapproved and even mocked him, the marriage endured. By 1930, when his story appeared in Tales of Virtuous Deeds in Taiwan, Hirai had settled in his wife’s rural Changhua hometown, farming the land and integrating into local society. Similarly, Aiko Fujii, who married into the prominent Wufeng Lin Family (霧峰林家) in 1927, quickly learned Hoklo (commonly known as Taiwanese) and
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