First Exit Existence I (真實的存在 I), an exhibition of work by Tsui Yung-yen (崔永嬿) and Tsui Hui-yu (崔惠宇), kicks off a three-part series of sculpture shows at Aki Gallery that runs until the end of July. Tsui Yung-yen’s realist sculptures depict characters from fairy tales that question the role of women in contemporary society. Tsui Hui-yu’s large-scale sculptures made from dyed fabric look like abstract tapestries.
■ Aki Gallery (也趣藝廊), 141 Minzu W Rd, Taipei City (台北市民族西路141號), tel: (02) 2599-1171. Open Tuesdays to Sundays from noon to 6:30pm
■ Opening reception on Saturday at 3pm. Until June 10
Photo courtesy of Soka Art Center
Vision (索卡視界) is a wide-ranging exhibition of painting from Taiwan and China and covers the major artistic styles of the genre in the 20th century, including landscapes by Lin Fengmian (林風眠), abstract expressionist works by Zao Wou-ki (趙無極) and Chu Teh-chun (朱德群) and conceptual works by Cai Guoqiang (蔡國強) and Xu Bing (徐冰), who draw on traditional materials to examine contemporary themes.
■ Soka Art Center (索卡藝術中心), 2F, 57, Dunhua S Rd Sec 1, Taipei City (台北市敦化南路一段57號2樓), tel: (02) 2570-0390. Open Tuesdays to Sundays from 11am to 9pm
■ Until July 1
Jade, agate, sandstone, granite and marble are among the many materials Chen Pei-tse (陳培澤) uses to create sculptures that riff off Neolithic carvings. But Sharpening the Sense of Life (如切如磋。斯土斯懷) isn’t simply a retrospective of 30 works with its gaze fixed on the distant past. Chen also incorporates technology into his work, the forms of which show his “rethinking of nature and culture,” according to the museum’s press release.
■ National Museum of History (國立歷史博物館), 49 Nanhai Rd, Taipei City (台北市南海路49號), tel: (02) 2361-0270. Open Tuesdays to Sundays from 10am to 6pm. General admission: NT$30
■ Until June 24
The Museum of Contemporary Art, Taipei, is currently displaying the short-listed works for this year’s Taishin Arts Award (台新藝術獎), an annual competition that gives out over NT$1 million in prize money. This year’s exhibit includes documentaries, photos and films of 10 performance group finalists, including Ju Percussion Group (朱宗慶打擊樂團) and Riverbed Theater (河床劇團), and five pieces of visual art, including Tsai Ming-liang’s (蔡明亮) video Theater in the Boiler (鍋爐裡的劇場), Yao Jui-chung’s (姚瑞中) Mirage (海市蜃樓—台灣閒置公共設施攝影計劃) and Wu Dar-kuen’s (吳達坤) After the Republic of China — Nobody’s Republic (後民國—沒人共和國).
■ Museum of Contemporary Art, Taipei, (台北當代藝術館), 39 Changan W Rd, Taipei City (台北市長安西路39號), tel: (02) 2552-3721. Open daily from 10am to 6pm, closed on Mondays. Admission: NT$50
■ Until June 17
Embracing Fantasy (藝想天開) is an exhibition of contemporary ceramics by 15 Taiwanese artists and nine from the US, Japan, Holland, Switzerland, Belgium, France and New Zealand. Chen Ching-jung (陳景容), Lee Chin-sheng (李金生) and Chris Weaver focus on the expression of emotions that are a product of their own life experiences, while Wu Chien-fu (吳建福) and Deborah Sigel use ceramics to give voice to their concerns about the environment. Angela Burkhardt-Guallini, Jean-Francois Fouilhoux and Chen Shih-han (陳實涵) take traditional techniques as their starting point, but introduce innovations and new breakthroughs. Taken together, the exhibition demonstrates the variety of shapes, styles, glazes and techniques embraced by contemporary ceramic artists across the globe.
■ Yingge Ceramics Museum (鶯歌陶瓷博物館), 200 Wenhua Rd, Yingge Dist, New Taipei City (新北市鶯歌區文化路200號), tel: (02) 8677-2727. Open daily from 9:30am to 5pm. Closes at 6pm on Saturdays and Sundays
■ Until July 1
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby