Faye Wong’s (王菲) recent visit to Taipei caused a stir among fans and the entertainment media, but that was to be expected.
The pop diva performed a run of highly anticipated shows at Taipei Arena (台北小巨蛋) last weekend as part of a comeback tour. Wong dropped out of the limelight in 2004, hinting at a retirement from singing.
The announcement of her return to the stage late last year was greeted in Taiwan with frenzied ticket sales: When tickets for last week’s shows went on sale in October, buyers caused ERA’s online ticketing system to crash within minutes. Once ERA fixed the problem, 90 percent of the tickets for her three shows were sold within two hours.
Photo: Taipei Times
While in Taipei last week, the Beijing-born 41-year-old singer’s every move and utterance was closely scrutinized.
Wong is famous for her cool demeanor in public, and TVBS illustrated her reticence by counting the total number of words she spoke to the audience during the three shows: 26.
And as the Liberty Times (the Taipei Times’ sister newspaper) put it, Wong often found herself getting “stuck” (卡卡) wherever she went. Paparazzi and fans mobbed her as soon as she stepped off the plane last week. They mobbed her again at a post-concert party at the Taipei nightspot Barcode (where she had to plead with the photographers to be careful and not push each other), and saw her off at the airport when she left.
But Wong didn’t seem to mind the attention while waiting for her return flight, at least judging from video posted online by the Apple Daily. When asked by reporters to judge her own performances, she replied, “It’s in the past, I don’t care about giving myself a score. Anyhow I did my best.”
She also addressed a minor drama that occurred during her final concert on Sunday. During one segment, Wong sang a number while sitting on a “flying chair” that was lifted three stories high above the audience. The chair got stuck for a few seconds on the way down, which left Wong visibly startled.
“I was a little nervous, but it was OK,” she said. “I thought that the audience was calmer.”
Overnight sensation singer Lin Yu-chun (林育群), also known as “Little Fatty” (小胖), had better look out, because there’s a new YouTube star in town.
Forty-one-year-old comedienne and singer Lotus Wang (王彩樺) has scored more than two million hits for her video and electro-house hit Bobee (保庇, www.youtube.com/watch?v=_gWu5Y6yY4E), a cover of a song by South Korean girl band T-ara.
The video recently received a nod from CNN as the “best viral video of the week,” and the “Bobee” dance has become a veritable craze, spawning a rash of copycat videos. The Macarena goes taike (台客), if you will.
Bobee, a catchy tune sung in Hoklo (commonly known as Taiwanese) about asking deities for protection and luck, is on Wang’s first album, Bo Peep Bo Peep (有唱有保庇), which reached the number one spot on G-Music’s charts twice since being released last month.
Wang described herself in a recent interview with the Central News Agency as a mere “B-lister” in the entertainment world.
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
Toward the outside edge of Taichung City, in Wufeng District (霧峰去), sits a sprawling collection of single-story buildings with tiled roofs belonging to the Wufeng Lin (霧峰林家) family, who rose to prominence through success in military, commercial, and artistic endeavors in the 19th century. Most of these buildings have brick walls and tiled roofs in the traditional reddish-brown color, but in the middle is one incongruous property with bright white walls and a black tiled roof: Yipu Garden (頤圃). Purists may scoff at the Japanese-style exterior and its radical departure from the Fujianese architectural style of the surrounding buildings. However, the property