Fans of rock band 1976 have two more chances this year to see the band perform live: the indie-rock institution, which recently broke through to the mainstream, performs tomorrow at Riverside Live House (西門紅樓展演館) and headlines a New Year’s Eve concert in Taichung.
Founded in 1996, the band released four albums through three different indie labels from 1999 to 2006 before signing with Sony BMG in 2008. Following its second Sony release, Manic Pixie Dream Girl (不合時宜), the group beat out Golden Melody darling Sodagreen (蘇打綠) to net the Best Band Award this year.
After pocketing the gong, the band embarked on its first countrywide tour last month.
Photo Courtesy of Sony Music
“We’re glad to receive the mainstream recognition,” front man and vocalist Chen Ray-kai (陳瑞凱, aka Ah-kai, 阿凱) told the Taipei Times last week. “I’ve always felt that indie music is not about taste. Rather, it’s about the state you are in and how the advertising budget is spent.”
The band’s name comes from the birth year of its two founding members. Chen played in a cover band with guitarist Zac Chang (張崇偉) in high school and the two decided to start their own band and create original music.
Drummer Warren Lin (林雨霖) joined in 2001 for the band’s third album, Encourage With Love (愛的鼓勵), and bassist Lin Tzi-chiao (林子喬), the youngest member, joined in 2006.
The band’s layered rock sound — often described as “Brit rock” — and poetic lyrics ranging from romantic musings to existential contemplation have garnered it a devout following, especially among college students.
The band’s literary leanings can be witnessed in its recent single, Sail to Neverland (世界盡頭), which combines soul searching and romantic yearning.
“This song is about the changing world and the desire to go on a journey. The lyrics are about a man and a woman who depart from Norwegian Wood to go to Kafka on the Shore,” Chen said, referring to the work of Haruki Murakami, one of his favorite authors.
The chief owner of Kafka on the Shore cafe (海邊的卡夫卡) in the Gongguan area for five years, Chen has utilized his management experience and musical interest to help arrange events such as the Urban Simple Life festival.
The group is planning to release a new album in March next year.
“I’m going to have my first child soon. There’s also the recent election results and the Golden Melody win,” Chen said. “A lot has happened to stimulate new ideas for the next album.”
What was the population of Taiwan when the first Negritos arrived? In 500BC? The 1st century? The 18th? These questions are important, because they can contextualize the number of babies born last month, 6,523, to all the people on Taiwan, indigenous and colonial alike. That figure represents a year on year drop of 3,884 babies, prefiguring total births under 90,000 for the year. It also represents the 26th straight month of deaths exceeding births. Why isn’t this a bigger crisis? Because we don’t experience it. Instead, what we experience is a growing and more diverse population. POPULATION What is Taiwan’s actual population?
Paul Thomas Anderson’s “One Battle After Another” was crowned best picture at the 98th Academy Awards, handing Hollywood’s top honor to a comic, multi-generational American saga of political resistance. The ceremony Sunday, which also saw Michael B. Jordan win best actor and “Sinners” cinematographer Autumn Durald Arkapaw make Oscar history as the first female director of photography to win the award, was a long-in-coming coronation for Anderson, a San Fernando Valley native who made his first short at age 18 and has been one of America’s most lionized filmmakers for decades. Before Sunday, Anderson had never won an Oscar. But “One Battle
In Kaohsiung’s Indigenous People’s Park (原住民主題公園), the dance group Push Hands is training. All its members are from Taiwan’s indigenous community, but their vibe is closer to that of a modern, urban hip-hop posse. MIXING CULTURES “The name Push Hands comes from the idea of pushing away tradition to expand our culture,” says Ljakuon (洪濬嚴), the 44-year-old founder and main teacher of the dance group. This is what makes Push Hands unique: while retaining their Aboriginal roots, and even reconnecting with them, they are adamant about doing something modern. Ljakuon started the group 20 years ago, initially with the sole intention of doing hip-hop dancing.
You would never believe Yancheng District (鹽埕) used to be a salt field. Today, it is a bustling, artsy, Kowloon-ish “old town” of Kaohsiung — full of neon lights, small shops, scooters and street food. Two hundred years ago, before Japanese occupiers developed a shipping powerhouse around it, Yancheng was a flat triangle where seawater was captured and dried to collect salt. This is what local art galleries are revealing during the first edition of the Yancheng Arts Festival. Shen Yu-rung (沈裕融), the main curator, says: “We chose the connection with salt as a theme. The ocean is still very near, just a