"I'm sure she's completely mortified by this. As well you should be ma'am," he said, addressing a woman in the audience.
On a decidedly more feminine note, the U2 performance at U-Theatre's cultural center in Muzha earlier Saturday evening was a quiet exploration of an Aboriginal woman's search for identify. The piece Dadalan – Traveling the Same Path (搭搭藍：同路人) was created by U-Theatre member, Aboa (伊苞), a Paiwan, who drew upon the life story of senior troupe member Lin Shiu-chin (林秀金) or Syau-miu (秀妹), a Taipei-born Amis.
At the center of the nine-member cast were Syau-miu, who played the role of the tribal priestess or shaman - the role, in fact, of her own grandmother, and Chang Yu-lun (張雅倫), as the granddaughter.
The piece mixed Aboriginal songs, dance and a bit of drumming, and befitting members of U-Theatre, the piece moved to a slow, measured pace, and was as much about what was sung or danced as what was left unsaid.
Although it was difficult to follow the intricacies and nuances of the storyline for someone who couldn't read the Chinese translation of the Aboriginal poems and songs, the tale about connecting with family and culture rings true to anyone who has struggle to define their place in the world.
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