Last week Carina Lau (劉嘉玲) and Tony Leung Chiu Wai (梁朝偉) exchanged marriage vows in Bhutan. A wedding on the following day, which one might have expected to upstage an event taking place thousands of kilometers away, didn’t. Terry Gou’s (郭台銘) marriage to dancer Delia Tseng (曾馨瑩) managed to totally underwhelm the media. Perhaps that was intentional, for the event at the Grand Hyatt Taipei was billed as “environmentally friendly and of the common people.” It may come as something of a surprise to Gou to learn that most people don’t spend upwards of NT$20 million on their wedding, but compared to the NT$220 million that the Lau-Leung nuptials cost, it is, as they say, small potatoes.
Unfortunately, Gou simply comes across as being a tad cheap, which reflects badly on him after his unsuccessful pursuit of A-listers like Lau. But the most notable aspect of Gou’s wedding was not the guests, who included local celebrities Chang Fei (張菲), Chang Hsiao-yen (張小燕) and Kevin Tsai (蔡康永), but those who were not invited. First among the omissions was supermodel and former Gou inamorata Lin Chih-lin (林志玲), who is regarded by many as the matchmaker behind the Tel and Delia pairing. Gou, it seems, does not like to be reminded of his failures — another mark against someone who tries to come across as debonair.
And all may not be rosy in the house of Gou. The tycoon’s younger brother Gou Tai-chiang (郭台強) missed his sibling’s wedding, preferring to holiday in Kyoto instead.
Meanwhile, Jolin Tsai (蔡依林) is without a clearly designated “friend,” and, according to her favorite fortune-teller, this has everything to do with the color of her hair, Next Magazine reports. Tsai’s tresses recently went from brown to black, and while this hasn’t done anything for her love life, it may, or may not, have helped bag her a lucrative contract for promoting hair care products, reportedly worth NT$24 million.
Lower down on the celebrity food chain, model Song Hsin-ni (宋新妮) has found that the most effective way of moving from page to screen is to get her kit off, and has achieved a victory of sorts in squeezing out rival Lee Yan-jin (李妍瑾) as the celebrity spokesperson for Ankh Clinic Beauty Therapy (安蔻美容醫學中心), where she had become a regular client.
Still further down the food chain, Sung Chien-chang (宋健彰), better known as band Nanchuan Mama’s (南拳媽媽) Tantou (彈頭), may be faced with a shotgun wedding as girlfriend Pipi (皮皮) has, reportedly, got a little Tantou in her tummy. The pretty boy’s rather short career as a man about town seems to be drawing rapidly to a close.
And so as Pop Stop bottoms out, the only way to go is up. Well, perhaps not. Jam Hsiao (蕭敬騰), whose self-titled debut album remains unremittingly at the top of the music charts despite no evidence of originality or talent, is hereby formally admitted into Pop Stop’s Rock ’n’ Roll Hall of Fame after he was charged with burning a piano in a conservation area. Alas, this is no Jimi Hendrix at the Monterrey Pop Festival during the Summer of Love, and without any regard for the saccharine music video that resulted from this publicity stunt, the Taichung County Environmental Protection Agency slapped a NT$100,000 fine on Hsiao’s production company for, first and foremost, transporting the piano to the Kaomei Wildlife Conservation Area (高美野生動物保護區) and, quite literally, frightening the animals, and then for burning it in an area in which fires are prohibited.
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby