Wu Bai (伍佰) and China Blue, who made live, guitar-oriented rock 'n' roll popular in Taiwan, kick off a four-city tour starting at the end of this month and tickets are expected to sell out quickly. Labeled "the king of live music," Wu Bai is one of the biggest pop music stars in East and Southeast Asia, though he has also maintained a measure of local street credibility as the epitome of taike (台客) chic. Once a derogative appellation used to refer to someone with a low-class attitude or style, taike has now been subverted and has gained street credibility
With his distinctive helmet hair, powerful blues-oriented chords and lyrics in Hoklo and Mandarin, Wu Bai emerged in the mid-1990s as the figurehead of Taiwanese rock 'n' roll, packing stadiums with crowds of up to 100,000 and generating record sales of more than 600,000 copies for his most popular albums. Along with May Day (五月天) and Back Quarter (四分衛), Wu Bai and his band - bassist Ju Jian-hui (朱劍輝), drummer Dean "Dino" Zavolta and keyboard player Yu Dai-ho (余大豪) - are one of the few big-time local acts with garage-band roots.
At 39, Wu Bai, whose monikers include the "cult master" and the "king of Chinese rock," has released a dozen studio albums with China Blue. He's also acted in four movies and served as a spokesman for Taiwan Beer. "I pursue light and heat. I like this kind of beautiful lavish life. So I push myself, burn myself, and see how far I can go," he wrote in his biography/photo album retrospective Moonlight Symphony (月光交響曲).
With his Taiwanese-accented Mandarin and rock star looks, Wu Bai, whose real name is Wu Chun-lin (吳俊霖), projects the image of the archetypical taike. Since the first TK Rock concert (台客搖滾嘉年華) in 2005, he has enjoyed new popularity as Taiwanese who are proud of their heritage embrace elements of the country's working-class culture.
Wu Bai and China Blue have a uniquely Taiwanese take on rock 'n' roll, with influences like puppet theater (布袋戲) and old TV variety shows. Zavolta said they favor "more of an Asian pop rock 'n' roll style" that combines power chords with groovy bubble gum pop. "We try to stay on the cutting edge musically and try to keep it real, but still have a certain sound," he said. China Blue was formed in 1991 by Zavolta and Ju, who soon met a then-pudgy young guitarist named Wu Bai. They got their first big break in 1992, when they wrote two songs for a movie soundtrack. Their most popular album, 1996's The End of Love (愛情的盡頭), has sold more than 600,000 copies.
Fans can expect some new material mixed with old hits at the band's upcoming concerts, Zavolta said, but a new album is currently not in the works. "I don't know what we're coming up with next," he said. "I don't know what Wu Bai has up his sleeve."
If one asks Taiwanese why house prices are so high or why the nation is so built up or why certain policies cannot be carried out, one common answer is that “Taiwan is too small.” This is actually true, though not in the way people think. The National Property Administration (NPA), responsible for tracking and managing the government’s real estate assets, maintains statistics on how much land the government owns. As of the end of last year, land for official use constituted 293,655 hectares, for public use 1,732,513 hectares, for non-public use 216,972 hectares and for state enterprises 34 hectares, yielding
The small platform at Duoliang Train Station in Taitung County’s Taimali Township (太麻里) served villagers from 1992 to 2006, but was eventually shut down due to lack of use. Just 10 years later, the abandoned train station had become widely known as the most beautiful station in Taiwan, and visitors were so frequent that the village had to start restricting traffic. Nowadays, Duoliang Village (多良) is known as a bit of a tourist trap, with a mandatory, albeit modest, admission fee of NT$10 giving access to a crowded lane of vendors with a mediocre view of the ocean and the trains
Traditionally, indigenous people in Taiwan’s mountains practice swidden cultivation, or “slash and burn” agriculture, a practice common in human history. According to a 2016 research article in the International Journal of Environmental Sustainability, among the Atayal people, this began with a search for suitable forested slopeland. The trees are burnt for fertilizer and the land cleared of stones. The stones and wood are then piled up to make fences, while both dead and standing trees are retained on the plot. The fences are used to grow climbing crops like squash and beans. The plot itself supports farming for three years.
President William Lai (賴清德) on Nov. 25 last year announced in a Washington Post op-ed that “my government will introduce a historic US$40 billion supplementary defense budget, an investment that underscores our commitment to defending Taiwan’s democracy.” Lai promised “significant new arms acquisitions from the United States” and to “invest in cutting-edge technologies and expand Taiwan’s defense industrial base,” to “bolster deterrence by inserting greater costs and uncertainties into Beijing’s decision-making on the use of force.” Announcing it in the Washington Post was a strategic gamble, both geopolitically and domestically, with Taiwan’s international credibility at stake. But Lai’s message was exactly