Indie electronica/rock duo Astro Bunny (原子邦妮) is that rare thing: a band with a storyteller’s point of view.
The outfit will perform one set for its debut concert at Riverside Cafe (河岸留言) on Wednesday evening. The group is comprised of vocalist/lyricist Lena Cha (查家雯 a.k.a. 查查) — the former front-girl for the indie band Cherry Boom (櫻桃幫) — and bassist/producer Jay Cheng (程杰).
“We named the group ‘bunny’ because I love bunnies and I forced him to like them too,” Cha laughed in an interview with the Taipei Times three weeks ago. “I picked the word “astro” because I’m an anime and computer game geek.”
Photo courtesy of Astro Bunny
The group released its first EP What If There’s No Tomorrow (如果沒有以後) a month ago and will support the release with this concert.
“The astro bunny will lead you to a parallel universe where the ancient and the modern clash in a musical atmosphere,” Cha said, explaining that their electronica is crafted through the juxtaposition of literary ancient Chinese prose and contemporary electronica melodies. The resulting music is a combined composition.
“Because of the neutral nature of the synthesizer used to create electronica sounds, this seemingly lifeless music doesn’t feed you with predetermined themes,” Cha explained. “Rather, it allows you to interpret and imagine meanings according to your mood at the time.”
Photo courtesy of Astro Bunny
The five-track EP is conceived as a concept album and a storybook. The Intro depicts the beginning when nothing exists. Then an explosion takes place, followed by the track The Milky Way (銀河). With the title track What If There’s No Tomorrow, the two imagine the apocalypse of 2012, but resolve to hold on to their love. Flower Blossoms and Moon Round (花好月圓) was originally written by Cheng for indie icon Sandee Chan (陳珊妮) but is transformed into an electronica gem with literary lyrics. The closing track That Day (那天) is an electronica ballad about encountering a former lover and reminiscing about what might have been.
“Electronica is a form that demands a mixture of visual and musical presentation,” Cha said. “We want to bring video artists, VJs and lighting designers together to enhance the experience of our concerts in the future.”
On the cover and inside illustration of the EP there are photographs by Cha taken with an iPhone app that transforms them into designs. She plans to push this concept further to release a photo album with iPhone shots and also a storybook album.
“The possibilities of electronica are endless,” she said. The group plans to release its first full-length album at the end of this year.
“How China Threatens to Force Taiwan Into a Total Blackout” screamed a Wall Street Journal (WSJ) headline last week, yet another of the endless clickbait examples of the energy threat via blockade that doesn’t exist. Since the headline is recycled, I will recycle the rebuttal: once industrial power demand collapses (there’s a blockade so trade is gone, remember?) “a handful of shops and factories could run for months on coal and renewables, as Ko Yun-ling (柯昀伶) and Chao Chia-wei (趙家緯) pointed out in a piece at Taiwan Insight earlier this year.” Sadly, the existence of these facts will not stop the
Oct. 13 to Oct. 19 When ordered to resign from her teaching position in June 1928 due to her husband’s anti-colonial activities, Lin Shih-hao (林氏好) refused to back down. The next day, she still showed up at Tainan Second Preschool, where she was warned that she would be fired if she didn’t comply. Lin continued to ignore the orders and was eventually let go without severance — even losing her pay for that month. Rather than despairing, she found a non-government job and even joined her husband Lu Ping-ting’s (盧丙丁) non-violent resistance and labor rights movements. When the government’s 1931 crackdown
The first Monopoly set I ever owned was the one everyone had — the classic edition with Mr Monopoly on the box. I bought it as a souvenir on holiday in my 30s. Twenty-five years later, I’ve got thousands of boxes stacked away in a warehouse, four Guinness World Records and have made several TV appearances. When Guinness visited my warehouse last year, they spent a whole day counting my collection. By the end, they confirmed I had 4,379 different sets. That was the fourth time I’d broken the record. There are many variants of Monopoly, and countries and businesses are constantly
Taiwan is one of the world’s greatest per-capita consumers of seafood. Whereas the average human is thought to eat around 20kg of seafood per year, each Taiwanese gets through 27kg to 35kg of ocean delicacies annually, depending on which source you find most credible. Given the ubiquity of dishes like oyster omelet (蚵仔煎) and milkfish soup (虱目魚湯), the higher estimate may well be correct. By global standards, let alone local consumption patterns, I’m not much of a seafood fan. It’s not just a matter of taste, although that’s part of it. What I’ve read about the environmental impact of the
RSS