Magnum photographer Chang Chien-chi (張乾琦) returns to Chi-Wen Gallery with a new series of photographs titled Burmese Days (在緬甸的日子). In this exhibition he turns his lens to Myanmar, a country run by a military regime and obsessed with Buddhism, where every male “enters the monastery sometime in their life to complete his monkhood,” and “astrologers are treated like rock stars and publications touting predictions for the coming years are among best sellers on newsstands,” writes Chang in his artist’s statement.
■ Chi-Wen Gallery (其玟畫廊), 3F, 19, Ln 252, Dunhua S Rd Sec 1, Taipei City (台北市敦化南路一段252巷19號3樓), tel: (02) 8771-3372. Open Tuesdays through Sundays from 11am to 7pm
■ Opening reception on Saturday at 3pm. Until March 24
Photo courtesy of Chi-Wen Gallery
Hsu Yung-hsu (徐永旭) re-examines his own creative process in Becoming‧Refrain (周流‧複歌), a solo show of 32 new sculptures to be displayed at Tina Keng Gallery’s Neihu (內湖) location. Building on his previous work, Hsu deconstructs his medium by manipulating (pressing, pushing, tearing, layering) and repeatedly stacking the clay so as to build a mass of abstract shapes. The resulting sculptures balance immense forms with delicate flourishes, “transcend[ing] the intrinsic limitations of clay,” according to the gallery’s press release.
■ Tina Keng Gallery (耿畫廊), 15, Ln 548, Ruiguang Rd, Taipei City (台北市瑞光路548巷15號), tel: (02) 2659-0798. Open Tuesdays to Sundays from 10am to 7pm
■ Opening reception on Saturday at 4:30pm. Until March 18
Photo courtesy of TFAM
The Taipei Fine Arts Museum (TFAM) will open two exhibitions on Saturday. Time Games: Contemporary Appropriations of the Past (臺灣當代‧玩古喻今) brings together 150 works, dating back to the early 1990s, by 23 contemporary Taiwanese artists working in mixed media, painting and installation. According to the museum’s press release, the artists “recreate works of art through the processes of deconstruction, aggregation … and dissimulation” to express different points of view on the individual, society and current events. Journey Through Jiangnan (行過江南) traces the pivotal moments of Chen Cheng-po’s (陳澄波) artistic career. Chen, a pioneer in the development of modern art in Taiwan who passed away in 1947, was the first Taiwanese painter to be selected to participate in Japan’s Imperial Art Exhibition. Most of the works to be displayed are from his Shanghai period, a time when he was trying to blend Western and Eastern aesthetics to create a new visual language. Nudes, landscapes and figurative painting will be displayed alongside ink paintings that were given to Po by his many friends and admirers.
■ Taipei Fine Arts Museum (TFAM, 台北市立美術館), 181, Zhongshan N Rd Sec 3, Taipei City (台北市中山北路三段181號), tel: (02) 2595-7656. Open Tuesdays to Sundays from 9:30am to 5:30pm and until 8:30pm on Saturdays. Admission: NT$30
■ Both shows begin Saturday. Time Games ends June 10; Journey runs until May 13
Metaphysics in Metallic Luster presents a new series of hyperrealistic paintings by Dutch artist Maarten Verhaak that depict cars, office buildings, freeways and airports. Verhaak’s use of perspective directs the viewer’s attention to details that may otherwise be overlooked: a tiny dent in a fender, for example, or a city scene reflected off the surface of a car. But in spite of his photorealist style, his paintings are not reproduced in exact detail. The intentional omission of certain elements thus guides the “viewer’s gaze on to the subjects the artist wants us to see,” according to the gallery’s press release.
■ Art Door Gallery (藝境畫廊), 5F, 36, Ln 164, Hulin St, Taipei City (台北市虎林街164巷36號5樓), tel: (02) 2345-6773. Open Tuesdays to Sundays from 2pm to 7pm
■ Until March 4
Looking for a new kind of sensory experience? If so, you might want to check out Descriptions of Hearing (聽覺摹寫), an exhibition of sound and video installation by seven artists from Taiwan, Hong Kong, Italy and Spain. According to curators Liao Chien-chiao (廖芊喬) and Linda Lai (黎肖嫻), the group show attempts to go “beyond pure imitation or reproduction of hearing,” so that participants can expand their scope of “perception through words, imagery and behavior, and engage in the creation of a pure sound art.” An “object theater” performance titled Toward the End (暮) will be held on Saturday at 3pm.
■ Digital Arts Center (台北數位藝術中心), 180 Fuhua Rd, Taipei City (台北市福華路180號), tel: (02) 7736-0708. Open Tuesdays to Sundays from 10am to 6pm. Admission: Free
■ Until March 25
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby