On Saturday next week, Urban Nomad Film Festival begins proceedings with a party. The lineup includes Taiwanese American DJ Mochipet on his first visit to Taiwan. Hailing from San Francisco, the glitch-hop and dubstep artist is heavily into bass and dresses like a purple dinosaur.
He’ll be joined by Taiwan’s own Funky Brothers (who perform with between eight to 10 members on stage at any given time), DJ Marcus Aurelius, and the electro-diva grrrls of Go Chic, which has toured extensively and is producing an album in Berlin with the help of Canada’s foremost electro artist Peaches.
Headlining the night is Japanese art-dance-fashionista-freaks Trippple Nippples. Think Lady Gaga triplets crossed with gross-out band Gwar, and you still aren’t even close.
Photo courtesy of Takeru Kihara
The three lead singers of the band make their own costumes, which have included rotten spaghetti and latex dresses, and rice encrusted headgear and body armor, by hand.
“The process we take while we are making the costume, etc, is the most uncolorful, sweatshop-ish part,” said band member Orea Nippple. “It’s like Third World, but we love it so I guess we can’t complain.”
The group’s wild stage antics and messy costumes have had them kicked out of various venues. “You should think about how you could mess us up rather than worrying about how you can get away from getting messed up,” warned Yuka Nippple, who describes the group’s music as “headache and stomachache and strawberry ice cream.”
The US war on Iran has illuminated the deep interdependence of Asia on flows of oil and related items as raw materials that become the basis of modern human civilization. Australians and New Zealanders had a wake up call. The crisis also emphasizes how the Philippines is a swatch of islands linked by jet fuel. These revelations have deep implications for an invasion of Taiwan. Much of the commentary on the Taiwan scenario has looked at the disruptions to world trade, which will be in the trillions. However, the Iran war offers additional specific lessons for a Taiwan scenario. An insightful
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April 6 to April 13 Few expected a Japanese manga adaptation featuring four tall, long-haired heartthrobs and a plucky heroine to transform Taiwan’s television industry. But Meteor Garden (流星花園) took the nation by storm after premiering on April 12, 2001, single-handedly creating the “idol drama” (偶像劇) craze that captivated young viewers across Asia. The show was so successful that Japan produced its own remake in 2005, followed by South Korea, China and Thailand. Other channels quickly followed suit, with more than 50 such shows appearing over the following two years. Departing from the melodramatic
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