Menstruation is a funny thing. On the one hand, periods are a natural part of life. On the other, they are usually cloaked in euphemism.
Consider the following commercial: A woman displays a feminine hygiene product. She says “flow” instead of “blood,” and a blue liquid is used instead of a red liquid to demonstrate how efficient the product is at keeping the woman “clean.” The imagery and language used to address menstruation reflect and perpetuate a negative perception of periods as a dirty, unhygienic function. In short, a hassle.
That’s how Claire Lin (林念慈), 31, felt about her period before she ditched her tampons and disposable pads and tried more sustainable alternatives.
Photo courtesy of Lin Hsiu-ping
“I used to work like crazy. When my period came, I didn’t rest. I took painkillers and kept working. I felt psychological distance from my menstruation,” she says.
Lin is the founder of Dharti Mata Sustainable Workshop (棉樂悅事工坊), a studio in a Nepalese village that manufactures and provides affordable cloth menstrual pads for local women. The studio is inspired by the stories of Nepalese women.
In 2005, Lin joined the Vision Youth Action (願景青年行動網協會), a NGO that brings Taiwanese volunteers to countries such as Cambodia, the Philippines and Mongolia.
Photo courtesy of Lin Hsiu-ping
BLOOD TABOOS
Sent off to manage projects in Nepal in 2009, Lin soon learned of the taboos women face when menstruating. In Nepalese society, where menstruation is considered impure, periods aren’t just an awkward conversation topic, but also come with harsh stigmas. For example, since menstrual blood is deemed dirty, women and girls use old, sometimes soiled rags as menstrual pads instead of clean ones, and consequently develop infections, according to Lin.
Chhaupadi, a traditional practice prevalent in Nepal’s western region, forbids women from participating in family activities during menstruation. In some cases, they are kept out of the house and forced to live in separate sheds. “Because these villages are located in remote mountains, sometimes you even read news about women [who are confined to sheds] being eaten by tigers,” Lin says.
Photo courtesy of Lin Hsiu-ping
After witnessing the hardship facing Nepalese women, Lin and other volunteers visited several villages to hold workshops about menstruation education, share experiences and build dialogue through drama activities and theater games, as well as offer a friendly environment for local women to talk about their periods and bodies.
“A 50-year-old woman shared her first period experience in one of the workshops. She was 12. She was taken to a shed without any explanation. Frightened and confused, she kept crying and felt she was being punished for doing something wrong.” Lin recalls. “Her fear of her own period lingered long after she became a mother.”
In an effort to improve the health of local women, Lin read up on Taiwanese blogs such as Pu Pu Tieh Hsin (布布貼心), which teaches visitors how to make and use sustainable pads, studied and learned the methods and then taught villagers.
Lin left Vision Youth Action in 2012 to establish her own studio at an organic farm in Patalekhet, Nepal, where some 25 farmers — mostly women — gather regularly to sell their products. Lin says that the majority of farmers in Nepal are women because men work laboring jobs in neighboring countries.
Currently, Dharti Mata Sustainable Workshop employs two Nepalese women and is managed by a Japanese volunteer. The pads are sold at a farmers’ market in Kathmandu, mostly to NGO workers and middle-class urbanites, and profits allow the studio to provide affordable pads to local villagers.
“I am fascinated by the Nepalese sustainable way of life and their harmonious relation with nature. But over the years, I have seen more and more cheap, plastic products coming from China and India… I want to show that economically disadvantaged individuals are also entitled to the good things in life,” Lin says.
DIRTY PADS
In Taiwan, disposable pad manufacturers have monopolized the market for years, but their products contain synthetic ingredients and fragrances that can cause adverse allergic reactions, dermatitis and vaginitis.
The impact is not only on health but on the environment as well. In a woman’s lifetime, she may throw away 11,100 disposable sanitary napkins, which are incinerated, end up in a landfill or reappear in the environment, according to the information compiled by Michelle Hua (華宇芝), Lin’s business partner.
In another study conducted by the Women’s Environmental Network, a health charity in the UK, the number of tampons, pads and other applicators an average woman dumps in her lifetime can weigh up to 150kg.
Washable cloth pads offer environmental and health benefits. In addition, since the majority of washable cloth pads are manufactured by small businesses and sold via the Internet, health stores and like-minded shops, they offer a great opportunity to “free oneself from the dependence on multinational companies,” Lin says.
RECONNECTING
Lin says that working with sanitary pads has helped her reconnect with her body. “Nepalese women gave me a chance to re-examine myself, to see my blood and study it, to feel and understand my own body,” says Lin.
Hua agrees. “It is changing habits, going from avoiding it to understanding it. Since you need to wash the pad, you get to know your menstrual blood well. Does it change in color and thickness? Or are there clots? Through cleaning, I am more in tune with my body. It [cleaning pads] may be an obstacle to some, but to me, it has become a special thing.”
Lin and her friends run a study group in Taiwan that meets regularly to discuss topics surrounding women, the environment and sustainability.
Since April, the group has toured the country with an exhibit of sustainable menstrual products by small Taiwanese manufacturers, like Pu Pu Tieh Hsin, 1225 Simple Life (聖誕婆婆小舖), Easy Lohas (容億樂活小舖) and Cherry Pads (櫻桃蜜貼). Also on display are environmentally-friendly products such as menstrual cups from South Korea, Canada and India as well as a photography exhibition documenting Lin’s social undertaking in Patalekhet.
“We want to invite more people to move toward a sustainable way of living,” Lin says.
The touring exhibition is on display at the Facai Timeless Coffee Shop (法采時光咖啡館) in Hualien City until June 16. More information can be obtained at earthygals.wordpress.com.
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby