Krystyna Jensen is facing a problem. Though she’s made Taiwan her home for the past 15 years, the National Taiwan University of the Arts (國立台灣藝術大學) student will probably be forced to leave the country upon graduation.
For the past year, Jensen has been the public face for a Taipei MRT promotional video, as foreign backpacker “Sara” who came to tour Taipei’s attractions with her Taiwanese friend “Bill”.
The video touts Taipei as a world-class cultured city, with its cleanliness and orderliness, while the MRT riders are shown as courteous and law-abiding. Thus “MRT Sara” has been likened to a “Goodwill Ambassador,” helping to promote Taipei City and the MRT for both the local and international audience.
Photo: Lin Enru, Taipei Times
But now she is facing a dilemma of personal identity and cultural belonging. Bound by government regulations, Jensen will have to leave the country when she graduates from university next year. She needs to have an ARC (Alien Resident Certificate) from the National Immigration Agency (NIA) to stay.
“But I grew up in Taiwan, this is all I have ever known. I love Taiwan, and I want to stay here, finish my studies and work in Taiwan,” Jensen said in an interview with the Taipei Times.
Jensen first arrived in Taiwan with her German father and Polish mother a decade-and-a-half ago, when her father landed a job here. Over the course of her 15-year stint, Jensen has lived in Greater Kaohsiung, Tamshui and Taipei City.
Why not move to Germany or Poland?
“Taiwan is my home, I have lived here for 15 years. All my friends are here. I am familiar with Taiwanese culture, the way of living here,” she said, adding, “If I go to Germany, it would be too difficult. I don’t know German culture well and have few contacts. All I have is here in Taiwan. I have no idea how I could live and work in Germany,” she said.
This is at core of her dilemma.
SPECIAL CASE
Jensen is a rather special case, different from most people’s image of a foreigner in Taiwan. She writes about her school days, hangs out with Taiwanese classmates and posts about her travels around Taiwan on Facebook. She speaks and writes Mandarin fluently and understands Hoklo (commonly known as Taiwanese). Her classmates at National Taiwan University of the Arts call her Lei Ti-na (雷堤娜).
“I believe my future is in Taiwan, so I want to stay here to further my career,” she said.
Jensen is making every effort to staying in Taiwan, including an actively read Facebook campaign.
“To obtain an ARC, I am forced to find a job, which is difficult these days. I am not wealthy enough to invest. Another way is to marry a Taiwanese. But I am too young, and want to do many things,” she explained.
GET A JOB
When contacted by the Taipei Times, an NIA official explained that for children of foreigners working in Taiwan, there is no impediment to obtaining an ARC.
“After finishing university, or once they’ve reached 20 years of age, they are no longer considered dependent on their parents. They can get an ARC by getting a full-time job,” she said.
Jensen, however, said this is easier said than done.
“The ARC regulation was set up without any consideration for people like me, who are doing performing arts, dance and theatre. It is very difficult for people in this field to get regular full-time jobs. And also, companies are now hiring only part-time or temp jobs for young people,” she said.
Jensen stressed that this does not just concern herself. She is fighting for her two younger brothers, who were born in Taiwan but face expulsion when they grow up.
She hopes hers and her brothers’ cases can raise public awareness of the plight facing children of foreigners working in Taiwan.
“When the ARC regulations were instituted many years ago, the government only had business professionals in mind.”
“They did not think of foreigners having families and children. When the children grow up in Taiwan, they go to school, and put down roots here. But they face legal residency problems, and are forced to leave. We want to stay and live in Taiwan, so we hope the regulations can be amended to take our situation into account,” Jensen said.
For more details, go to: www.facebook.com/groups/ForeignersForTaiwan and www.facebook.com/groups/TaiwanDREAM/
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby