Fri, Oct 04, 2013 - Page 12 News List

The times they are a-changin’

This year’s Migration Music Festival brings together nine musicians from home and abroad to carry on the tradition of storytelling

By Ho Yi  /  Staff reporter

Sangpuy Katatepan Mavaliyw of Taiwan will play at this year’s Migration Music Festival.

Photo courtesy of Migration Music Festival

Bards who travel through northern European landscapes and West African griots (storytellers) who croon tales of history and rhyme about current affairs are centuries apart from the modern singer-songwriting tradition of Woody Guthrie and Bob Dylan, but they all come together at this year’s Migration Music Festival (流浪之歌音樂節).

The festival features musicians from Cameroon, Greece and Finland, among other countries, who possess folk traditions and rebellious minds.

“These musicians are greatly influenced by the rich folk music elements from their cultures and, at the same time, are clearly aware of their social responsibility as a singer-songwriters to communicate with the public and respond to social changes,” says Chung She-fong (鍾適芳), director of independent record label Trees Music and Art (大大樹音樂圖像), which organizes the event.

One example is the Soul Flower Mononoke Summit from Japan. Formed in 1993 as a punk rock band called Soul Flower Union, the group rushed to the disaster area after the devastating Kobe Earthquake struck in 1995, but found they could do nothing without electricity. Determined to lift the spirit of the survivors, they turned acoustic. Recast as Soul Flower Mononoke Summit, the group holds open-air street shows and instead of playing rock numbers that don’t strike a chord with ordinary Japanese, they perform folk songs and old ballads while expressing their social observations and political viewpoints through music. The band members have also taken active roles in anti-war and anti-nuclear movements.

“As a punk band, they were anti-establishment. The experience with the survivors of Kobe Earthquake only reinforced their left-wing position,” Chung says.

Festival notes

What: 2013 Migration Music Festival — Storytellers (2013流浪之歌音樂節 — 吟遊人)

When: Today through Sunday

Where: Zhongshan Hall (台北市中山堂), 98 Yanping S Rd, Taipei City (台北市延平南路98號)

Admission: Tickets are NT$500 for a single performance, NT$900 for a one-day pass and NT$1,500 for a festival pass, available through NTCH ticketing or online at www.artsticket.com

On the Net: www.treesmusic.com/festival/2013mmf


Soul Flower Mononoke Summit will open the festival’s concert series tonight at Taipei’s Zhongshan Hall (台北市中山堂). The band’s repertoire includes a Japanese folk rendition of the left-wing anthem, The Internationale.

Underprivileged classes and the oppressed have also been the main focus in the music of Thailand’s folk legend Surachai Jantimathawn, known as Nga Caravan among the Thai. Back in 1973, Surachai and his band mates from folk rock outfit Caravan were part of the democracy movement calling for the military dictator Thanom Kittikachorn to step down. The demonstrations were brutally crushed. Protestors and activists, including Surachai, went into hiding in the mountains on the Thai-Laos border. They were granted amnesty in 1979.

Credited as the pioneer of phleng phuea chiwit, a type of song that sings about the everyday life and hardship of Thailand’s working-class, Surachai belongs to the generation of Thai musicians greatly influenced by 1960s American protest music. Seeking inspiration from his own culture, the Thai activist and musician is also known for adopting elements from the folk music tradition in Thailand’s northeast region to sing about the land and its people.

Surachai will play on Sunday afternoon, followed by Wu Tiaoren (五條人), who comes from Haifeng County in China’s Guangdong province.

According to Chung, Wu Tiaoren is part of the “new wave of folk music” emerging from China over the past decade. Like folk rock artist Su Yang (蘇陽), another invited musician hailing from China’s northwest region, the acoustic guitar/accordion duo explores the roots of folk music and sings in their native Haifeng dialect to reflect on various issues and problems facing Chinese cities and rural communities.

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