Featuring pop idol Ella Chen (陳嘉樺) as a betel nut beauty (檳榔西施) falling for a younger man, The Missing Piece (缺角一族) is fortunately more than the usual soap opera schlock. For his second feature, veteran TV director Chiang Fong-hung (江豐宏) produces a romantic, light-hearted comedy which balances the youthful love story with a look into the characters’ self-seeking quests. The movie boasts a finely tuned cast, comprising veteran thespian Tsai Chen-nan (蔡振南), young talent Austin Lin (林柏宏) and Chen.
At the center of the lively drama is Daofeng (Lin), a bashful college student who breaks from his humdrum city life and plans to hitchhike to a tropical town called Sunshine Village.
Along his trek, Daofeng meets Shasha (Chen), a jovial betel nut girl who wears flamboyant costumes in her transparent booth surrounded by vast, sun-baked grassland.
Photo courtesy of Three Giant Production
Another daily commuter is Uncle Tin Can (Tsai), who lives alone in a big house by the sea and spends his time recycling abandoned things. Uncle Tin Can and Daofeng become friends. Yet another encounter brings Daofeng to local villager Auntie Haichu (played by Lin Mei-chao, 林美照), who likes to eat her lunchbox in front of a tall chimney of a defunct sugar factory.
Daofeng’s new friends make him feel right at home. But the more he comes to know them, the more he realizes that underneath their blithe appearances, they are hurt and lost inside, longing for reconciliation with themselves and others. Meanwhile, Daofeng’s affection toward Shasha gradually grows.
Despite a fair amount of narrative untidiness, Chiang’s second feature is a feel-good movie that strikes a chord with the audience through universal themes of love, regret and reconciliation. Known for his life-long collaboration with film maestro Tsai Ming-liang (蔡明亮), cinematographer Liao Pen-jung (廖本榕) injects buoyant exuberance. Bathed in vibrant hues, even the roadside betel-nut stand brings to mind a quaint cottage from a fairy tale.
Chiang’s decades-long career as a TV drama director gives him a keen eye for choosing the right actor for the role. Lin and Chen complement each other well as a couple with contrasting personalities. But the most noticeable performance is delivered by Tsai who effortlessly brings to life the many facets of his character, swinging from idiosyncrasy to graciousness.
June 2 to June 8 Taiwan’s woodcutters believe that if they see even one speck of red in their cooked rice, no matter how small, an accident is going to happen. Peng Chin-tian (彭錦田) swears that this has proven to be true at every stop during his decades-long career in the logging industry. Along with mining, timber harvesting was once considered the most dangerous profession in Taiwan. Not only were mishaps common during all stages of processing, it was difficult to transport the injured to get medical treatment. Many died during the arduous journey. Peng recounts some of his accidents in
“Why does Taiwan identity decline?”a group of researchers lead by University of Nevada political scientist Austin Wang (王宏恩) asked in a recent paper. After all, it is not difficult to explain the rise in Taiwanese identity after the early 1990s. But no model predicted its decline during the 2016-2018 period, they say. After testing various alternative explanations, Wang et al argue that the fall-off in Taiwanese identity during that period is related to voter hedging based on the performance of the Democratic Progressive Party (DPP). Since the DPP is perceived as the guardian of Taiwan identity, when it performs well,
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