Inspired by the history of Greater Kaohsiung’s Chishan District (旗山), which was once the country’s largest producer and exporter of bananas, A Story about Banana tells the story of a poor farmer’s triumph over a greedy plutocrat. Though billed as an uplifting tale for the working masses during these tough economic times, the film never achieves any kind of social message due to its creators’ inability to tell a decent story.
Set in the 1960s, the film begins with A-tien (Huang Wen-hsing, 黃文星) and his friend A-da (Wang Hung-wen, 王泓文) returning to Chishan District after a failed attempt to make it in the big city. Like many of their fellow villagers, the pair find employment at a banana plantation owned by Uncle Wang (Chang Chia-nien, 張嘉年), who works with local big shot and banana dealer Chairman Chen (Wu Chung-chiang, 吳仲強).
Young, good-looking but callous, Chairman Chen soon hatches an evil plan to monopolize the lucrative banana business, trick local growers into signing unfair contracts and plot a political marriage with Uncle Wang’s daughter A-mei (Lee Kang-yi, 李康宜), who has no interest in diamonds and fancy clothes and is attracted to the kind-hearted, hard-working A-tien.
Photo courtesy of Ho Bo Films
Determined to improve the life of his impoverished family and marry A-mei, A-tien starts his own banana business together with A-da. Their venture, however, draws opposition from Chairman Chen, but A-tien’s persistence eventually wins the villagers’ support, and good triumphs over evil.
Despite the film’s inspiring tag line, Nie Hua-hsun’s (聶華勳) debut is plagued with a litany of problems. The cinematography is dull and the art direction seems virtually non-existent. And audiences can be excused for mistaking the movie for a poorly produced television drama, where actors read out lines in a stiff manner.
Not only does the film flop in the technical department, it has done no better in its handling of the uneven cast of actors. An alumnus of the television talent show Super Idol (超級偶像), up-and-coming Hoklo-language (commonly known as Taiwanese) singer Huang does almost nothing as the leading man in the movie except for constantly flashing his toothsome smile. The same can be said for seasoned actress Lee, who is best known for her acclaimed work with director Chang Tso-chi (張作驥).
Photo courtesy of Ho Bo Films
As the film’s villain, model and television actor Wu delivers a performance so over-the-top and cliched that it can only be described as kitsch, while veteran actors Mei Fang (梅芳) and Chang Chia-nien are seen struggling with their carelessly written roles.
All in all, director Nie forges an inane movie complete with an embarrassingly outdated plot. One reason to sit through A Story about Banana is to see how your hard earned tax dollars are being spent, as the film received NT$6 million from the government’s Subsidy For Film Production (電影輔導金).
April 28 to May 4 During the Japanese colonial era, a city’s “first” high school typically served Japanese students, while Taiwanese attended the “second” high school. Only in Taichung was this reversed. That’s because when Taichung First High School opened its doors on May 1, 1915 to serve Taiwanese students who were previously barred from secondary education, it was the only high school in town. Former principal Hideo Azukisawa threatened to quit when the government in 1922 attempted to transfer the “first” designation to a new local high school for Japanese students, leading to this unusual situation. Prior to the Taichung First
When the South Vietnamese capital of Saigon fell to the North Vietnamese forces 50 years ago this week, it prompted a mass exodus of some 2 million people — hundreds of thousands fleeing perilously on small boats across open water to escape the communist regime. Many ultimately settled in Southern California’s Orange County in an area now known as “Little Saigon,” not far from Marine Corps Base Camp Pendleton, where the first refugees were airlifted upon reaching the US. The diaspora now also has significant populations in Virginia, Texas and Washington state, as well as in countries including France and Australia.
On April 17, Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) launched a bold campaign to revive and revitalize the KMT base by calling for an impromptu rally at the Taipei prosecutor’s offices to protest recent arrests of KMT recall campaigners over allegations of forgery and fraud involving signatures of dead voters. The protest had no time to apply for permits and was illegal, but that played into the sense of opposition grievance at alleged weaponization of the judiciary by the Democratic Progressive Party (DPP) to “annihilate” the opposition parties. Blamed for faltering recall campaigns and faced with a KMT chair
Article 2 of the Additional Articles of the Constitution of the Republic of China (中華民國憲法增修條文) stipulates that upon a vote of no confidence in the premier, the president can dissolve the legislature within 10 days. If the legislature is dissolved, a new legislative election must be held within 60 days, and the legislators’ terms will then be reckoned from that election. Two weeks ago Taipei Mayor Chiang Wan-an (蔣萬安) of the Chinese Nationalist Party (KMT) proposed that the legislature hold a vote of no confidence in the premier and dare the president to dissolve the legislature. The legislature is currently controlled