Three Pictures X’mas Party (3P聖誕ALL夜)
A glimpse at the alternative edge of Hong Kong cinema for a sexy Christmas viewing experience, the Three Pictures X’mas Party showcases the work of three young Hong Kong-based directors. The three movie mini-festival, which runs today, tomorrow and Sunday, is screening Innocent (只愛陌生人), End of Love (愛到盡) and The People I Have Slept With (姣妹日記). The three films share a common interest in steamy sex, both gay and straight (only the last of the three is specifically straight), and promiscuous living in general, as well as a moderate level of festival circuit exposure. They aim for the racy end of the European art house spectrum, and for those who want to get into a sexy mood with someone special, you could do worse. The films will show at in89 Digital Cinema (in89豪華數位影院), 89, Wuchang St Sec 2, Taipei City (台北市武昌街二段89號). Tickets are available at the venue for NT$160 per screening and NT$499 for a set of three. Detailed information about the films can be found at mypaper.pchome.com.tw/3pxmas.
Love and Other Drugs
Taiwan’s film distributors clearly believe that this is the season for sex, and the recently released Love and Other Drugs fits the bill perfectly. It stars two very beautiful people, Jake Gyllenhaal and Anne Hathaway, who spend a large segment of the film’s 113 minutes getting naked. That would seem a good enough reason to see the film, but there is even more to recommend it. Director Edward Zwick has packed the film with sharp dialogue, a critique of the pharmaceutical trade, and a disease-of-the-day tearjerker. While a hasty assessment would suggest that the film could fall apart under its own weight, an old-fashioned sense of theatrical good humor holds it together, making it an ideal date movie for those who don’t think getting blown away by the special effects of Tron: Legacy 3D is all that romantic.
Anything for Her (Pour Elle)
This 2008 French movie served as the model for the recently released The Next Three Days, and for anyone who wants to watch this rather improbable thriller, the substitution of Vincent Lindon for Russell Crowe can only be a good thing. A married couple’s life is turned upside down when the wife is arrested for murder. Her husband, with no legal recourse, learns to become a criminal in order to bust his wife out of prison. Inevitably, he gets caught up in the dark side of humanity. The film received strong reviews for its solid acting and the tension created by director Fred Cavaye.
Home for Christmas (Hjem til Jul)
Based on a series of short stories by award-winning Norwegian writer Levi Henriksen, Home for Christmas manages to weave its separate elements into an organic whole. Beautiful to look at and with a hint of darkness that occasionally cuts through the feel-good festive surface, the film might serve as a welcome antidote to the more aggressively saccharine Christmas features offered by the big US studios. The movie tells a number of interlinked stories of people trying desperately to reconnect with family and friends, or indeed anyone who will listen. An excellent feel-good option for those who don’t want the sentiment laid on too thick.
Ohoku
Also distributed under the more expressive title The Lady Shogun and Her Men, Ohoku is an historical costume comedy that derives most of its humor from role reversal. In 16th-century Edo, a population decimated by disease sees women rise up the political structure, and female shogun Yoshimune (Kou Shibasaki) finds herself at the head of a harem of 3,000 men, all vying for her favor. The film has been a great hit with Japanese audiences, but Variety magazine, though lauding its production values, does not believe the plays on various gender stereotypes will draw many laughs from non-Japanese audiences.
Naruto: The Movie 7
The seventh feature movie in the ongoing Naruto franchise, the film has also, confusingly, been released as Naruto Shippuden 4: The Lost Tower. The Naruto manga tells the story of Naruto Uzumaki, an adolescent ninja who constantly searches for recognition and aspires for high status through participation in various missions. The story mixes fight and comedy elements and has proved a successful export to North America and other Western markets.
La Danse: The Paris Opera Ballet
The film follows the productions of seven ballets at the famed Opera House in Paris, giving viewers an inside look at the dancers, the choreographers, the rehearsals and performances, as well as the costumers and other backstage crew members. Among the ballets included are those by modern-dance choreographers Wayne McGregor and Emmanuel Gat, who both have appeared in Taipei as part of the Novel Hall Dance series, and Angelin Preljocaj, whose company has appeared at the National Theater. The film is in French, with Chinese and English subtitles.
Taiwan is one of the world’s greatest per-capita consumers of seafood. Whereas the average human is thought to eat around 20kg of seafood per year, each Taiwanese gets through 27kg to 35kg of ocean delicacies annually, depending on which source you find most credible. Given the ubiquity of dishes like oyster omelet (蚵仔煎) and milkfish soup (虱目魚湯), the higher estimate may well be correct. By global standards, let alone local consumption patterns, I’m not much of a seafood fan. It’s not just a matter of taste, although that’s part of it. What I’ve read about the environmental impact of the
It is jarring how differently Taiwan’s politics is portrayed in the international press compared to the local Chinese-language press. Viewed from abroad, Taiwan is seen as a geopolitical hotspot, or “The Most Dangerous Place on Earth,” as the Economist once blazoned across their cover. Meanwhile, tasked with facing down those existential threats, Taiwan’s leaders are dying their hair pink. These include former president Tsai Ing-wen (蔡英文), Vice President Hsiao Bi-khim (蕭美琴) and Kaohsiung Mayor Chen Chi-mai (陳其邁), among others. They are demonstrating what big fans they are of South Korean K-pop sensations Blackpink ahead of their concerts this weekend in Kaohsiung.
Oct 20 to Oct 26 After a day of fighting, the Japanese Army’s Second Division was resting when a curious delegation of two Scotsmen and 19 Taiwanese approached their camp. It was Oct. 20, 1895, and the troops had reached Taiye Village (太爺庄) in today’s Hunei District (湖內), Kaohsiung, just 10km away from their final target of Tainan. Led by Presbyterian missionaries Thomas Barclay and Duncan Ferguson, the group informed the Japanese that resistance leader Liu Yung-fu (劉永福) had fled to China the previous night, leaving his Black Flag Army fighters behind and the city in chaos. On behalf of the
The captain of the giant Royal Navy battleship called his officers together to give them a first morsel of one of World War II’s most closely guarded secrets: Prepare yourselves, he said, for “an extremely important task.” “Speculations abound,” one of the officers wrote in his diary that day — June 2, 1944. “Some say a second front, some say we are to escort the Soviets, or doing something else around Iceland. No one is allowed ashore.” The secret was D-Day — the June 6, 1944, invasion of Nazi-occupied France with the world’s largest-ever sea, land and air armada. It punctured Adolf
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