The Red Room group has collected a very varied assortment of painters, musicians and other artists from around Taiwan for a day-long event today at Taipei’s Huashan 1914 Creative Park called Artists Beat the Flood 2.
Artists Beat the Flood 2 was launched to help in the building and creation of a shared artistic/creative community in Taiwan. And like the first event, held on Sept. 5, 2009, artists will be painting on site during the day and there will be a silent auction of their works as well as some others that have been donated.
The money raised from the entrance fees and art sale will be used toward event expenses and future events organized by the Red Room, artists, musicians and collaborating parties, participating artist Rohma Mehta told the Taipei Times in an e-mail.
Photo Courtesy of Roma Mehta
Among those who are donating their time and/or works are Taipei-based illustrator Ann Chang, freelance animation director and illustrator JJ Chen, Daniel Desjardins; Charles Haines, poet/painter/jewelry maker Kate Huang (黃莞淑), Constance Woods and self-described “street artist” Joe Fang (方建翔).
The expatriate artists, most of whom are professionals, hail from several countries, including the UK, Croatia, India and Canada.
The event offers visitors a chance to interact with the graphic artists and painters during the creative process and watch how individual works develop.
Photo Courtesy of Aleksandra Tolnauer
However, while the artists will be getting to work early on, starting at 10am, the musical portion of the day does not start until 1pm.
As of press time, the line-up was Almost Irish at 1pm, Josh Drye at 2pm, Future Lands String Quartet at 3pm and the quartet Strawberry Jam Sandwich at 4:30pm. There will be two “unplugged” performances, first by pop rockers Dress Shop at 5:45pm and then Calico (花貓畫國畫) at 7:15pm.
Although the publicity information says the event runs from 10am to 7pm, Calico is not taking the stage until after 7pm, so figure on the show going on at least until 8pm.
COMMUNITY OF ART LOVERS
The Red Room began as Stage Time and Wine@Red Room in November 2009, pulled together by three members of the Mehta family, who were long-term Taipei-based expatriates, architect Leiven Hwang (黃立文), entrepreneur and activist Ping Chu (朱平) and several others, who wanted to create a space where people could share their love of the spoken word, creativity and artistry — as well as some wine and snacks.
While the initial monthly get-togethers focused on sharing poetry and short-story recitations — and some musical contributions — mostly in English, the sessions have evolved and grown more cross-cultural, multi-dimensional and multi-generational, drawing people not just from Taipei, but from around the nation.
Held on the third Saturday of every month, the Red Room is a well-established gathering that regularly packs the second-floor workshop space to capacity. The sign-up book by the door for those who want to share fills up rapidly. It is hard to predict what will be on tap: poetry, a personal memoir, rapping, an interpretive dance, a song on the guzheng (古箏) or liuqin (柳琴).
The creativity unleashed by the Red Room and the camaraderie and networking that are natural by-products have led to some spin-off ventures, including Red Room Radio Redux, which focuses on reader’s theater and radio drama and has done four hour-long drama productions in cooperation with International Community Radio Taipei, and Aside@the Red Room, a curated show. There have also been fundraisers to raise money for Playing for Change, a charity that builds music schools in impoverished areas of Africa and Nepal.
Taiwan’s English education system is being pulled apart by three opposing forces. Bilingual Nation 2030 pulls students toward English and global communication. Artificial Intelligence (AI) readiness pulls them toward digital judgment, verification and AI-mediated work. But Taiwan’s old exam culture pulls them back toward memorization, grammar drills, timed reading and correct answers. If the education system keeps using old exams to define success, it risks producing graduates who are neither genuinely bilingual nor genuinely AI-ready, but trained for tasks machines can already perform. The first force is Bilingual Nation 2030. Launched in 2018, the policy aimed to “help Taiwan’s workforce connect
It seems every few days one bumps into one of those “real man” comments in which Taiwan is urged to “face reality” or similar, and “make a deal,” with the speaker implying that soon it will be too late. “Deal” advocates always present themselves as having a superior grip on reality, and the manly ability to make the “hard choice.” Their testosterone-laden language often echoes that of Taiwan sellout advocates. Note that such commentary always specifies a process (“make a deal, work with, make progress”), never the end state of what occupation by a violent authoritarian colonialist state will entail. In
There are shadowy cabals plotting to sell out Taiwan to be annexed by China, by invasion if necessary. Fortunately, they are buffoons. In 2019, former Bamboo Union gangster and founder of the China Unification Promotion Party (CUPP), Chang An-le (張安樂, colorfully known as “White Wolf”), led a protest at the Legislative Yuan against comments made by then-premier Su Tseng-chang (蘇貞昌) that in the event of an attack by China, he would never surrender, but would protect the nation by fighting to the end, even if he only had a broom. Chang had party members bring a wooden casket that they
June 1 to June 7 "If all Taiwanese were as afraid of dying as you, then what would happen?” Physician Shih Chiang-nan (施江南) reportedly said this to his wife Chen Chiao-tung (陳焦桐) after she urged him to stop intervening on behalf of Taiwanese soldiers stranded overseas after serving in the Japanese Army during World War II. Shih had clashed with high-ranking officials over the issue, engaged in several heated arguments with Taiwan governor-general Chen Yi (陳儀) and allegedly shouted at general Ko Yuan-fen (柯遠芬), chief of staff of the Taiwan Garrison Command, over