I must confess that I broke a vow made a few years back never to step foot again into Alleycat’s. My last experience in the claustrophobic and crypt-like atmosphere of its branch located a stone’s throw from Yongkang Street (永康街) saw an angry chef repeatedly berating a server over some indiscretion — one that was perhaps deserved because the service was terrible (though the food was excellent).
Fast forward a few years and I happened past the chain’s recently opened location in Huashan 1914 Creative Park
(華山1914), where large calzone-shaped casement windows exuded soft light. Tempted by the ambiance and the deliciously pungent smell of baking, I broke my covenant.
The expansive interior, with its vaulted ceilings and open-spaced concept, consists of two rooms separated by a long bar. The walls are painted mustard yellow with patches of exposed brick, and the windows are ideal for watching the hustle and bustle of the open market (on weekends) outside.
Behind the bar, patrons can watch cooks roll, dress and bake pizzas and calzones. Two arches to the right of the long bar act as the gateway to the second dining room above, which sports a partial replica of Michelangelo’s fresco The Creation of Adam, rounding out the Mediterranean vibe that the restaurant does well to cultivate.
As I was losing myself in the architectural largesse, the caprese salad (NT$180) arrived. Sliced tomatoes and fresh mozzarella were alternately stacked on a small plate, and it was seasoned with lemon juice, olive oil and cracked pepper and sprinkled with slivers of fresh basil.
Like the Tower of Pisa it replicates in miniature form, however, it was slightly awry. More to the point, the salad was not so much daubed but drenched in olive oil, effectively drowning out the delicate flavors of the tomato, cheese and basil. Perhaps a little less oil and a sprinkling of balsamic vinegar would lighten up this heavy starter.
But everything fell into place with the vegetarian pizza (NT$330 for 10-inch; NT$360 for 12-inch). Alleycat’s takes its dough seriously. Made from scratch, it is assembled as ordered and cooked in a stone oven.
The mural of black olives, green peppers, tomatoes, shiitake mushrooms and artichoke hearts was evenly arranged on a thin crust with just the right amount of mozzarella cheese and marinara sauce. The crust was expertly cooked to a golden brown on the edges and remained soft and chewy toward the center.
The calzone (NT$350) was also a triumph. Served with a Caesar salad and marinara sauce on the side, the pastry’s innards were a gooey mixture of spinach and ricotta cheese infused with aromatic spices.
And the service? No angry chefs here, and my water glass was kept full even though the place was packed.
The restaurant also has a large outside patio that is perfect for slinging back a few ciders or glasses of Hoegaarden draught (both NT$120 for a half pint or NT$220 for a pint).
Most heroes are remembered for the battles they fought. Taiwan’s Black Bat Squadron is remembered for flying into Chinese airspace 838 times between 1953 and 1967, and for the 148 men whose sacrifice bought the intelligence that kept Taiwan secure. Two-thirds of the squadron died carrying out missions most people wouldn’t learn about for another 40 years. The squadron lost 15 aircraft and 148 crew members over those 14 years, making it the deadliest unit in Taiwan’s military history by casualty rate. They flew at night, often at low altitudes, straight into some of the most heavily defended airspace in Asia.
This month the government ordered a one-year block of Xiaohongshu (小紅書) or Rednote, a Chinese social media platform with more than 3 million users in Taiwan. The government pointed to widespread fraud activity on the platform, along with cybersecurity failures. Officials said that they had reached out to the company and asked it to change. However, they received no response. The pro-China parties, the Chinese Nationalist Party (KMT) and Taiwan People’s Party (TPP), immediately swung into action, denouncing the ban as an attack on free speech. This “free speech” claim was then echoed by the People’s Republic of China (PRC),
Many people in Taiwan first learned about universal basic income (UBI) — the idea that the government should provide regular, no-strings-attached payments to each citizen — in 2019. While seeking the Democratic nomination for the 2020 US presidential election, Andrew Yang, a politician of Taiwanese descent, said that, if elected, he’d institute a UBI of US$1,000 per month to “get the economic boot off of people’s throats, allowing them to lift their heads up, breathe, and get excited for the future.” His campaign petered out, but the concept of UBI hasn’t gone away. Throughout the industrialized world, there are fears that
Like much in the world today, theater has experienced major disruptions over the six years since COVID-19. The pandemic, the war in Ukraine and social media have created a new normal of geopolitical and information uncertainty, and the performing arts are not immune to these effects. “Ten years ago people wanted to come to the theater to engage with important issues, but now the Internet allows them to engage with those issues powerfully and immediately,” said Faith Tan, programming director of the Esplanade in Singapore, speaking last week in Japan. “One reaction to unpredictability has been a renewed emphasis on