Wu Bai (伍佰) and China Blue, who made live, guitar-oriented rock 'n' roll popular in Taiwan, kick off a four-city tour starting at the end of this month and tickets are expected to sell out quickly. Labeled "the king of live music," Wu Bai is one of the biggest pop music stars in East and Southeast Asia, though he has also maintained a measure of local street credibility as the epitome of taike (台客) chic. Once a derogative appellation used to refer to someone with a low-class attitude or style, taike has now been subverted and has gained street credibility
With his distinctive helmet hair, powerful blues-oriented chords and lyrics in Hoklo and Mandarin, Wu Bai emerged in the mid-1990s as the figurehead of Taiwanese rock 'n' roll, packing stadiums with crowds of up to 100,000 and generating record sales of more than 600,000 copies for his most popular albums. Along with May Day (五月天) and Back Quarter (四分衛), Wu Bai and his band - bassist Ju Jian-hui (朱劍輝), drummer Dean "Dino" Zavolta and keyboard player Yu Dai-ho (余大豪) - are one of the few big-time local acts with garage-band roots.
At 39, Wu Bai, whose monikers include the "cult master" and the "king of Chinese rock," has released a dozen studio albums with China Blue. He's also acted in four movies and served as a spokesman for Taiwan Beer. "I pursue light and heat. I like this kind of beautiful lavish life. So I push myself, burn myself, and see how far I can go," he wrote in his biography/photo album retrospective Moonlight Symphony (月光交響曲).
With his Taiwanese-accented Mandarin and rock star looks, Wu Bai, whose real name is Wu Chun-lin (吳俊霖), projects the image of the archetypical taike. Since the first TK Rock concert (台客搖滾嘉年華) in 2005, he has enjoyed new popularity as Taiwanese who are proud of their heritage embrace elements of the country's working-class culture.
Wu Bai and China Blue have a uniquely Taiwanese take on rock 'n' roll, with influences like puppet theater (布袋戲) and old TV variety shows. Zavolta said they favor "more of an Asian pop rock 'n' roll style" that combines power chords with groovy bubble gum pop. "We try to stay on the cutting edge musically and try to keep it real, but still have a certain sound," he said. China Blue was formed in 1991 by Zavolta and Ju, who soon met a then-pudgy young guitarist named Wu Bai. They got their first big break in 1992, when they wrote two songs for a movie soundtrack. Their most popular album, 1996's The End of Love (愛情的盡頭), has sold more than 600,000 copies.
Fans can expect some new material mixed with old hits at the band's upcoming concerts, Zavolta said, but a new album is currently not in the works. "I don't know what we're coming up with next," he said. "I don't know what Wu Bai has up his sleeve."
What was the population of Taiwan when the first Negritos arrived? In 500BC? The 1st century? The 18th? These questions are important, because they can contextualize the number of babies born last month, 6,523, to all the people on Taiwan, indigenous and colonial alike. That figure represents a year on year drop of 3,884 babies, prefiguring total births under 90,000 for the year. It also represents the 26th straight month of deaths exceeding births. Why isn’t this a bigger crisis? Because we don’t experience it. Instead, what we experience is a growing and more diverse population. POPULATION What is Taiwan’s actual population?
After Jurassic Park premiered in 1993, people began to ask if scientists could really bring long-lost species back from extinction, just like in the hit movie. The idea has triggered “de-extinction” debates in several countries, including Taiwan, where the focus has been on the Formosan clouded leopard (designated after 1917 as Neofelis nebulosa brachyura). National Taiwan Museum’s (NTM) Web site describes the Formosan clouded leopard as “a subspecies endemic to Taiwan…it reaches a body length of 0.6m to 1.2m and tail length of 0.7m to 0.9m and weighs between 15kg and 30kg. It is entirely covered with beautiful cloud-like spots
For the past five years, Sammy Jou (周祥敏) has climbed Kinmen’s highest peak, Taiwu Mountain (太武山) at 6am before heading to work. In the winter, it’s dark when he sets out but even at this hour, other climbers are already coming down the mountain. All of this is a big change from Jou’s childhood during the Martial Law period, when the military requisitioned the mountain for strategic purposes and most of it was off-limits. Back then, only two mountain trails were open, and they were open only during special occasions, such as for prayers to one’s ancestors during Lunar New Year.
March 23 to March 29 Kao Chang (高長) set strict rules for his descendants: women were to learn music or cooking, and the men medicine or theology. No matter what life path they chose, they were to use their skills in service of the Presbyterian Church and society. As a result, musical ability — particularly in Western instruments — was almost expected among the Kao women, and even those who married into the family often had musical training. Although the men did not typically play instruments, they played a supporting role, helping to organize music programs such as children’s orchestras, writes